“I believe that it is better to be receptive to correction than to be satisfied with one’s own imperfection, and to think that one is oh so original!”
— Piet Mondrian
As I mentioned in a welcome statement from over a year ago (and perhaps more recently), I have nothing against digital collage, although I do maintain a bias in favor of conventional (so-called analogue) techniques, especially at this site, but don’t expect me to become “all blogmatic” about the topic, since I have been known to gratefully accept commissions for digital montage and affirm my respect for those who do collage illustration at a high level. The point I want to make today is that, so far, I have not generated much enthusiasm for manipulating or reproducing my “tear and glue” artworks as digital prints or “art merchandise.” Someone recently asked if I sold note-card versions of my miniatures, and I had to admit that “I have never quite gotten around to that.”
There are many reasons, both good and bad, to produce derivations of one’s own work for the marketplace. There are also many reasons, both good and bad, to restrain oneself. I would hope to be open-minded about the subject. Not everyone who enjoys collage can afford to collect originals. In addition, I often get ideas about how to combine separate works into a composite digital design, exploring in the process a distinctive aesthetic resonance that might not be discovered in other ways. I occasionally imagine how one of my miniatures would look as a super-enlargement, or I envision an exhibition of large canvases created from Giclée blow-ups of small works. No doubt, there is an appropriate place for digital technology in the medium, whether on the front- or back-end of the process. The digital image is, of course, the stock in trade of any artist with an active presence on the Internet. That comes with its own set of issues that I plan to cover in my next discussion. Meanwhile, I hope to preserve my emphasis on a traditional methodology and observe how other collage practitioners adopt emerging technology to enhance their fine-art investigations.
Microcosmic Moments
compilation of nine miniatures by J A Dixon
proposed digital concept, variable in dimensions
Modular Zowee
composite of collage details by J A Dixon
proposed digital concept, variable in dimensions
Mystery Solved (detail)
super-enlargement of collage detail by J A Dixon
proposed digital concept, variable in dimensions
Mystery Solved (set of four cards)
merchandise with collage details by J A Dixon
proposed digital reproductions, 5.75 x 4.5 inches
Broadband Access
digital montage by J A Dixon
editorial illustration for ACUTA Journal