The March X ends today, and among the things accomplished: a new greenhouse kit was assembled at the back line of our yard. My thanks to Russ for his catalytic inspiration, Terie and Marty for their help, and Dana for her reliable support.
Happy Easter!
“Everyone has now seen that pandemics are another way for the military, intelligence, and public health services to expand their budgets and their power. In 2020, public health, defense, and intelligence agencies weaponized a [Covid-19] pandemic, resulting in unprecedented profits to Big Pharma and the dramatic expansion of the security/surveillance state, including a systemic abandonment of constitutional rights — effectively a coup d’état against liberal democracy globally.”
– Robert F Kennedy, Jr / The Wuhan Cover-Up: And the Terrifying Bioweapons Arms Race (Kindle edition, p. 385)
I am recovered from an unnamed health ordeal that hit me the day after Christmas and lasted a month before I felt reasonably well. Then another month before I felt like myself. My recent article in Clandestiny will be all I say about it any time soon. So now it’s Leap Day and the eve of another March X. I won’t be recording regular notes about my heightened activity this time. Priorities to be confronted: 1) completing a “legacy collage” commission for a Dominican Sister of Peace: 2) building a greenhouse in the backyard of the Town House; 3) preparations for a new gardening season; 4) physical conditioning to ready myself for a decent bicycling program in 2024. Be seeing you in April!
“Indeed, it is perhaps the notion of possessiveness that characterizes the fundamental problem of the human being. True freedom involves a kind of self-dispossession, and a letting go of the attachment to the ‘mine-ness’ of one’s actions… We need to be ‘still,’ to empty ourselves of worldly distractions and illusory attachments, to be able to ‘hear’ and come to understand the Word that is eternally communicated by the Father in the ground. In this sense, it is not as though God is absent in us and then becomes present due to some action of ours that we undertake of our own initiative. Rather, for Eckhart, our task as human beings is to come to be able to listen to — and thereby apprehend — the Word that is eternally and always poured out into us.”
— Amber Griffioen, on Meister Eckhart, 5/1/23
“What is it that confers the noblest delight? What is that which swells a man’s breast with pride above that which any other experience can bring to him? Discovery!”
– Mark Twain
March is going out like a lion — no big surprise there. Meanwhile, the March Ex(clusion) is declared OVER. It has unwrapped itself in a way that I never could have predicted. This whole thing originated as a time-management experiment designed to re-calibrate a design practice that I didn’t realize was fated for demise, in transition to my true calling. 
I’m an artist now, belatedly but wholeheartedly, as I dreamed I’d be since childhood. The March ritual has become an internal, near-sacramental custom — more difficult to describe than ever. But that’s not the point of it. The 31-day string of blog posts is just a way to modulate my attention span and, perhaps, to crystalize as relics a few word clusters with the potential to re-animate various worthy insights at a later time. Would that I had the talent and capacity to write down the many intangible illuminations that peppered this month! That’s not my gift, any more than the ability to devise winning basketball plays under pressure (like my godfather) or to compose organ music in solitude (like my grandfather). Spring (who has sprung) points me to the open air. I am better prepared to answer her summons with another March under my belt (and, before long, to enter my eighth decade). April, here I come.
Today’s sight bite— His severe yet compassionate visage, with the ever-present verdigris patina, —c-l-i-c-k— that man on the Danville obelisk, seeming to acknowledge and endorse the success of a ritual that I’ve conducted in some guise for 16 years.
“Cain turns to Evil to obtain what Good denied him, and he does it voluntarily, self-consciously and with malice aforethought. Christ takes a different path. His sojourn in the desert is the dark night of the soul — a deeply human and universal human experience.”
– Jordan B Peterson“No tree can grow to Heaven unless its roots reach down to Hell.”
