Well, at least I’m not orbiting the planet, trying to reboot the operating system in pitch blackness so I won’t die…
Humbug
June 18th, 2006this is a test… this is only a test
June 17th, 2006Such a full yesterday resulted in a slow start today. Nic stopped by with a (god)Father’s Day gift—a bright orange Auburn University College of Veterinary Medicine t-shirt.
I had high hopes that by this evening I could achieve a breakthrough and get past my computer woes, but no luck so far. I can understand hurdles when trying to do something complicated, but failure after failure when trying to do the simplest kinds of setup installations has me totally confounded.
I’ll keep trying…
Frenetic Friday
June 16th, 2006Rotary Club was unusually interesting today. I was called upon to make an spontaneous appeal in support of The Salvation Army Summer Camp program. Then we heard from a hometown gal who’s taking Pioneer Playhouse by storm this summer, and that got me thinking about my young chum Andrew. Holly Henson, daughter of the Playhouse founder, gave her pitch about next year’s Raintree County 50th Anniversary Festival. She made us realize that in 1956, it was the most expensive domestic motion picture ever made, and that 40% of it was shot in and around Danville/Boyle County. She made what I thought was an amusing remark— “What if 50 years later everyone had forgotten that the movie Titanic was filmed at Herrington Lake?” Later in the afternoon, I had coffee with a rookie staff writer for the local newspaper to promote the “Share the Road Rally” in Frankfort next Saturday. I’m also in the process of raising the profile of the bicycling advocacy group that a few of us local cyclists have organized this year. We have some lofty goals, and decided it was time to “go public.” We’re committed to a long-term effort and agree it’s too late to put on the brakes now. We’ll press on and see what happens. After that, Dana and I cruised to Lexington for the Gallery Hop, grabbed dinner and a glass of wine at Alfalfa’s downtown eatery, and settled in for an Altman picture at the State Theatre. What a day!
Relentless Modernity Holds Sway
June 15th, 2006Computer problems. Bah! Humbug!
Who built this kingdom of Babel?
I don’t have the developer’s disposition. For them, every glitch, bug, or snafu is a stimulus to enthusiasm, something new and challenging to solve. If I were the Maytag repairman, I’d be content to daydream my way through each blissful day.
“For every improvement there’s a commensurate level of frustration and confusion… With our intellectual assets more and more dependent on the Web, on networked computers, we seem as vulnerable as ever. Call this a pragmatist’s view of progress: All things change but our life experience remains essentially the same; everywhere there are new problems.”
Dale Dougherty wrote that in 1998, and it remains as true as ever.
…rub-a-dub-dub, three minds at the Hub
June 14th, 2006Dana and I spent some time this afternoon having coffee with Beth, a good friend of my sister. She just finished writing a book and was celebrating with a big piece of chocolate cake when we arrived. I don’t know Beth that well, but sometimes you don’t need to know a person that well to realize she or he is observant, thoughtful, compassionate, and imaginative. It was nice to have such a respectful listener—someone sincerely interested in what we’ve learned from life’s experiences.
It’s refreshing to have a good conversation with a creative individual who can open herself to huge ideas and still be totally grounded in reality at the same time.
I hope I get to talk to her again.
Pixartopia
June 13th, 2006Spent most of the day reconfiguring computer setups in the studio, and it was not fun…
So we took Marty to see “Cars,” and it was FUN!
The people at Pixar must know how to have fun with computers. Why haven’t I figured it out yet?
Let’s just give all our money to Pixar and get it over with. Somebody has to take over the world and it might as well be them instead of Wal-Mart or Microsoft.
GABBF 2006, additional reflections
June 12th, 2006— Sunday was a day to shrug off the crazed Prospector (you should’ve seen him mining for diamonds last night) and just absorb the world-class sounds of the Band Festival before the musicians took their final bows.
— I often hear people say that the event “isn’t my kind of music.” I wonder how much of a Festival weekend they’ve actually experienced firsthand. Yesterday afternoon was a good example of how diverse the tunes can be—jazz, rock, motion picture soundtracks, patriotic marches, worship music, pop, classical—nobody would be out of luck except for a few die-hard country, hip-hop, or church organ fans. Over the weekend I heard bagpipes, a xylophone, a melodica, all types of percussion, plus a synthetically enhanced electric tuba, but primarily loads and loads of brass virtuosity. I honestly believe there’s no place on earth one can go to hear many of the world’s most skilled brass artists play for free, except for Danville, Kentucky during a couple days every June. Now, I suppose if you simply don’t care for people blowing horns, this event is not your cup of tea. To each his own, but one ought not to make assumptions. That’s like saying “I’ve never been to The Smithsonian or the National Gallery, but museums aren’t my thing.”
