An Apple Guy? Rubbish!
I say Brendan is a Watermelon Guy.
Cast your own vote at Xorph.com.
An Apple Guy? Rubbish!
I say Brendan is a Watermelon Guy.
Cast your own vote at Xorph.com.
I have two cousins named Tom—one on each side of the family. Cousin Tom on Mombo’s side is my age, and he just had successful surgery to remove cancer cells. During his recovery, he’s been scanning and sharing some of his family photographs. I have to say it’s a treasure trove of images guaranteed to delight my Clan. I was particularly pleased to see a rare shot of me with my Grandmother Clara.
Both of our expressions are typical of pictures from that era. Years later we could be seen smiling for cameras. Although the complete photo also depicts Uncle Art, Uncle Pete, and young Tommy, I wanted to publish this cropping. Check out those fine little bibs!
Many of Tom’s pictures show his father at various times in his life. Uncle Pete always had a handsome smile. Except for Uncle Art and Uncle Jack, I was mildly frightened of the other Seitz-family uncles, especially Uncle Pete. Don’t ask me why. Uncle Pete died before I matured enough to fully appreciate my uncles for their own unique personalities. Uncle Pete was a Marine during the Second World War, and, if I’m not mistaken, he fought at Iwo Jima (Am I now supposed to call it Iwo To?). I have no idea if he ever described his experiences as a combat soldier or wrote anything about it. He became a printer. We might’ve had some great conversations about the graphic arts and printing industries, but it was never meant to be. Tom still misses his Dad, and I know exactly how he feels.
I’m no expert on numerology, but I’ve been studying the ancient discipline for nearly 30 years, and I’ve dedicated myself to helping Janet and Jerome make some decisions about naming the “bay-bo grils” who will be soon be under their loving guardianship. As Juno Jordan says, “All names are good names,” so it’s not a matter of making an error. At some level, all names are part of the divine order and help tell a living story of each unique soul. In the case of “Baby Molina,” the best way to look at it is the potential for harmony and enhanced opportunity—harmony of a conferred family name with the name given at birth, harmony with the character of her new parents, and the opportunity to reinforce God-given talents and her heart’s desire with a name that will be true to her real self.
This is not a trivial exercise. The new name can be a means or vehicle for greater usefulness, but will be of no active value without the true self “behind it,” and without a meaningful connection to the special role that is already ordained. In her landmark book, JJ tells of people who take a new name, who are not happy, and who feel an underlying uncertainty because they are aware at the soul level that it doesn’t reflect their true being. This insight is valuable to the objective of naming an adopted child, and could explain in part why some adopted individuals confront undue challenges in life. Maybe it has something to do with carrying a name that’s not in harmony with who they actually are. Another way to look at the endeavor is to avoid setting her up for unnecessary discomfort as she finds her path in life as an adopted child from a distant ethnic heritage growing up in Kentucky. From what I already perceive in her birth chart, she has many fine attributes and inner gifts that will serve her well in this regard. The proper “arranged name” can contribute even more to her opportunities for satisfaction and fulfillment.
Precious one, there is great love in store for you when you encounter your new mother and father, plus an entire Clan that stands behind them in support. And a new sister, too! What a year of profound blessings!
part two
I know I have a very selective memory. That’s probably both a good and a bad thing. On the one hand, it’s not difficult for me to put unpleasant things out of mind. On the other hand, it’s not difficult for me to put just about anything out of mind. Dana thinks that I have a propensity to make things up in order to compensate for a memory bank like Swiss cheese. It’s not that simple actually. All my memories seem valid to me, even the ones that apparently never happened. And when stressful things occur like what took place last Friday—thinking we’d lost Walie before she turned up at the animal shelter—it gets flushed almost instinctively. Joan’s recent mention of it at her MO-JO site took me by surprise. Apparently I forget things really fast! That’s why journaling comes so naturally for me. I’ve relied on it my entire adult life as a back-up memory. I believe I get it from Mombo, an incurable chronicle-keeper, too. That’s not to say I tend to forget my emotions in the same manner. I struggle at times to figure out why I’m in a sour mood. I can’t recall the negative stimulus, but “forgot” to jettison the associated emotion at the same time. Pretty strange. I won’t even begin to go into discussing my dreams. That’s another story and big waste of time. And so why am I rambling on about this? Just preparing to recollect some things worth remembering from the last week, but, as I said yesterday, I failed to make any notes. Just about the only fearful aspect of blogging is knowing this about myself and realizing I might be leaving important things out—not because they have any true significance in the grand scheme, but because someone who follows this log may find the omission hurtful.
