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Missed Connections

or was it too real for you? Message Box #43855.

A FRIEND IN NEED – I helped you look for your missing wallet last Wednesday at the St. Pancras stop. We never did find it, but I think we found something else to pursue. Drinks? My treat, of course. Message Box #99298.

WHITE KNIGHT – Wednesday, St. Pancras–I chased off the grotbag who was “helping” you at the station. I hope I’m not mistaken when I say there was gratitude in your lovely eyes. Let’s have a laugh over it together. Message Box #66728.

FORGIVE ME? I picked your pocket last Wednesday,

Bram

Three weddings that summer, and Penny and Bram are sitting at a reception table with “if we’re thirty-five and single, then” yelling in their ears. Bram looks at Penny. Penny looks at Bram.

Penny writes a prenup that will give back exactly what they put in; single dad Bram has five-year-old Zinnia give him away. They save some money on health insurance. Bram gets an apartment down the hall: Zinnia, it turns out, is Penny’s biggest fan.

When they go out, alone, they wear their bands on slender necklace chains. Neither pauses to consider the semiotics of that.

Kettle

“I miss him,” says Kettle, teeth closed. “I just do and waking up is like putting my hand on a stove, every time.”

“I know,” says Ship. “We’re going to see the blues man.”

He leads her down around the light well until it bottoms out in mud. There are crickets and frogs here; it’s comfortably dim.

The blues man hangs davincied, hooks in his wrists and ankles. “Knife’s on the stump,” he murmurs.

Kettle trembles on her first cut; by her sixth she’s steady. She drops the knife, shuddering. The bleeding blues man breathes deep. Together, they begin to heal.

Lyle

When one of the plummeting cumulonimbi takes out Lyle’s house, he decides to just go with it. The insurance company won’t pay, but who needs them? Or their God? His shovel escaped unbroken, so he digs out a nice burrow: beanbag chairs in every room, and the nice thing about clouds is that your fridge can also be your window. Other people start to dig connecting burrows. Some of the people are girls.

Come spring the cloud will melt and this will be over, Lyle knows. But the beanbags are waterproof, and once the sky has fallen, it can’t fall again.

A few weeks after Asher moves into her own apartment, her father the philosophist moves everything he owns into the attic. Well, not everything–the folding ladder wouldn’t support the fridge–but he gets the couch up there. He insulates between the beams and hacks new vents into the central air. He rolls up the carpet. He puts lawn furniture on the roof. Asher, visiting, manages to work the conversation around to this behavior, and her father smiles and says Asher, you don’t see? It’s only up here, only when your feet don’t touch dirt that you can wrestle with

angels.

Yohon

Yohon is running out of mans. “Maybe if you jump on his head you can grab the fire escape,” he advises the next one.

“DEEDOODEET,” the man agrees.

“Start!” says Yohon. The man majors in accounting, graduates, gets married, lands a high-pressure securities job, hires escorts for stress relief, gets caught, pays certain family gentlemen to hush it up, gets audited, turns states’ evidence, enters a dark alley and tries to jump on a thug’s head. The thug pulls him down and brains him with an aluminum bat.

“CONTINUE?” screams the next man.

“Gotta slide this time,” Yohon mutters, wincing.

Theremin

It’s a summer cabin, but air-conditioned, and that means insulation. The space heater keeps the bathroom warm enough. Theremin fills the bathtub with pillows and books. She shuts the door on winter.

The space heater glows and its cord is frayed; its metal grille recalls a goalie’s mask. It’s dangerous just to be near it, moreso to keep it on all day. Reading a paperback means toasting its edges brown.

Theremin runs out of food and keeps reading. The cabin’s owners will notice the electricity bill. They’ll find her. She’ll already be in the tub. She’ll never be cold again.

Romper

Romper decides to make a body. She gets a shirt from the closet and some rubber feet from the bottom of the blender. She gets some blood. She gives it a heart and bellows, a porkpie and glasses: she draws a moustache on a potato. She sews on three fingers she found in the trash. She wants her friends to like it. She wears it to a party.

“Aiieee,” say most of her friends.

“Bodies are for people,” sneer most of the rest.

“I like your body,” murmurs Spads, wearing a bowl of dog food.

“Fresh!” blushes Romper, and slaps him.

Pavel

“Little Devotchka’s decided to die today,” says Lakshmi, and to Pavel it’s a slap in the face. He manages to turn it into an open-mouthed smile.

“He’s only six!” Pavel shakes his head. “Our little prodigy. I should be surprised it wasn’t sooner.”

Lakshmi offers him her hand, but he doesn’t take it yet. His hair’s gone shamefully gray, but he can still walk to the temple, to see his grandson reach inside himself and turn off his life. To watch, as he watched his wife and children go in bliss. To know that he is watched himself. To fear.

Kitty

When Lieutenant Kitty Spinoza and her platoon are thrown into the hot dark aluminum prison, they have a simple cypher ready within hours: boring sentences, their word order changed to mean “cell checks tonight” or “southwest corner.” The laundry room becomes a post office. As they end up in solitary, one by one, they write a better tapping code than Morse.

When they disassemble the prison and it’s all a hoax, an experiment, the Major congratulates her personally. “We regret the deception,” he smiles, “but your squads should be proud. You’ve yielded some valuable data.”

Kitty understands: this is another code.

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