If you can dream—and not make dreams your master;
If you can think—and not make thoughts your aim,
If you can meet with Triumph and Disaster
And treat those two impostors just the same…
—Kipling
My expectations for January are now cast aside, miserably out of character with harsh developments and deficient efforts. There is nothing to do except press on with the same clear appraisals and cautious optimism that I would apply to more agreeable circumstances and outcomes.
Bring on tomorrow!
We knew it would happen eventually, but none of us expected the abrupt reassignment of our local Salvation Army officers at year’s end.
Our good-byes were said after today’s worship service, and I tried to contain my personal sadness at the departure of a young man who I’ve grown to admire greatly, and who became a true friend over the past four years. Zach was the first person who believed I could do some of the things I’ve done, as I helped provide leadership to the Advisory Board. I shall always remember his maturity, compassion, dedication, and strong faith.
“And when they had brought their boats to land, they forsook all, and followed him.”
—Luke 5:11
Having read Happy Ever After and The Short Happy Life of Francis Macomber, back to back, I’m not certain how much more I understand about happiness, but I know what literature is, that’s for damn sure.
Happy New Year!
At last night’s deeply satisfying Kelley Ridge Open House, people were talking about Russia, and I said that I had no desire to go there, even as my long fascination with Russian art, music, and literature continues to grow.
Today I read the last chapter of Happy Ever After. If there was anything Tolstoy did not understand about life and human relationships, it is probably not worth knowing.
— Each time this year I’ve run the 5+ miles back downtown from the cabin, the time has felt shorter, even though I’m running pretty slowly these days. The silence transpired more quickly for me this morning, too. Milton handed out his periodic survey to the group, and I discovered a 1961 Horizon in Mack’s studio that had an interview with Andrew Wyeth, famous at the time, and now the greatest living American painter. I’ll have to digest the whole article during another visit, but I was able to scan a few stimulating quotations, and then Sara Jane offered me a new commission, with the freedom to interpret a photographic image with my choice of style—the perfect assignment. Everything conspired to boost my motivation to aggressively advance the Brady and Eckerle projects, plus my fine-arts enterprise in general. I couldn’t think about anything else as I ran home. So, why am I sitting here with this log entry?
— Cliff and I had a conversation about blogging the other day and it got me thinking about my string of 616 or 617 consecutive posts, and how important making daily entries used to seem. Brendan still refers to this site as a daily journal, but that hasn’t been true for well over a year. Once again, time is malleable, and, as Arnold has said, there’s adequate time each day for everything meaningful enough to do. Blogging isn’t about the time, but about having something worth saying to yourself, maybe worth recording, possibly worth sharing. I eventually figured out that doesn’t happen every day. When it does, not much time is required to get it down.
— Terie and Marty bought the M:I:3 DVD and left it at our house, so, late last night, I watched the J.J. Abrams picture for the second time, and I liked it a bit more this time around. I think Tom Cruise is the Burt Lancaster of his generation. Regardless of what I might think of his personal life, his work product demands respect. (Hey, not all celebrities can be a James Stewart or Charlton Heston; Lance Armstrong falls into the same category.) If Cruise had not become an actor, he would surely have been an Olympic or professional athlete in some discipline. He has the mentality and natural capacity for high-performance physical achievement. Although one of the least flamboyant stunts, his Chinese-village tile-roof footwork is probably the riskiest choreography in the movie. As I’ve declared before, I think he squandered the full potential of the classic franchise and put its longevity at risk, but this sequel is the best of the lot, the most team-oriented, and it fits nicely into our ancient family idea of an M:I Saga Series. In my opinion, Abrams is a creative, meticulous director with a feel for the spy genre compatible to Mission: Impossible—Cruise certainly can’t be faulted with his selection—but Abrams will need to have further honed his story-telling skills to do justice to his upcoming Star Trek feature, another Desilu-originated concept from the “silver age” of television.
— Local historian, R.C. Brown, is dead at 90. He once saluted me on a Danville street as, “Mr. Dixon, the Spin Doctor!” We often held different political perspectives, but shared a fascination with local heritage. I recruited him in 1991 to expound before a camera, as part of a fundraising documentary (the same program in which we cast Alyx as a child actress). He was in his 70s then, and I was young enough to think I might have a future directing videos (as close as I got to being Ken Burns when I grew up). Brown was the doctor, not me. He was from Ohio, too, but went on to get a Ph.D. from the University of Wisconsin. He taught history at Buffalo State College for 28 years. When he retired to our area, he rapidly became an authority and wrote The History of Danville and Boyle County. I’ll always believe that Professor Brown respected me as a talent, even though I consider his remark shaded by a mild one-upmanship. Perhaps he did understand better than most the true nature of my commercial craft, but I hope he wasn’t thinking of Victor Papanek’s quotation:
“In persuading people to buy things they don’t need, with money they don’t have, in order to impress others that don’t care, advertising is probably the phoniest field in existence today.”
I prefer this one:
“The only important thing about design is how it relates to people.”
— Thomas Bewick, my newest hero, couldn’t escape the ongoing necessity of making money with “coarse work” (as his daughter called it), despite his artistic reputation and unmatched skill as a wood engraver. I wanted to return the library book and avoid fines, but couldn’t help myself, and finished the biography by Jenny Uglow this week. As I said previously, learning more about his life has reinforced for me the notion that, although everything changes on outward levels, nothing really changes in the human dynamics of making a living as an independent, creative craftsman. I was notably saddened when I learned that he never fulfilled his dream of having the cottage workshop close to nature described in his memoir:
“The artist ought if possible to have his dwelling in the country where he could follow his business undisturbed, surrounded by pleasing rural scenery & the fresh air and as ‘all work & no play, makes Jack a dull Boy,’ he ought not to sit at it, too long at a time, but to unbend his mind with some variety of employment — for which purpose, it is desireable, that Artists, with their little Cots, should also have each a Garden attached in which they might find both exercise & amusement — and only occasionally visit the City or the smokey Town & that chiefly for the purpose of meetings with their Brother Artists.”
Dana reminded me that we all tend to get what we desire if we want it badly enough.
— Month of November workout totals: Swim-3; Bike-2; Run-5; Lift-4; Yoga-1; Pilates-7
— The eleventh month rushed by too swiftly, and tumbling in its wake is my disposition of alarm at the churning pace. Nothing to do but accept that it’s gone and take stock of my affairs. On Friday I pinch-hit for David as a Rotary greeter. Saying grace is one task of the greeter, and perhaps I was a bit too creative with my public invocation. That I’m less self-conscious about such things is a sign of something meaningful, but I’m not in a mood to muse beyond that vague notion. After David got back from Georgetown, the four of us convened for a round of Mhing. Dana played as splendidly as I did poorly (couldn’t seem to get out of my nervous system Frank’s Shanghai from the holiday). Even so, it was an enjoyable evening because Mhing is such a great game.