— I really shouldn’t go on. Everyone has their unique preferences when it comes to entertainment. I just happen to like James Clavell novels, Triple Crown horse races, vintage Chuck Heston movies, the Tour de France, watching old TV shows from the 60s, swimming in cold lakes, looking for pirates at plastic toy conventions, and sitting in front an outdoor stage at Centre College once a year. It’s just me. I never know what particular pieces of music will stir my emotions at the Brass Band Festival. This year it was Jens Lindemann playing Leroy Anderson’s “A Trumpeter’s Lullaby” in public for the first time in his career, or Randy Edelman’s haunting “Reunion And Finale” from the film “Gettysburg” and remembering the searing performance of Jeff Daniels, or hearing a Rhythm & Brass interpretation of Pink Floyd’s “Dark Side of Moon” creatively fused with songs from “The Wizard of Oz.” We must all seek out these types of individual pleasures for a balanced spirit, or bring less of ourselves to the serious endeavors that life demands of us at other times.
GABBF 2006, first impressions
June 11th, 2006It was our 17th Great American Brass Band Festival, and maybe the best yet for us. It will certainly be one of the most memorable.
— This year I composed the second poster in a commemorative series which will continue to highlight local artists, working closely with Phnomphone “Paul” Sirimongkhon, a popular painter in town. He’s a native of Laos and a graduate of Berea College. He works for Centre College as a graphic artist. I designed the souvenir pin and t-shirt with images derived from his featured artwork. The pin sold out halfway through the Festival, which has never happened before. The shirts, produced at the 10th Planet, sold well, too. (Oh yes… I found out that I’m to be the Featured Artist in 2007, so I get to play with myself—I mean, collaborate with myself.)
— We had a double table at last night’s picnic celebration, and our theme was a fitting tribute to South African guests Roger and Marcia Ingel, visiting from Durban. A maximum effort was made by all, including Janet and Jerome, and (sonofagun!) we earned the table competition’s “Best of Show.” I don’t think the picture does justice to how cool an impression it made, to tell the truth. Guess you had to be there. There were so many ingredients to the overall effect— the flowers, the place settings, the decorations, the food, the wardrobe, the signage. I created the graphics, and I hope it was an effective promotion for Dixon Design. In any case, although I was resistant at first to the idea of going all the way with our preparations, it turned out to be a lot of fun. I suppose we just love this aspect of the Festival as much as any.
Tales of the Graybeard Prospector XVI
June 10th, 2006• It looks like the GBP has temporarily usurped my persona, and he won’t release his hold until the studio situation has returned to normal (whatever that is). He chipped away with his hammer at the Gallery Hop (non-Stop) in downtown Danville last night. No opportunity was missed, commencing with the Band Festival sponsor reception, held at Central Kentucky Federal Savings Bank. As he earnestly panned for gold dust with a representative of the new aircraft brakes manufacturer in town, his Woman was across the lobby, working her Medicine with the executive’s wife.
With this kind of team effort, something is bound to give, wouldn’t you say?
Confessions of a “philistine” in recovery
June 9th, 2006Our friend Gruntled has a couple recent posts about one of my favorite movies of the year. Back in January, after I saw “The Squid and the Whale,” I made a personal pledge to avail myself of the great novels. I recently watched a lecture Tom Wolfe gave at Duke on my birthday (indispensable C-SPAN!), and his comments reinforced my conviction. As it turns out, I was already chest deep in Ralph Ellison’s “Invisible Man.” I finished it last night. The towering, soul-rattling masterpiece has shattered any vestigial reluctance I had for embracing major American fictional works.
Now I find myself dealing with a new state of indecision— What next?
“The mind that has conceived a plan of living must never lose sight of the chaos against which that pattern was conceived. That goes for societies as well as for individuals.”
— from Invisible Man
Bullseye
June 8th, 2006Leading al-Qaida militant Abu Musab al-Zarqawi was wanted: dead or alive.
He wasn’t the type to be taken alive, nor did U.S. manhunters seem to prefer it that way.
OK. He’s dead.
Now hang Saddam and give the Iraqis a fighting chance to get their nation on its feet.