– Carl Gustav Jung
Yesterday was really something else, and, if I had to live it repeatedly, I could do much worse. Was the promise of this month’s endeavor fulfilled? Perhaps it even suggests a solution to my quandary of the twenty-third day. If I knew that tomorrow was going to be put on a loop, how would I prepare? How then would I live it? A balance of effort and non-effort? How does one avoid crossing a frontier into excessive introspection? How often should action be diluted with non-action? James emphasized to me the importance of cyclic illumination for seedlings, because a young plant grows more during darkness than it does during the period of light. Similarly, a plant can bend toward the sun only if the cells multiply faster on the opposite side. What can that awareness possibly offer to the contemplative? Is there a meaningful difference between negation and denial? What is the March Ex(clusion) hiding that has yet to be revealed?
Today’s sight bite— A tangle of roots, sod, and invasive ivy, —c-l-i-c-k— as the ground is broken for my new backyard berry patch.
“All has changed, thanks to Trudeau and Freeland setting precedent that a so-called Western G7 democracy can seize its citizens’ bank accounts with no due process and no appeal for the crime of demanding the reinstatement of their civil rights.”
– Mark Jeftovic
I think that the fitness matrix of the “March Ex” has fallen apart {that’s not what Ex(clusion) was supposed to mean}. Other progress is being made. I swapped out a couple collage artworks at CAMP. The article for CC:Mag is about ready to be released. Preparations for the coming season of plein air work is coming into focus. Garden preliminaries are seen through. Backyard agenda is at a resting point. And there are still 13 days of the month to transpire. Make the most of them!
Today’s sight bite— n o n e
“Genius is nothing more nor less than childhood recovered at will.”
– Charles Baudelaire
Nearly half done with the month and it’s a struggle to focus on the guiding objectives. I’m going to have to fight for it now, if I want the final weeks to be worthy. I decided to use the tomato patch for cold-weather salad plants until the maters are ready to plant. We might end up with more greens than we can eat this year, depending on how the farm garden develops.
Today’s sight bite— Hand-manicured dirt and the evidence of seeds gently patted down to their proper depth, —c-l-i-c-k— as rocket, kale, and micro-greens await an early spring germination.
“In theory, ‘first principles thinking’ requires you to dig deeper and deeper until you are left with only the foundational truths of a situation.”
– James Clear
There are some significant things getting done, like the work bench improvements, Town House yard tasks, the indoor planting of seeds for the 2022 garden, and my hand-tool experiment of early spring greens at Blue Bank. A sense of satisfaction is undermined by the recognition that the overall enterprise is out of balance, with my progress on art projects taking a backseat. Plus, I’ve hit a lull in my fitness line-items, despite a major physical effort at the farm today. I’m probably overthinking, as usual, but it just doesn’t feel right. I have to examine more deeply what I’m really trying to accomplish this month.
Today’s sight bites— Way too many Wes Anderson images, —c-l-i-c-k—
—c-l-i-c-k— —c-l-i-c-k— —c-l-i-c-k— each frame of his delightfully bizarre movie like a miniature painting on the flatscreen.
“After witnessing the extreme bias of mainstream media in covering the Canadian convoy over the past month, Children’s Health Defense decided to step in to offer people a truthful accounting of the progress of The People’s Convoy here in the United States.”
– Mary Holland
This entire annual winter project started as a time-oriented experiment, and I mustn’t forget that, nor the importance of the clock in boosting diligence. Circumstances cannot be the only driver. I made more progress on the backyard path. Not sure why that effort has taken an early front seat, but the mild weather is an undeniable catalyst. It’s good to have a daily reminder of concrete accomplishment, like last year’s miniature-each-day ritual. The evening closed with the Wayne White profile, Beauty is Embarrassing. His story makes me feel a bit lazy and unimaginative. Just the prompt I need to pick up the pace tomorrow!
Today’s sight bite— An obstreperous crow on the library window ledge, —c-l-i-c-k— validating or rebuking my belief in the augury of birds.
Follow my art-each-day ritual at The Collage Miniaturist.