— David, Greg, and I gathered at Simpson Knob the weekend prior to Thanksgiving, hoping for a significant whitetail harvest, but all we came up with among us was a little button buck that I took on Saturday morning. At first I thought his ear flicking at 50-60 yards was simply more wild turkeys at play, but then I could see his head, and eventually figured out that he was preparing to bed down for the day. I watched him for a while and knew his location on the ground would not afford a proper shot (actually, I thought it was a doe at that point in my observation). Before much long, I grew a bit impatient and decided to climb down from my stand to approach through the woods on foot like a true hunter. After carefully trimming off 10-15 yards from the total distance, keeping a tree between our positions, I crept around the oak and saw him stand up in alert. My Marlin .44-magnum lever-action carbine (the only Dadbo-owned rifle for which I held any interest) cracked in reaction to the animal’s movement, and he leaped away. “Missed,” flashed through my mind, with the thought lingering, especially after I reached the spot he’d just been, and just then I heard Greg call out my name. “Don’t think I hit him,” was my response. “Well, there’s a deer over here,” he replied in a matter-of-fact voice. Within an hour, I had given a chant to the Great Spirit and skinned my game with the new knife Greg had presented to me the night before. Later in the week, David reported that Greg claimed a button buck of his own at his brother’s farm a couple days before Thanksgiving.
— It doesn’t look like I’ll finish the biography of Thomas Bewick before it’s due back at the library, but I’m not sure I want to read about his demise anyway—I’ve grown much too fond of the fellow. For anyone who doesn’t recognize the name, I’m certain that his work will appear familiar. He single-handedly restored wood engraving to universal esteem in his lifetime and sparked the advancement of printing technology for the next century. He was perhaps the greatest graphic artist of his era—certainly in Britain—and, although he had flaws (as most men), he seems to have been a remarkably fine person worthy of emulation in numerous respects. Reading about his rise to artistic immortality reinforces two vital lessons that continue to clobber me across the skull like a ball bat: each individual who makes a constructive mark on culture inevitably deals with all the same nonsense, hassles, heartbreaks, and vicissitudes of fortune that everyone encounters, and through it all, continues to work his or her ass off.
“A wiseacre on the Oakland to Los Angeles shuttle this week said the next technological leap would be implanting cell phones into people’s heads. He was kidding—we think.”
—Chuck Raasch, USA Today
Someone on the news said recently that 80% of Americans have a cell phone. I suppose I shouldn’t have been shocked at that, but I was, and it made me feel distinctly in the societal minority, since I don’t carry one. Not that it makes me uncomfortable. I’ve been mildly concerned from the beginning that their use might eventually cause adverse health effects, but if somebody gave me a free iPhone, I would bear-hug them and then find a private spot to dance in my underpants.
Last night, Dana created a wonderful meal with crab-stuffed shrimp for Marty’s 16th birthday, and he showed us his new iPod nano. We got to talking about Apple, with me speculating that the company might be planning to enter the game market. Marty said that idea sounded logical to him, and he predicted it might make its move when Sony inevitably faltered. I suggested that it would probably be a radical leap forward in graphic technology and user interface. He said Apple was sure to compete in that sector eventually, but wondered if they also might decide to make cars. That notion took me by surprise. “Think about it, GrandyJohn,” he added. “Before too long, a car will be basically a computer.”
Sixteen years old. Unbelievable. What kind of a nano-world will exist when he’s my age, and will I make it to age 96 to share it with him? Of course—I need at least another 40 years to figure things out. Will I still be able to get on a bike? Maybe not, but perhaps I shall have created at least one enduring work of art that will have made my life’s journey worthwhile. Hey, if I’ve made it this far, there’s no reason why I can’t declare my personal mid-point and tackle the second half of my expedition.
Joan sent me a delightful poem about becoming an old man who wouldn’t have “a computer or a clock or a phone in the house,” and the desire to “learn something just watching the birds and the weather.” I’d be that guy tomorrow if I had the nest egg, but I don’t, and I won’t anytime soon. Yeah, I know the reasons why. Most of Dana’s contemporaries are beyond their careers, and even I have classmates that retired years ago. I intend to keep working as long as someone will hire me, and, if I’m being honest with myself, I probably wouldn’t have it any other way, because I know I have a lot to learn. A day doesn’t pass without my seeing some creative thing to which I still aspire.
There are times when I think I’m the world’s most miserable excuse for a “multi-tasker,” even though I’m supposed to be able to handle numerous creative goals simultaneously. I was reminded again of this over the past week when I tried to make progress on more than one thing, but the only checklist item I could focus on was my digital illustration for our client in Lexington—which she loved. I was successful in getting past an initial creative block, and brought the process to a very satisfactory conclusion. Something in which to take pride, but all I could think about is what I hadn’t gotten done. In addition to my other assignments, I was hoping to compose a holiday-related “Joe Box,” as part of the local Art Center’s “White Christmas” exhibition, and I also expected to put in another productive session as an amateur stonemason before gathering with my Clan later today. Both of those deadlines slipped by. I’m learning to let them go—to release the sense of perpetual failure—to maintain some modest momentum of accomplishment—to forget about how far short I fall, compared to my expectations. When I grapple with these frustrations, I reckon that most high-performance multi-taskers have a personal assistant or an apparatus of managers, and then I flirt with regrets about not having built an organization around myself, but I have to stop and remind myself to avoid pointless rationalizations. I remind myself that I have an invaluable partner who supports me, and the freedom to achieve any level of personal discipline that I set my heart and mind to attain.
Today is the day set aside to give thanks, and I’m inclined to say, “Thanks for nothing.”
I give thanks for nothing new, because I already have what I need. I have my health, my talent, my independence, and people who love me. When it comes right down to it, that old man in the poem has nothing on me. I can discover delicious food on my plate every day. I can put Häagen-Dazs in my holiday-morning coffee (now, that’s why I exercise!). I can still weep when I listen to beautiful music. I don’t have to take medicine, and I can do virtually any physical thing I can think of wanting to do, and perhaps a few that I shouldn’t, being old enough to know better. I can spend a morning in the woods with a lever-action carbine and bring home to my mate a harvest of young, whitetail buck. I can marvel at my new friend’s ability to extrapolate that primal experience as an entire book of verse written in the voice of Kentucky’s most revered pioneer. I can coax my hand to execute just about any visual style that I can harness my perceptions to absorb. I can express my ideas and longings to others who care about what goes on in my head. I can dream. And I can still tell my mom that I love her.