Mallo Cups, Sweet Tarts, and Train-spotting in ’64
June 7th, 2006There’s a particular stairwell connecting the upper and lower levels of the fitness center at Centre College that has a smell which takes me back to the old McKinley School, where I attended fourth, fifth, and sixth grades. You know what I mean; it’s one of those odor-triggered responses that has deep emotional characteristics. For me, it evokes the final years of pre-adolescence in my first hometown of West Milton, before our family moved to Tipp City, and the resulting psychological disorientation that came with being “the new kid,” just as puberty struck with a vengeance. I was twelve. It wasn’t an easy transition. Life deals many different kinds, of course. On a scale of ten it doesn’t come close to what others in my Clan have endured. I just happened to lose my best friends at the diciest time in a young man’s coming of age. In some unexplainable way I also lost my original identity. Honestly, I still have no idea how it actually affected my personality and my relationship to others. I just know it did, and that’s all that probably needs to be said about it. Fortunately, the summer of our disruption was fashioned into
an adventure of memorable proportions, with our transitional accommodations in the upstairs apartment of a downtown building perched ridiculously close to the major rail line. It must have been inexpensive, and only a boy could have loved it, although I understood how absurdly small it was for a nine-member family. We survived a hot summer without air conditioning by spending most of our time at the pool. It left me with a lifelong attachment to swimming, the most sensual of fitness activities, and further solidified a bond of five brothers, thrown more tightly together with our sudden isolation. I remember the day Mombo gave me hell because I walked three-year-old Jay to our developing home-site two miles out of town, indicating the age gap of the Brothers Dixon in those days. Side-by-side, we navigated a mutually unfamiliar universe of lifeguards, construction workers, shopkeepers, and strange neighbors. Thank God for the summer of ’64. As cohorts in adaptation, we had to make it uniquely our own world, and perhaps, to some degree, it also prepared me for the arrival of September, the end of childhood, and a school with new and different smells…
Strike up the Rand
June 6th, 2006I made mention last month that we’d watched “Out of Africa,” but didn’t say that it was primarily to conduct thematic research in preparation for this coming Saturday night. I admit it. I love The Great American Brass Band Festival. We moved to Kentucky the summer it began, and June in Danville has always been about the Festival for us. Nevertheless, I’m not a big fan of trying to orchestrate a picnic table concept, as much as I thrill to the atmosphere on Saturday night. There’s nothing like being close to the stage during what’s clearly the high point of the weekend, but all the preparations and distractions of making the table into a spectacle has never seemed to be worth the bother. Having said that, I can report that Dana has me completely caught up in getting ready for our African repast, including designing graphics for the table sign, and I’m starting to get excited about how it’s coming together. We’re sharing our table with David and Lee and their guests from Durban, South Africa. The competitive juices are pumping. Look out. I’m gonna kick down every other table like Jesus on a bad day!
Cool, calm, and dissected
June 5th, 2006An Austrian farmer severed his own hand with a log splitter, but kept his cool. This is not how you want to get your fifteen minutes of fame.
A sacred enterprise
June 3rd, 2006My brother Jerome and his wife Janet stopped by today after attending a local picnic for parents with adopted children from other countries. They’re moving ahead with plans to acquire one or two babies from Central America. I think most of my family knew they were considering this, but I just recently found out. I’m very happy for both of them. Dana and I thought seriously about the same course of action when we first came to Danville, but we lost the drive to follow through with it after Marty was born and we became grandparents. Things tend to work out the way they’re supposed to…
The day flew by
June 3rd, 2006I went to Lexington this morning with my buddy Jim M and took part in a public forum by regional planners on the subject of walking and cycling. We learned a lot that will help us as we continue to organize at the local level. The best part was getting to meet a knowledgeable guy from the National Center for Bicycling & Walking. When I got home I spent the afternoon finishing a wedding present for our friend Donna and her groom named Joe. We got to meet him this evening at their post-honeymoon reception, held in the Great Hall of the Community Arts Center. The name I gave my gift artwork was “Cosmorama with Nautilus Shell,” the fifth in a collage series I started in 2003.
Cranking it up a notch
June 2nd, 2006The weather has fouled up my cycling opportunities the past few days, so I put in half an hour on the stationery bike this morning. I haven’t figured out a way to take the boredom out of doing that.
The Band Festival poster that was printed yesterday was unveiled at the Rotary Club meeting today. I didn’t make any remarks, but received plenty of recognition from the podium. The spotlight was on the featured artist, as it should have been, and Paul’s address to the club was down-to-earth, humorous, and sincere. As I may have previously mentioned, I’ve put in a request to be considered for providing next year’s featured art.