• Festival Saturday
Saturday started early at the Town House. As Dana continued to work away at picnic preparations, I planted flowers and did the annual June clean-up outside. As usual, it caused me to think of “raking the tackle-pits at dawn,” and other narrative allusions to The Legend. That’s just typical me. We were able to take a break for the Atlanta Trumpet Ensemble at the Courthouse bandstand before it was time to mount our picnic table set-up in front of the main stage. In addition to Terie and Marty, David and Lee joined us, plus the family of our new clients, John and Vi. Guest artist Phil Smith was absolutely extraordinary, and both Vince and George were inducted into the GABBF Hall of Fame, the Festival’s highest honor. After all these years of having a table, we continued to score a superb central position near the stage, but this time the amplification seemed a bit too much. I don’t remember being bothered about the volume in the past (oh, let’s not revisit that memory thing again), but we put up with it until the last act. Joan was out and about and she came to the table later for a glass of vino, but, before that, we saw each other at the marketplace tent. I was disappointed to discover that the gold pins had already sold out. Now, due to my procrastination, I’d have to wait for a re-order.
• Morning Bike Ride
Sunday morning arrived quickly and I was the first to show up at Danville Bike and Footwear to greet participants in the first Brass Band Festival bicycle ride. I was eager to see if my new idea would bear some some fruit. Two out-of-town couples brought their bikes for the advertised ride and we had a decent turnout of locals for what will be remembered as the inaugural event. After an hour or so in the countryside, we rolled to Centre’s campus for the traditional Community Worship Service. The weather was perfect. How many communities in America can produce such a high-level music festival, keep all the concerts free of charge, and include an out-of-doors, music-filled, ecumenical church service, too? It still astonishes me. Afterwards, I made my way over to the marketplace and learned that a few unsold pins had surfaced overnight. Slipping my pal Harlan a five, I managed to get an example of my 2007 design and keep the pin collection up to date.
• Festival Sunday
After all the energy of the previous days and a successful bike ride under my belt, I was at the point in the Festival when I could just take it easy and enjoy the music. Sunday afternoon on the grass might be my favorite part of the annual weekend, and I couldn’t wait for it. Dana, Lee, and I put together a simple picnic of leftovers and toasted the day with a cold Stella before heading over to campus for the final hours of glorious sound. As usual, I kicked back with my shoes off and my pin-hat down over my eyes, drifting in and out of a lazy nap while the bands played. When favorite soloists came forward, I grabbed our camera and hugged the front of the stage like it was my personal work zone. The satisfying musical peaks of Festival Sunday convince me that all my hours of studio effort over the months are worth it. Multiply that by hundreds of other volunteers and you’ll begin to understand how this event has thrived for 18 years and shows no signs of doing anything but solidifying as one of Kentucky’s summer highlights.
part one
I had all these thoughts and recollections coming out of a landmark Band Festival weekend, but once things got rolling in the studio on Monday, I didn’t take time to write them down. Plus, I’m always prepared to devote some of my blogging time to a new Paul Watkins novel, and I’ve started reading The Promise of Light, thanks to a Kentucky Interlibrary Loan (KILL—how’s that for an acronym?). Well, I’ll give it a try anyway…
• WineFest
For the first time, the Festival sponsored an event that gathered representatives from nine Kentucky wineries on the grounds of the historic Old Crow Inn, and 300 people showed up. Chateau du Vieux Corbeau, the local host winery, produced a limited bottling of red and white wines which featured my artwork for the Festival poster. I was on hand Thursday evening to help promote sales that will benefit the Festival, and I was surprised at how many buyers wanted me to sign labels. It was fun, but nobody offered me a bottle to take home. In any case, it’s as close as I’ve ever come to designing a wine label, one of my unmet goals as a graphic artist.