Thank you, Father, for nothing different than all those blessings from Thee.
“Art is worthless unless it plants a measure of splendor in people’s hearts.”
—Taha Muhammad Ali
• What’s the latest news from Ian? Be there. Aloha!
• Two dozen years of Godfatherhood. Happy 24th Birthday to Nic. This lad is on a roll.
• Can Brendan’s The Diamond Saga be condensed to 101 words?
• Cole didn’t get his “Space Monkey” greetings from me on November 7th this year. That, dear readers, is how mired in torpidity Uncle John’s Haus of Cards has become.
Call it Nine-One-One
— Needless to say, our wedding anniversaries now tend to start out with a somber mood, but that’s just part of being an American, so we put it aside to begin our own joyous observance. We took a nice drive up Highway 33 after stopping at Shaker Village and then spent part of the day in Midway, where I made arrangements for the Damselfly gallery to display my wood engravings. We enjoyed the sunny afternoon together and had a delicious dinner at the Heirloom restaurant. In downtown Lexington we discovered the same spot that Dana’s parents stood for a wedding photo, when they eloped to Lexington many years ago. Several times, leading up to the event, we talked about having a picture made on our milestone day, but we didn’t even have a camera with us, so we had dessert, did a bit of shopping at Wild Oats, and then headed home.
Lalo the Magnificent
— Joan paid a visit and made a closing installment of anniversary gifts, even though she’d given us a new Mhing game back at the Seitz Reunion. She told me about the recent NPR interview with Schifrin. My favorite part was when the interviewer asked how he was able to move effortlessly from one type of music to another. Describing himself as a “chameleon,” he said he can do it because he’s able to see the “essence” of each form. That idea speaks powerfully to me.
Lust for Lit
— To have discovered the joy and consolation of literature at this stage of life is an unexpected blessing. I recently read my first story by Paul Horgan. Joan gave me a copy of Flannery O’Connor writings. Both are masters of the short story who happen to have been Catholic. A good friend of artist Peter Hurd (brother-in-law of Andrew Wyeth), Horgan also created little hand-made library-card pockets that now sell to collectors for $500 each. He died in 1995. I don’t know anything yet about O’Connor, but I read one of her stories and found it interesting, but just a bit creepy.
Lucky’s Day Wasn’t Lucky’s Lucky Day
— I didn’t even know about Smoked Mullet until the recent BillyBlues concert at the Constitution Square Festival. James and Susan urged us to come back and catch Aaron’s performance the next day. He’s obviously looking for that elusive “hit” for which nearly all young songwriters yearn. It reminds me of my conversations with Danny D about his long haul through the music industry. Danny hit paydirt overnight when he wasn’t much older than Aaron; he hasn’t seen anything quite like it since. I also remember how a friend of mine from Yellow Springs watched his son go to Nashville to strike gold, only to see him throw away the whole opportunity when the lad couldn’t steer clear of the whiskey bottle.
Kelly Watch
— Urban Picnic received a slideshow highlight by The New York Times, and the young talent from Danville was mentioned by name. Not bad. She’s one to keep watching.
Still Crankin’ Forward
— I’ve been ingrained with the committee approach through my board service and community involvement (Band Festival, Chamber of Commerce, Salvation Army, Rotary Club, etc.), but I’ve picked up resistance about going that direction with the B.I.K.E. group. The “c-word” doesn’t seem to have taken hold as a positive idea. Too many meetings. Perhaps a more workable approach is to have a volunteer “project manager” for each objective. Those people can “take ownership,” rally a few helpers to move the ball, and then get back to the steering group with a progress report. The whole thing reminds me too much of the foundering honcho system within the Dixon Clan Council. Hopefully Mombo’s new trust will be a better context for a workable committee arrangement. To be honest, I have diminishing enthusiasm for attempting to structure the cycling-advocacy team. I’d rather devote myself to individual creative and lobbying efforts, like our area master plan, a “share the road” promotional effort, and the planned multi-use trail along the new bypass connector. Although we’ve made some great progress, I’m somewhat weary after 18 months at the helm. I’d like to see a different leader with more management skill to succeed. This would free me up to work on actual projects instead of administration. Meanwhile, the need for studio activity outweighs all these other considerations. Where’s that old Graybeard when we need him?
— My cycling chum Bill S commissioned a hand-made card for his mother’s one-hundredth birthday. He’s a great guy who shares a lot in common with me. His daughter is a terrific designer that works for Lenox. Her new Urban Picnic design is being handled by Macy’s. When she was getting her education she asked me to give her an internship, but the workload couldn’t support it. I regret the missed opportunity to have experienced her talent firsthand.
— One of my primary community-service mentors, Carl M, who originally proposed me for Rotary membership, recently asked if I played golf, as we left our weekly luncheon at the Danville Country Club. I told him that when I had the available time, I much preferred to be on a bicycle. It was clear from our conversation that he didn’t think much of the sport, but remarked that I thought it was a “great game,” and, from time to time, I did enjoy watching the best players on TV. Well, I reinforced that viewpoint for myself over the holiday when I glued down with the head-to-head play of Mickelson and Woods. Anyone who can witness that level of psychological combat without total fascination should steer clear of golf in any shape or form.
— I’m not sure when I became hooked on short stories. Maybe had something to do with Brendan getting me addicted to very concise ones. I shall never read all the great American novels, but I do hope to eventually read all the best short stories ever written by Americans. If you have some favorites, let me know. I can’t get over the variety: Wharton — James — Hemingway — Thurber — Faulkner. And I’m discovering others new to me: Walter Van Tilburg Clark — Katherine Anne Porter. I’ve been aware of The Ox-Bow Incident and Noon Wine (Peckinpah’s lost rendition with Jason Robards is remembered by some who saw it as the finest television ever broadcast), but didn’t recognize those names. Yes, I know… I’m a late arrival at the grand old house of our national literature.
— I have to admit that, after 13 years of conditioning, all I want to do after Labor Day is draw, fish, swim, relax, and enjoy myself. Seeing the picture of the Adkins Family makes me realize how much my nervous system craves some sort of vacation. I decided not to make the trip to Upper Michigan this year. Being with Dana on our silver anniversary is more important. If we can pull ourselves away from the studio, we’re due for our own getaway. What can one say about a quarter century of marriage? I can write a bit, but not well enough to tackle such an assignment. It’s been more than that, too. A working partnership on all levels. An uncommon occurrence in human relationships. Beyond my capacity to summarize.