Various & Sundry, part thirty-nine
June 1st, 2006— Month of May workout totals: Swim-2; Bike-5; Run-5; Lift-5; Yoga-9
— The Graybeard Prospector and his Medicine Woman ventured back into the administrative sanctum of the local health care system earlier this morning, making their forceful case for a revivified working relationship.
— I traveled to Louisville today with my colleague Paul to approve the press settings for the Great American Brass Band Festival poster. He came along as the featured artist, and I wanted to make sure he was satisfied with the reproduction of his painting, “Brassy Razzmatazz.” We’ve known and admired each other for a number of years, but it’s another level of personal rapport when you get to spend three to four hours talking together during a car trip. The wildest part took place on the way back, when we were caught in a severe electrical hail storm. Visibility dropped to virtually zero when maximum wiper speed failed to help, and it was all I could do to creep down the next exit ramp, praying to escape any danger. It was the worst weather I’ve ever negotiated behind the wheel, enough for two men to confess to a state of utter terror, after we’d struggled successfully to find a safe place to wait it out.
— Over the holiday, while Dana was visiting Bruce, I decided to dig out my copy of a movie I haven’t watched in a long time—“Nothing in Common.” I can report that I found it just as enjoyable as ever. Now that it’s been twenty years since it was made, the music and styles firmly peg it as an 80s period piece, but that only adds to its enduring charm. You don’t have to be a huge fan of Hanks (which I’m not) to be thoroughly entertained by this flick, which offers a full spectrum of moods and creative attributes. It’s hilarious, sexy, witty, insightful, thought-provoking, sad, and comforting. Flaws are there, if you want to pick at it, but it’s remarkably well-paced and so loaded with talent that you wonder why Hanks hasn’t done more ensemble pictures like this. The setting seems tailor-made for my individual pleasure. If you’ve never seen it, you’ve missed a real treat. Tom plays a 30-ish hot-shot creative director at a Chicago ad agency run by Hector Elizondo, but his up-and-coming career collides with a family crisis when his parents (Eva Marie Saint and Jackie Gleason) abruptly split. Saint’s characterization is delivered with absolute freshness and total believability. Reardless of what you might think of Gleason, “The Great One” will surely captivate anyone with this final performance, a masterful blend of comedy and tragedy, and a fitting swan song for the awesomely talented and complex personality. Now add to that a group of superb supporting players—Sela Ward, Barry Corbin, Bess Armstrong, John Kapelos, and Dan Castellaneta (who would go on to create the familiar voice of Homer Simpson). But make no mistake, the motion picture is anchored by the versatile Hanks at his most physically attractive juncture and by how he takes the viewer on an emotional journey under the able direction of Garry Marshall. When you combine this movie with “Big” and “Turner & Hooch,” it forms the pinnacle of the opening chapter in the astonishing tenure of a true Hollywood Star.
The Rune Man Appraisal
May 31st, 2006It’s happened a second time within eight weeks—more property dumped in the gap between the Town House and the building on the corner next door (this time a pile of antique silverware). While I was waiting at the police department, a nervous guy with extensive rune-like tattoos started a conversation. I think he might have been a crime victim and it looked like he was there to turn in a list of stolen items. He was telling me now crazy a place this was, a conclusion he’d formed after living here a month.
“People do meth. I’ve never even seen meth. They snort it at work. People drink and drive all the time. I don’t even drink. I’m from New York. This place is crazy. It’s like it’s a no-consequences town or something. If you get caught drinking and driving in New York, you don’t get your license back. Not like here, with multiple offenses before they do anything. It’s crazy.”
I didn’t know what to say. How bad will it have to get in Kentucky before we experience the kind of enforcement crack-downs that have already taken place in other areas of the country? How bad will it have to get in Danville?
“Bimbo’s TV Trivia” lives on
May 30th, 2006Dr. Gruntled has a recent post that gets some of us thinking about how marriage is portrayed on TV. He suggests that “Medium” currently features the best marriage and welcomes other nominees for strong marriages on television today.