• Aborted Study
Anticipating my appearance at the Community Arts Center on Friday night, I had this idea that I would complete a preliminary study for Spellbound that I started last November but never finished. It served it’s purpose back then, and I proceeded with what turned out to be the final version after the first of the year. It seemed like a good idea to finish the study and make it available for a convenient sale, but once I got involved in it, I realized that the magic was long gone. I may finish it anyway some time, just for the practice, but learned the lesson again that monetary motivations don’t have the power to bring my muse to life.
• Poster Signing
The Maple Tree Gallery completed the framing of my original painting, and Lee helped me get it down to the Arts Center before I dashed home to get ready for the Gallery Hop. Pat L was there to assist, and I ended up signing about half the edition of 75, and about half of those sold that same night. Patti and Vince stopped by to inspect the original, which had a well-lighted spot near the entrance. I couldn’t read their reaction to my purchase price (or didn’t really try to, actually). Clearly they’re the best candidates for ownership, and their interior decorator told me later I shouldn’t consider reducing the price, but I still wonder if anyone will be willing to pay what I think it’s worth. We’ll see. Dana remains optimistic, but I probably should give some thought to where I’ll temporarily hang it in the studio. I was delighted when Joan stopped by, and she took some pictures for Mombo. It was my moment of glory, and, as expected, the evening passed by much too quickly.
Part of a mixed media collage that I created last summer for the CONNECTIONS show is featured on the current cover of Lexington’s Nougat Magazine, and also on their Website’s home page. The people at the Maple Tree Gallery are excited about the publicity, so I took in a couple more pieces—ones that were available from the KOSMOS exhibit. They’ll be on display for Friday night’s Gallery Hop in downtown Danville. I’ll be signing Brass Band Festival posters at the Community Arts Center that night. My original, Spellbound By Brass, will be presented, and I should be prepared to release my asking price to the public. Dana and I talked about it this morning, and we expect to be able to make a final decision by then. It’s going to be the highest price I’ve ever put on any example of my work.
— 7:30 am, meet cycling pals for an early 30-miler with Scott Joplin’s Pineapple Rag in my head; 10 am, have eggs for breakfast and read the Band Festival tabloid with a feature about my poster art; 11 am, worship with Marty at the Salvation Army and hear my friend Zach preach; 12:30 pm, tear up old blacktop with Marty and empty first Ned-load of driveway debris; 2:30 pm, eat Dana’s turkey panini lunch on the front porch with Marty; 3 pm, tear up old blacktop with Marty and empty second Ned-load of driveway debris; 5 pm, go to Marty’s place to shower and play video games, 7 pm, watch “Scarface” and enjoy a lasagna dinner with Marty and Terie; 9:30 pm, head home to check email and read a bit before bed… If all my remaining Sundays were like this, I believe I could, to use a phrase attributed to the Marquis de Lafayette, “die ’appy.”
— Seth had his graduation celebration at Greystone on Saturday and it “marks the end of an era,” according to James. Mombo made an appearance, to everyone’s enormous satisfaction. Mike R brought his mom down from Ohio for the event, and he said he wants to commission a house portrait from me. Kyle D was there, and Seth passed the torch to a new student leader for the Red Kettle campaign in Liberty. Kyle said Captain Zach reported a $1700 total from our effort last season. We discussed ways to boost that in 2007. I got a bit of inside news about the new girls’ b-ball coach at Boyle. Cliff teased me about my Band Festival pin, but got my commitment to bring him a poster. Does that mean I get a new t-shirt in trade? When it was time to kick back with a beer, I had a good talk with Nic, and he shared a vision of married life in the Valley, and how he’s sure he can resist the professional pressures to value income over becoming a family man. I hope he’s right! Afterwards we stopped at the Hall and spent more time with Mombo, plus I had a chance to grumble to Joan about how the TV networks had squandered a massive line-up of talent over the past months (Haggis, Liotta, Madsen, Diggs, Daly, Hutton, Delany, Sorkin, Busfield, Goldblum, Stowe, Minear, Fillion—I can’t go on!).