I continue to have a powerful belief in the synchronicities of life, but, for some reason, I’m astonished when they occur.
The wood engraving I’m working on will accompany a poem by a teaching artist who also wrote a book of verse about Daniel Boone, and it will be printed in Monterey, Kentucky.
Joan had a blind date with a teaching artist from Monterey, Kentucky, who is also the curator of the museum about Daniel Boone at Boonesborough.
Dana and I have talked for several years about the possibility of bartering for a painting by Irina, the extraordinary Russian artist who lives in Danville. 
Recently she chose Dana as the person to provide her personal assistance while recuperating from a broken hip. When we visited to pick out one of her works, she offered to loan me an art book from her collection. The first one I saw had КРАВЧЕНКО on the spine, a name that meant nothing to me. I thought it might be pronounced “Kravchenko,” but Irina seemed to be saying, “Kravkinkja,” so I looked inside. I was stunned by the reproductions. Who was the artist Кравченко? Without a doubt, one of the greatest Russian wood engravers of the early 20th Century.
The sense of marking time characterizes my days, although I know that personal progress is taking place. There is no standing still.
The same old angst surfaces when we purge records and remnants of past projects. What is the underlying nature of this difficulty in destroying the evidence of how I spent a portion of my life? It is not, as Dana misinterprets, an issue of trust. I trust her with vast areas of my well-being, and have for decades. Perhaps it has much more to do with what Maurice Manning touches on in his poem, A Possible Blessing:
. . . the man who understands diminishment
will lay down in his coffin from time to time
and practice disappearing, like a bug
riding a twig on a stream: a speck of un-
belonging, immersed in careless undulation.
You lose your obligation to remember,
which frees you to the quickened world of matter.
—from A Companion for Owls, 2004
— I just had my first meeting with Maurice the Poet about my wood engraving, and it’s such a privilege to be collaborating with someone of his intense perceptions and literary abilities. Not surprisingly, I’m battling those silly old currents of inadequacy. In a moment of weakness, I told Gray I hadn’t expected to be invited in at this level for my first Larkspur commission. He let out his characteristic laugh and said, “John, there’s only one level around here!”
— Brendan must be very busy getting ready to come back to the States, but he took time to send me a cool link about Haruo Suekichi, the Japanese timepiece artist. If, like me, you’re fascinated by the creative process, the interview is full of insights. You can form your own judgments about his watches. Brendan knew I would agree with him that they’re awesome. These are watches a mad villain from The Wild Wild West would wear with sinister pride while defiantly counting off the final seconds of Jim and Artie’s lives.
— After my presentation last night before the Boyle County Planning and Zoning Commission, I believe there’s significantly better than a 50-50 chance that the authority will adopt stronger language in its Comprehensive Plan Update to acknowledge the future needs of bicyclists and pedestrians. If nothing else, the level of public awareness had been raised another big notch, and our group, B.I.K.E. | Boyle County, received a “thumbs up” from the Advocate-Messenger editorial page today.
— Anyone who knows me, knows my affection for cycling, and appreciates how much time I swipe from other activities to advocate for a more bike-accommodating Kentucky… Well, you have to read this article about a recent tragic loss in Louisville. That’s all I can write about it.
— Discovery’s Contador is now wearing the yellow jersey, leading a dispirited corps of the world’s top cyclists. It may take years for the Tour to recover from the scandalous developments of the past week. The Spaniard says he’s clean, but that’s what they all say, whether they are or not. Tomorrow’s time trial will determine the winner, but Evans and Leipheimer both are now in a position to challenge. Unfortunately, whoever wins will stand at the pinnacle of a tarnished sport. It’s nearly impossible to remain an exuberant fan of pro cycling. On the other hand, ask yourself this: What other professional sport would be willing to undergo such zero-tolerance scrutiny, and, if it were, could emerge any less ruined in the eyes of the spectator public?
Brandon (not Brendan)
— Brandon mentioned me in his CAC Director’s Blog, so I seized my opportunity to yap a bit about Kurt Schwitters. I appreciate the job Brandon is doing here in Downtown Danville and I like him a lot—not because he really does understand collage, but because he’s just cool. Many moons ago, I taught a Saturday art class for children in Willmette called WeakEnds. The center there was managed by someone Joan introduced me to, a young guy named George, who was probably about the same age Brandon is now. I thought George was cool, too.
Where’s the buzz?
— Pretending like I know how to juggle, I do my best to keep as many balls as possible in the air at all times. This means continuing to promote cycling on a local, regional, and state-wide level (painfully aware that it has nothing to do with earning a living). In addition to circulating our KBBC Recommendations for 2007, I made public remarks at a local hearing before the Planning and Zoning Commission, as they prepare to adopt an updated Comprehensive Plan. I also followed up with written material to their director. To keep the community in step with emerging trends, and to boost opportunities for grants and development funding, the comp-plan requires stronger language to acknowledge the future needs of bicyclists, walkers, runners, and multi-modal users. I was told that my recommended language to beef up the transportation section has been included in the revised draft. I also used the WordPress site to set up a public forum for local advocates called B.I.K.E. buzz. It’s intended as a space to promote new ideas and stimulate communication within our community of cycling enthusiasts. So far, nobody else has made comments or posted any topics for discussion.
Brendan (not Brandon)
— Although I was a reader of Anacrusis from the beginning, I understood how great an admirer of Brendan’s prose I’d become by the end of December, 2005. Now, as a devoted follower of his remarkable site, I can witness to the progressive improvement that’s taken place over hundreds of constrained exercises. Like a literary bodybuilder, he can flex this or that and make it look too easy—make you forget the 1000+ trips to the weight room. That’s why The Implicit (a long way from The Explicit) is such a huge deal, and why I’m flattered about my small contribution to the celebration. Don’t stop. They say it all turns to flab if you stop…
Speaking of good writers…
— I feel like I’m in the middle of something much bigger than I can fully comprehend. Being asked by Gray to illustrate a Manning poem without realizing who he was or that he’d grown up in Danville. Having his mother stop me on the street and awkwardly admitting to her I hadn’t read the book of verse that won his prize from Yale. Finding myself immersed in his vivid literary visions while knowing that my deadline was looming, the remaining time relentlessly ticking away. But, on the other hand, I know things are going to work out. Engraving wood has never been about labor or struggle. It’s always been about convincing myself to trust in the outcome. Acknowledging to myself that everything I’ve learned about the essence of graphic interpretation will find its own way to fruition when I make that first mark…
Milton felt positively enough about my Easter morning words at the cabin to reschedule them for this past Sunday. There were a lot more people there, thanks to his endorsement, including Bruce, Lee, and David. Keeping in mind that some of my talk refers specifically to the “Shared Silence” community, I publish it here in its entirety (full credit to my best buddy Mike for the heart of this essay).