I haven’t found a series that I can get myself to regularly watch since I soured on “Alias” and ABC cancelled “Eyes,” so I’ll have to present a more historical survey. Look elsewhere for cliche nominees like The Cleavers, The Petries, Andy Taylor, and Steve Douglas. This is my peculiar take on the subject, in no particular order, but highly influenced by my favorite shows:
• Best Single Mom—
One Day at a Time | Ann Romano | Bonnie Franklin
Star Trek: The Next Generation | Commander Dr. Beverly Crusher | Gates McFadden
The Big Valley | Victoria Barkley | Barbara Stanwyck
Julia | Julia Baker | Diahann Carroll
• Best Single Dad—
The Byrds of Paradise | Sam Byrd | Timothy Busfield
The Courtship of Eddie’s Father | Tom Corbett | Bill Bixby
Jonny Quest | Dr. Benton C. Quest | voice of Don Messick
The Rifleman | Lucas McCain | Chuck Connors
• Best Married Couple—
thirtysomething | Michael and Hope Steadman | Ken Olin and Mel Harris
Firefly | Zoe and Hoban Washburne | Gina Torres and Alan Tudyk
Life Goes On | Libby and Drew Thacher | Patti LuPone and Bill Smitrovich
Love on a Rooftop | David and Julie Willis | Peter Deuel and Judy Carne
No greater love
May 29th, 2006I need not stand in my family cemetery today to have an overwhelming sense of gratitude for those who have put on a uniform to serve our nation. They performed the duty, often dangerous, at times fraught with extreme peril. There are those in every generation who meet the necessity. I owe them too much, even when they changed their minds after returning home. Some of them did not make it home, and I join with those who offer this day as an inadequate memorial to the magnitude of their sacrifice.
† God bless their souls.
Uncle Art must have known about these things
May 28th, 2006The discipline of aikido is known as a “soft” martial art, but during my period of training it became clear that the defensive moves were ineffective if executed without a certain vigor. On the other hand, an application of too much energy was counterproductive, impeding the ability to flow with the attack. The practitioner was at risk if he became the aggressor. However, by contrast, the dispatch with which one hopes to end an encounter is clearly not the finality of becoming a victim, and that necessitates learning how to find the proper way to redirect incoming force. There are times when you must step directly into the face of an assault to protect yourself. Much of my emphasis during that time of study was overcoming a natural inhibition to act, but with just the right amount of decisiveness. It didn’t come easy. It required focus, relaxation, timing, and fearlessness.
An even less competitive practice is yoga. If one seeks to “win” yoga, it immediately becomes something else. Nevertheless, most, if not all, yoga postures lose their essential value if one “wimps out.” But what’s the difference between pushing too hard and “surrendering” into the pose? Where is that elusive intermediate ground that exists between mere athleticism and withdrawing from the challenge.
People are surprised to learn that I haven’t cut my grass with a gas-engine mower for two or three years. I guess it’s been since my Uncle Art died. He gave me his Craftsman rotary push mower when he moved away from his house on Fernwood. He’d gotten away from relying on it when he wasn’t physically up to it anymore. I didn’t dedicate myself to using it until after he died. I don’t know how old the darn thing is, but I think he used it for a long time. Because I considered myself a “townie” like Uncle Art, and our yards were about the same size, I figured I would give it a try—as a quiet way to honor his memory.
Some things are easier than they look. Using Uncle Art’s lawn mower is not one of them. It’s tough. Or I should say it’s tough to use it well—in other words, to cut grass. It’s easy to push it very slow, but nothing much happens, and it’s not difficult to push it very fast, but the blades spin too rapidly to cut. I’ve learned that I have to find just the right inertia to get it to “bite.” The challenge is that this proper biting speed requires the most stamina. You don’t have to understand mechanics to know it must have something to to with the physics of “work.” Now I know one of the ways Uncle Art stayed trim and avoided the Seitz roundbelly. Undoubtedly, I need to sharpen the blades, but I know that same “middle way” phenomenon is there to experience in human-powered lawn mowing, too.
And the more I look around me or examine my personal challenges, the “middle way” and its mysteries keep perplexing me. How do people master it? How does the Indy-car driver learn the margin between being passed and hitting the wall or blowing an engine? How does the salesman find the sweet spot between an off-putting overconfidence and the telltale signs of desperation? Would my son Bruce have lost his life last year if he hadn’t achieved the rare zone between fighting and giving up? I once had a young cyclist observe the way I was hitting my brakes on a downhill curve, and he said later, “Just remember—speed is your friend.” Hmm. The way I’d heard it, “Speed kills.”
Eager or patient? Audacious or cautious? Assertive or receptive?
Seize the day, by God.
— or —
Let go and let God?
Somewhere in between, lad. Somewhere in between.