— Seeing Jeannette at Greystone reminded me of last Friday at Rotary Club, when I was asked to “unveil” my poster art and make remarks. I did something I don’t remember having ever done so explicitly, and that was pay tribute to the divine source of all creativity. I wasn’t sure it had been the proper thing to do in that context, until Jeannette told me how much she was touched by it. That, combined with seeing two similar but different kinds of youthful self-assurance in both Seth and Nic, makes me realize I need to trust my instincts more, even though I might think I’ve made progress in that area. Drop the reticence and push it further. There’s no other way. The previous day I’d successfully shrugged off the inner wimp to address the Governor in public when he visited Centre for the “Get Healthy Kentucky” initiative. My comments met with applause. Come on, what is there to lose except self-doubt?
— Month of May workout totals: Swim-0; Bike-6; Run-1; Lift-0; Yoga-0
— Unimpressed by my exercise stats, I have to remind myself that it’s a big improvement over my uncharacteristically sedentary April, and that my workout log doesn’t include things like hauling truckloads of crumbled blacktop out to the asphalt plant. Well, I’m still blessed with excellent health, my weight is under 160, and I’ve got a 17.4 bmi. With everything going on around me, I have to be very, very thankful for that. So, now that it’s summer, it’s time to ratchet up the physical activity and get in shape. Muscle Club, anyone?
— If you aren’t reading Peat’s European journal, you’re really missing out. She calls it “The End of Fear is Where We Begin,” and it’s classic Peat. Her smile shines right through every word on the screen. And how about that KK? Can’t wait to see the BIG BLADE!
— On a recent solo trip to Louisville and back, I finally broke into the “Zero Hour” tapes that Joan loaned me a long time ago. Who knew at the time that Rod Serling had hosted radio dramas for talents like Jessica Walter, Richard Crenna, Keenan Wynn, Joseph Campenella, Brock Peters, and Earl Holliman? Apparently, over 55 hours of drama were produced, and, like so many things these days, it’s also available on CDs or as MP3 files. I still don’t mind listening to audio cassettes, but, come to think of it, if I don’t copy my tape of Heston reading the Psalms I’m likely to wear it out before long.
— I don’t think I’ve ever been this excited about an upcoming Brass Band Festival weekend, but I’ve never been the featured artist before. It helps to be enormously pleased with how my highly visible contributions turned out. I can go into the whole thing knowing that it’s my best effort on display. On the other hand, I seem to be feeling more and more awkward being in a position to take credit for things that come from the Source of all constructive influence, creativity, imagination, and beauty. I feel like I’m merely the object of good fortune, and, at the same time, I know well the moments of struggle, and the “means” it took to find my way over obstacles I wasn’t sure I could surmount. I well remember Danny D’s remark to me that “God doesn’t write songs or make movies.” Sorting all this out is why I continue to do it, I suppose, but it’s a bit of a roller-coaster at times. It felt like I could finally catch my breath this week, with Mombo home from the hospital, and supervision of the poster printing behind me. Some kind of balance has returned to daily life, deadlines are being met, and the outlook in the studio hasn’t been this bright for many, many moons. I’m not saying that Graybeard is dancing around his campfire, mind you. Things could always be better, but the worst is definitely in the past. In other words, I shouldn’t need to sell any more mediocre cartoons to a nephew any time soon. And I’m writing this with a calm heart, even though I didn’t sell a single collage from my KOSMOS exhibition. Well, enough of that. Onward and upward, as they say.