ON DEXTERITY AND THE WISDOM OF HANDS
(After Silence: 4-8-07 and 7-8-07)
Like many of you, I have retained great friendships from childhood, young adulthood, and middle life. The concept of this talk originates with my best friend from college years, James Michael Menke, a behavioral scientist who earned a doctorate in chiropractic and currently serves on the faculty of the Program for Integrative Medicine at the University of Arizona, where he is at work on a Ph.D. in experimental methodology. Mike is the resident chiropractic authority at AndrewWeil.com and, in addition to his scientific publishing, contributes articles to “Dynamic Chiropractic,” the largest circulation periodical for his profession. I must give due credit to him for many of the facts, observations, and speculations that I include in my words.
* * *
It’s been four and a half years since I offered words after silence, when I reflected on my 50-mile birthday run, an event now overshadowed in memory by an occurrence that took place two days before—a present from Dana, an extraordinary celebration with friends and a retrospective exhibition of my greeting cards. Hundreds of these “miniatures” carried my dexterity of hand through a period of relentless computerization in my chosen field, something I never could have anticipated in my youth, when I fully expected a lifetime of evolving manual craftsmanship as a commercial artist. Although I’ve cut back drastically on my card-making hours, I see it now as an essential bridge activity that has prepared me for an increasing dedication to the fine arts in later life. In short, I accidentally found a way to preserve the traditional hand skills which so many in my profession have lost, having bartered them away for a new fluency with software, mouse, and keyboard.
* * *
Is it progress when we trade our ability to develop our hands for increasingly cerebral preoccupations? For most of our lives, American culture has equated handwork with unskilled work. “Manual” mostly means “menial”—or tasks no one else wants to do—and manual dexterity is associated with dullness. As those who work with their hands know at some level, hands work faster than eyes and minds can follow and quickly gain greater knowledge of objective reality. Phrases like “hands on” or “in touch” have come to mean being more connected with the way things really are, outside our frameworks of mental abstraction. Similarly, I often experience the way in which a captive idea is stuck on a mental spinning wheel until the hand is permitted to liberate it with a thumbnail sketch. Dana has told me it amuses her to see my hand moving unconsciously when she finds me deep in thought. There seems to be a direct link.
According to surgeon Frank R. Wilson, author of “The Hand: How Its Use Shapes the Brain, Language, and Human Culture,” a pianist is the summit of human achievement because of his or her ability to direct 400 muscle contractions per second, all in a single, purposeful action to produce music. Dr. Wilson proposes that the evolutionary gift of the human hand over 3 million years ago forced our brains to grow to direct and control this remarkable tool. Language and reasoning were just byproducts of a brain designed for “handedness.”
Neither raccoons, monkeys, nor apes have hands like those of the human. The human hand was made to sense and assess, control and force, and then express, caress, and eventually—to heal. The human hand is the product of anatomy and innervations unique in biological life. Menke believes that the Wilson hypothesis also puts a minor dent in the popular notion of mind-body. American mind-body dualism assumes minds affect bodies, and largely ignores how bodies affect our minds. He thinks it is an ingrained bias we don’t even notice, stemming from an ongoing love affair with the brain as our main source of power and identity. We have bodies simply to lug around and protect our brains, right? He goes on to propose the intriguing possibility that the musculoskeletal system expresses our true identity, and that our glands, organs, and brains see to it we have the requisite stuff needed to accomplish our mission. Perhaps our brains are mere servants of the hands. Could it be our hands make us distinctively human, and not our brains?
Is it possible that Argentina’s piano virtuoso Martha Argerich represents the most recent leap in human evolution? Maybe the arrival of a Yo-Yo Ma advances our species more than a Bill Gates or a Susan Sontag—who can say?
* * *
Consider the progressive prejudice against manual in favor of mental expertise and how Western society has pushed dexterity to the bottom of the totem pole, since the decline of the great European guilds of the Middle Ages, to the point that we have a situation where the work “Americans won’t do,” is potentially leading us to the brink of social crisis. One could make the case it was wrong to advise mamas, “Don’t let your babies grow up to be cowboys.”
Consider how various health care professions that are more probative and that delve into problems with hand intelligence remain low on the occupational ladder or command less respect among elites. Jerome Dixon is a beloved clinician in his adopted home of Campbellsville, but he is also thought by many of his peers to be one of America’s outstanding hands-on osteopathic practitioners. When people, who already know my brother is a physician, learn that he is a D.O., I can detect the crestfallen look in their eyes. “Mamas, Don’t Let Your Babies Grow Up to Be Skilled Musculoskeletal Diagnosticians.”
Why is there such a cultural emphasis on working with the head instead of the hand? Working with your hands—sometimes called making an honest living, because you can see and count your accomplishments—is on the decline, even though it is the most difficult American work to outsource. It’s impossible to fight a fire, massage a spasm, wax a floor, cuff a criminal, cleanse an injury, build a road, or fix your commode from a call center in Bombay.
Manual consciousness—the wisdom of hands— is too often dismissed in our head-centric culture. Problems can frequently be found and solved by hands without all the judgmental posturing of the mind. Hands can quickly know what our minds may never grip, manipulate, articulate, or ultimately grasp.
As Yale University researcher Paul Bloom has explained, an adaptive mistake in human development may have given us an inborn comfort with the idea of a consciousness as being separate and separable from bodies. Whereas, Dr. Bloom suggests we have built into our DNA an indifference for the physical body as a temporary vessel, and are predisposed by evolution to believe in the supernatural, since minds and bodies seem to have a separate existence, Menke finds a more basic and immediate interpretation of Bloom’s data—that breaking the body away from the mind only leads us to fragmented views of ourselves and others.
In his book on Harlan Hubbard, Wendell Berry describes how the Kentucky artist and individualist committed himself to “an authentic life in his consciousness.” He writes that Harlan’s genius was in how he gave “the body a significant life in the world,” an existence that was “dignifying and pleasing to itself.” Like his most constant mentor, Thoreau, Harlan Hubbard sought first to live well, and to him, this meant a certain mistrust of mental abstractions removed from the objects of thought and one’s affection for those objects. In Harlan’s own words, “The mind tries to live by the artificial structure of the world, but the body will have none of it, holding to primeval forces. People try to be all mind….this has gone so far that now….the earth itself is but an idea.” Berry concludes that fundamental to Hubbard’s character was his refusal to live by mind alone. In his unwillingness to put his body and his bodily life under the rule of abstract ideas or monetary values, he avoided contemporary man’s tendency to use the world and its goods without love or care, a denial of both the life of the body and of the spirit.
* * *
And so, when I reflect on the particular abilities of my own body, it is with humility that I must appreciate each one’s distinctive integration of dedicated practice, mindful habit, and genetic heritage. This is painfully obvious when I presume my hand dexterity might cross over or be successfully interchanged. In other words, don’t let me transplant a seedling, touch a leaky pipe, or pick up a musical instrument. What of the untold wealth of dexterity that may exist within the group of unique individuals who frequent this cabin? What can I ever know of it? What do I know of the personal dexterity of Karen, Mary Ann, Leslie, or Sara Jane? What products of accomplished hands lie beyond my limited awareness?
Nevertheless, I won’t forget my sense of admiration when I first saw Lester run his fingers over a selected piece of lumber. How many times have I marveled as Ernst leaves the saddle to apply his deft touch to a shifter assembly, correcting a malfunction within seconds? What of the other familiar pairs of hands I know only when they hold a cup of hot coffee in the chilly air on a Sunday morning, never having witnessed their most articulate performances? What of Jim’s nuanced grip of the reins, Elizabeth’s green thumb, Dan’s expert trigger squeeze, or Victoria’s compassionate caress? What will I ever know of these? If I haven’t understood the hands, how can I hope to ever know the real person?
Having said that, I believe I can state without fear of contradiction that the most awe-inspiring pair of hands among us is forever gone from our physical circle. They belonged to someone I think of when I read what Harlan Hubbard wrote in 1932:
“There is but one great man. That is he who makes a masterpiece of his life. No accomplishment can offset bad living.’’
When in my friend’s presence, I failed to fully regard either of those immensely capable hands, preferring instead his characteristic twinkle of eye. Who else among our circle could demonstrate to his extent the genius of handedness—to execute a graceful brush stroke, to throw a well-proportioned pot, to compose in limestone with incomparable decisiveness, to improvise jazz melodies by intuitive fingering, or to repair the living tissue of a damaged joint? Even now, the thought of it nearly takes my breath away. These were not hands in mere service to the intellect, but a mind and heart in service to the world—properly and definitively through his magnificent hands.
How grateful am I for the good fortune to have encountered those hands, and the rich depth of human character they shaped in order to empower their creative potential! His world will continue to possess their diverse manifestations—animate and inanimate, evidence of the spirit they energized—long after the hands have left us for a place filled with new activities for the hands of a soul—the unimaginable creative pursuits of Life Everlasting.
The rain everyone has been yearning for,
Hours of steady, windless, perfect precipitation—
A cistern-replenishing pattern of sound above,
While gravity drums the pond surface
with its soft patter of life-giving noise,
As audible nourishment strikes every leaf,
And the random “glug” of a frog the only other
Sonic
Element.
The pleasurable glow of yesterday among friends,
Celebrating Uncle Sam’s 231st birthday
With a salmon meal of grilled Lake Huron steaks
And the delayed flash of digital device,
Capturing our toast from the guest-room doorway—
Vessels with an Australian vintner’s liquid harvest
Suspended above hot bread and a splash of
Salad
Endowment.
An interlude of relaxation at the range—
The Enfield’s .303 British cartridges alternate
With Martini brass impressive to my eye,
To satisfy a double rifle’s twin digestive tracts,
And short-clip video to simulate an extra dose
Of firing-line pressure, like the buzz of competition,
Or a sub-continental feline’s unexpected flash of
Savage
Explosion.
The odors of black powder haze and gun oil,
With a mild numbness of eardrum
To match the right shoulder’s dull ache,
Linger in a montage of memories punctuated
By the solid “plinks” of steel swingers,
And, from a hundred yards away,
The precise punch of bullseye, surprising me with
Sudden
Effusion.
When Cheryl Truman of the Lexington Herald-Leader published her ten all-time favorite books and invited readers to submit their lists, it got me contemplating my bookshelf. It makes for tough culling, like picking your favorite foods or motion pictures, but it was an interesting activity for me, and—surprise—she included my choices in the ARTS & LIFE section on June 24th. (The lists were originally available at Kentucky.com for a time, but now one has to pay to see the archives.)
Unfortunately, there always seems to be a sour note in these things, and somebody took it upon himself to cite the wrong translation of the I Ching. It may not seem like a big deal, but I’ve never heard of Brian Browne Walker, and I’m not at all convinced his name deserves to appear in this context. I made plain to Ms Truman that the Wilhelm-Baynes translation is my preference. I’ve never seen another to compare, and it’s a big deal to me, because there have been far too many mediocre, commercially oriented versions of this classic of Chinese thought. Thank Goodness we have English as our native tongue, so we don’t have to face sorting out the various translations of Shakespeare or Emerson. Think about it. That’s why correctly making the Wilhelm-Baynes distinction is a BIG deal. You might ask yourself, is Shakespeare worth reading, except in English? Well, sure—that would be like saying one must learn Greek to read The Odyssey. One doesn’t, of course, because there was a Robert Fitzgerald. That’s why getting the Wilhelm-Baynes thing right is a FREAKIN’ HUGE deal!
The Creative Habit
Twyla Tharp’s thoughtful guide to artistic traction is the most practical book on creativity that I’ve yet encountered. The acclaimed choreographer reaches beyond her own craft to provide powerful keys to any dedicated artist.
Harlan Hubbard: Life and Work
Wendell Berry’s biography of the legendary individualist reveals much about himself, and therefore it offers penetrating insights for two of Kentucky’s most extraordinary artistic pioneers. This “double treasure” has made it one of my favorite companions for contemplative moments.
Stand Before Your God
Although Paul Watkins is clearly one of the most gifted novelists of his generation, my favorite among his books is this memoir about coming of age in English boarding schools, a pearl of introspection in today’s miasma of literary narcissism.
Drawing Life: Surviving the Unabomber
I’ll admit that, for various reasons, I’ve wept at the end of other books, but relinquishing my connection to David Gelernter’s mind and heart was an intense, unprecedented experience.
Shogun
I understood more about Islam after reading Whirlwind than from any nonfiction book, but his skill as a storyteller is what continues to set James Clavell apart for me. His “Asian Saga” is the benchmark achievement by which any series of historical novels can be compared, and this massive narrative of 17th-century Japan is his masterpiece.
Huckleberry Finn
The legacy of controversy shrivels when laid against its core of creative genius. I remain astonished each time I realize that no American had ever written fiction so modern. But even if someone had, I think Mark Twain’s towering novel would still have the power to stagger my imagination.
Invisible Man
More than a riveting story and keen take on American society, I think Ralph Ellison’s masterwork is perhaps the most prophetic piece of fiction in the past sixty years.
The Conduct of Life
For any American, this collection of essays by Ralph Waldo Emerson is a rich vein of intellectual ore that’s impossible to exhaust.
I Ching or Book of Changes
Who can deny 3,000 years of Chinese wisdom? It may well be the most profound distillation of human perception that exists. The Wilhelm-Baynes translation is my favorite, and its foreword by Carl Jung is the best essay about the Book of Changes I’ve ever read.
The Holy Bible
Beyond any doubt, it enshrines the greatest and most meaningful stories in world literature.
• • • • • •
March 6, 2017 — I am adding q note today after reading this page again. It would be difficult to take Shogun out of my top ten, but I no longer would cite James Clavell as the gold standard for historical fiction. Patrick O’Brian has recently eclipse his status in my regard, and that is saying a lot.
— Month of June workout totals: Swim-0; Bike-11; Run-0; Lift-0; Yoga-0
— Easy to see that cycling is providing my only form of exercise these days, and I need to figure out what it will take to jump start my typical cross-training. In any case, I find myself thinking all the time about when I’ll saddle up for my next ride. In this part of the country, the lack of rain is creating a serious condition, but it’s made for some superb cycling weather this season, and I’m digging it. Speaking of digging, Marty and I removed another big section of old driveway at the Town House today and hauled it off in rusty Ned. I’m worn out, because six of us local cyclists went to Frankfort yesterday for the second annual Share the Road Ride and Rally. We completed a 53-mile loop through Woodford County, and the roads going in and out of Midway are the most scenic I’ve ever enjoyed on a bicycle. Talk about the heart of the Bluegrass! Just being there gave me the second wind I needed to log my new maximum single-ride mileage for the year (I’m ready for a 60-miler now). We arrived back at the Old Capitol in time for the noon rally. As the only Bike Commissioner there in riding attire, someone suggested I stand in front of a TV camera and say something. It was incoherent enough that I hope they never use it. As many know, I’m more of a rambler than a sound-bite guy when it comes to talking about “all things bicycle.”
— After a busy second quarter (with my solo exhibition, but on many levels), I’ve been looking forward to a “time out” over the next week or so. I need to be unavailable enough to get some things done that have been on the back-burner for way too long, such as finishing the reorganization of the conference room and popping the bonnet on my Mac G4 for a vital overhaul. This kind of a thing always sounds like a good idea until the target date is here. In my experience, clients are much better at taking a break than permitting us to do the same. We’ve wanted for some time to become “indispensable” again, so it will behoove us to stay accessible, but there are things I just have to do to prepare for when we are truly swamped again, and it’s only a matter of time. The Liberty/Casey account is picking up steam, the floodgate could open at any time with the new automotive client, and things are going well with the organic farm. The owners met with Whole Foods last week and picked up more orders for their organic meats, which triggers a need for new packaging graphics. The pendulum is swinging back for Dixon Design, and I must prepare our physical and virtual environment to cope with a heavier flow of business.
— Decades before the blogging culture became a fact of life, E. B. White wrote an introduction to a volume of his selected essays. For anyone who justifies writing words in a public log, his thoughts about the essayist are valuable reading. Most of us who carry on like this have no idea what we’re doing. White, by contrast, had no illusions about the nature of the format he mastered, and nearly all of us who excessively talk about ourselves in thousands of blogs (millions?) would benefit by taking his words to heart and by applying them to our peculiar practice.
The essayist is a self-liberated man, sustained by the childish belief that everything he thinks about, everything that happens to him, is of general interest… Only a person who is congenitally self-centered has the effrontery and the stamina to write essays… The essayist arises in the morning and, if he has work to do, selects his garb from an unusually extensive wardrobe: he can pull on any sort of shirt, be any sort of person, according to his mood or his subject matter—philosopher, scold, jester, raconteur, confidant, pundit, devil’s advocate, enthusiast… leave the essayist to ramble about, content with living a free life and enjoying the satisfactions of a somewhat undisciplined existence. (Dr. Johnson called the essay “an irregular, undigested piece”; this happy practitioner has no wish to quarrel with the good doctor’s characterization.) There is one thing the essayist cannot do, though—he cannot indulge himself in deceit or in concealment, for he will be found out in no time… the essayist’s escape from discipline is only a partial escape: the essay, although a relaxed form, imposes its own disciplines, raises its own problems, and these disciplines and problems soon become apparent and (we all hope) act as deterrent to anyone wielding a pen merely because he entertains random thoughts or is in a happy or wandering mood.
— Jennifer B has a squirrel in her knickers about an insignificant reunion of entertainers. Well, there’s only one significant reunion that could get me excited, because I’m old enough to remember the Original Spice Girl…
I’m no expert on numerology, but I’ve been studying the ancient discipline for nearly 30 years, and I’ve dedicated myself to helping Janet and Jerome make some decisions about naming the “bay-bo grils” who will be soon be under their loving guardianship. As Juno Jordan says, “All names are good names,” so it’s not a matter of making an error. At some level, all names are part of the divine order and help tell a living story of each unique soul. In the case of “Baby Molina,” the best way to look at it is the potential for harmony and enhanced opportunity—harmony of a conferred family name with the name given at birth, harmony with the character of her new parents, and the opportunity to reinforce God-given talents and her heart’s desire with a name that will be true to her real self.
This is not a trivial exercise. The new name can be a means or vehicle for greater usefulness, but will be of no active value without the true self “behind it,” and without a meaningful connection to the special role that is already ordained. In her landmark book, JJ tells of people who take a new name, who are not happy, and who feel an underlying uncertainty because they are aware at the soul level that it doesn’t reflect their true being. This insight is valuable to the objective of naming an adopted child, and could explain in part why some adopted individuals confront undue challenges in life. Maybe it has something to do with carrying a name that’s not in harmony with who they actually are. Another way to look at the endeavor is to avoid setting her up for unnecessary discomfort as she finds her path in life as an adopted child from a distant ethnic heritage growing up in Kentucky. From what I already perceive in her birth chart, she has many fine attributes and inner gifts that will serve her well in this regard. The proper “arranged name” can contribute even more to her opportunities for satisfaction and fulfillment.
Precious one, there is great love in store for you when you encounter your new mother and father, plus an entire Clan that stands behind them in support. And a new sister, too! What a year of profound blessings!
part one
I had all these thoughts and recollections coming out of a landmark Band Festival weekend, but once things got rolling in the studio on Monday, I didn’t take time to write them down. Plus, I’m always prepared to devote some of my blogging time to a new Paul Watkins novel, and I’ve started reading The Promise of Light, thanks to a Kentucky Interlibrary Loan (KILL—how’s that for an acronym?). Well, I’ll give it a try anyway…
• WineFest
For the first time, the Festival sponsored an event that gathered representatives from nine Kentucky wineries on the grounds of the historic Old Crow Inn, and 300 people showed up. Chateau du Vieux Corbeau, the local host winery, produced a limited bottling of red and white wines which featured my artwork for the Festival poster. I was on hand Thursday evening to help promote sales that will benefit the Festival, and I was surprised at how many buyers wanted me to sign labels. It was fun, but nobody offered me a bottle to take home. In any case, it’s as close as I’ve ever come to designing a wine label, one of my unmet goals as a graphic artist.
• Aborted Study
Anticipating my appearance at the Community Arts Center on Friday night, I had this idea that I would complete a preliminary study for Spellbound that I started last November but never finished. It served it’s purpose back then, and I proceeded with what turned out to be the final version after the first of the year. It seemed like a good idea to finish the study and make it available for a convenient sale, but once I got involved in it, I realized that the magic was long gone. I may finish it anyway some time, just for the practice, but learned the lesson again that monetary motivations don’t have the power to bring my muse to life.
• Poster Signing
The Maple Tree Gallery completed the framing of my original painting, and Lee helped me get it down to the Arts Center before I dashed home to get ready for the Gallery Hop. Pat L was there to assist, and I ended up signing about half the edition of 75, and about half of those sold that same night. Patti and Vince stopped by to inspect the original, which had a well-lighted spot near the entrance. I couldn’t read their reaction to my purchase price (or didn’t really try to, actually). Clearly they’re the best candidates for ownership, and their interior decorator told me later I shouldn’t consider reducing the price, but I still wonder if anyone will be willing to pay what I think it’s worth. We’ll see. Dana remains optimistic, but I probably should give some thought to where I’ll temporarily hang it in the studio. I was delighted when Joan stopped by, and she took some pictures for Mombo. It was my moment of glory, and, as expected, the evening passed by much too quickly.
— Month of May workout totals: Swim-0; Bike-6; Run-1; Lift-0; Yoga-0
— Unimpressed by my exercise stats, I have to remind myself that it’s a big improvement over my uncharacteristically sedentary April, and that my workout log doesn’t include things like hauling truckloads of crumbled blacktop out to the asphalt plant. Well, I’m still blessed with excellent health, my weight is under 160, and I’ve got a 17.4 bmi. With everything going on around me, I have to be very, very thankful for that. So, now that it’s summer, it’s time to ratchet up the physical activity and get in shape. Muscle Club, anyone?
— If you aren’t reading Peat’s European journal, you’re really missing out. She calls it “The End of Fear is Where We Begin,” and it’s classic Peat. Her smile shines right through every word on the screen. And how about that KK? Can’t wait to see the BIG BLADE!
— On a recent solo trip to Louisville and back, I finally broke into the “Zero Hour” tapes that Joan loaned me a long time ago. Who knew at the time that Rod Serling had hosted radio dramas for talents like Jessica Walter, Richard Crenna, Keenan Wynn, Joseph Campenella, Brock Peters, and Earl Holliman? Apparently, over 55 hours of drama were produced, and, like so many things these days, it’s also available on CDs or as MP3 files. I still don’t mind listening to audio cassettes, but, come to think of it, if I don’t copy my tape of Heston reading the Psalms I’m likely to wear it out before long.
— I don’t think I’ve ever been this excited about an upcoming Brass Band Festival weekend, but I’ve never been the featured artist before. It helps to be enormously pleased with how my highly visible contributions turned out. I can go into the whole thing knowing that it’s my best effort on display. On the other hand, I seem to be feeling more and more awkward being in a position to take credit for things that come from the Source of all constructive influence, creativity, imagination, and beauty. I feel like I’m merely the object of good fortune, and, at the same time, I know well the moments of struggle, and the “means” it took to find my way over obstacles I wasn’t sure I could surmount. I well remember Danny D’s remark to me that “God doesn’t write songs or make movies.” Sorting all this out is why I continue to do it, I suppose, but it’s a bit of a roller-coaster at times. It felt like I could finally catch my breath this week, with Mombo home from the hospital, and supervision of the poster printing behind me. Some kind of balance has returned to daily life, deadlines are being met, and the outlook in the studio hasn’t been this bright for many, many moons. I’m not saying that Graybeard is dancing around his campfire, mind you. Things could always be better, but the worst is definitely in the past. In other words, I shouldn’t need to sell any more mediocre cartoons to a nephew any time soon. And I’m writing this with a calm heart, even though I didn’t sell a single collage from my KOSMOS exhibition. Well, enough of that. Onward and upward, as they say.
Dana took Bruce to St. Joseph on Monday for surgery on his arm that would facilitate extended dialysis. Unfortunately, his potassium level was too high, so he stayed until the following day. He had two dialysis treatments (Monday/Tuesday), and then he was in shape to get the procedure. It was a blessing that the surgeon found a way to work on the problematic left side. Bruce had been very reluctant to condone any vascular manipulation of his good right arm.
We broke away from Danville to be with Bruce after his surgery, and then got the good news that he was being discharged. It was complicated for me, because I was trying to remotely handle authorization for necessary revisions to the Band Festival poster, and also make sure the proof got back to Louisville. After we left St. Joe, it was time to pay a visit to Mombo over at Central Baptist. Both Jeanne and Joan were there.
Joan had already told us about the setback on Monday when Mombo’s heart rhythm became erratic. Dr. Martin said it happens in 25% of cases. They put her back on an IV and stabilized with medication. According to Joan, “She got a pretty African violet plant from the Gels Family. Many friends and family members have been by to see her, and she has had some welcome phone calls. She has been pretty wheezy, so they took x-rays,” which indicated fluid in her left lung. My mom told Joan she can feel the power of the prayers on her behalf.
We had a nice visit, but this is the part of the saga when my awe of modern surgical technique collapses into misgivings about extended stays in the hospital environment. Having just read Gladwell’s chapter on the powerful influence of context, from The Tipping Point, didn’t calm my apprehension. She doesn’t seem to have any appetite for hospital food, and she’s struggling with the motivation to get out of bed and walk. Mombo needs adequate care in recovery, but I can’t help but wonder how much the simple fact of just being in a hospital room can adversely affect a patient’s sense of well-being and resistance to potential complications.
I want Mombo out of that place as soon as possible…