The Need to Take Sides
collage miniature by J A Dixon
6.75 x 8.75 inches
from my Series of Rock
You can only work for people whom you like.
If you have a choice, never have a job.
Some people are toxic.
Avoid them.
The good is the enemy
of the great.
Less is not necessarily more.
Style is not to be trusted.
How you live changes
your brain.
Doubt is better than
certainty.
On aging: It doesn’t matter.
Tell the truth.
Milton Glaser
1929 – 2020
“No one has ever taken this kind of jackhammer to the economy in such a brief time and shut it down. We just don’t understand whether this is going to take a year or ten years to work out of. Therefore, the prudent thing right now is to hunker down, minimize discretionary spending, build up liquidity, get into cash, and buy gold. There’s no playbook that will tell you where we’re going. We’ve violated all the rules of economic life and monetary rationality that have ever been created over the last centuries.”
— David Stockman — InternationalMan.com
Here’s an overview from The Collage Miniaturist about the
creative development of my tenth poster for the GABBF:
– – – – – – – – – – – – – – – – – – –
“While many modern-day album artworks tend to favor strict minimalism, The Beatles make a serious case for going bold and wacky without any type of restraint.”
— Nicole Singh
As promised, I’m devoting an entry to the project that kept me out of the collage studio for at least a dozen weeks. I shall beg your forgiveness at the outset for delving into the details of a digital process. Not only has this site kept a seven-year focus on traditional cut-and-glue techniques, but I haven’t indulged the applied-arts side of my multiple personality as a graphic artist. I’m going to depart from that now — perhaps just this once — because it’s been an extraordinary circumstance for me, and a few of you may find the description worthwhile. At any rate, I encourage everyone to read Patrick Roefflaer’s article for a story that is genuinely more interesting than mine!
Not so long ago, a prominent local musician and former brass band director took me aside at an exhibition opening. Based on her recognition of my fondness for collage, she asked me if I would take on a visual homage to the Sgt. Pepper’s album cover design. The purpose would be to mark the 30th production of the Great American Brass Band Festival, held each June in our hometown of Danville, Kentucky. 
It had always been her dream to link the announcement of her retirement at the annual weekend of concerts to the classic album, with a medley of tunes arranged for brass instruments. Sadly, a severe health crisis had forced her early retirement before that could happen, but she preserved hope that a multi-discipline Beatles tribute for the festival’s upcoming milestone might happen in 2019.
I’d already designed nine posters during the festival’s lifespan. To create a tenth was tempting, and this idea had a barbed hook. It really snagged me. My previous experience offered no sense of proportion about the magnitude of time to which I was committing myself when I said, “Sure.” The first obstacle was whether we were allowed to do it at all. we soon discovered that an enormous number of entities had made a visual salute to the famous image over the past fifty years, and that it had already become a ritual of pop culture, in spite of the complexities involved. There’s even a website that shows over a hundred previous parodies. Before long, we had mutually decided that it might as well be our local festival’s turn to pay homage.
The assignment was now in my lap, and I was overwhelmed with a desire to do it justice and exceed expectations. I found inspiration in filmmakers who I admired (like John Frankenheimer or Robert Altman), because their time-consuming approach would be required for what I’d bitten off. I wanted to bring the same passion, attention to detail, and collaborative leadership to my effort. I ended up shelving all other priorities and putting a ludicrous amount of time into the project, but not without the help of many partners. First and foremost was my wife, Dana, who jumped in head first to play a key part in nearly every aspect of the creative enterprise. After getting advice from an experienced model railroader, she began crafting a miniature flower garden to display the festival acronym for a mandatory foreground allusion. More than once, she would come back to the unfinished artifact to find that its spongy base had “spit out” some of the “flowers.”
The rest of it hinged on two important elements — whether we could pull together our own “Fab Four,” and then surround them with a crowd of numerous figures. 
It was determined that the Beatles would be “represented” by the previous directors of the Advocate Brass Band, a Golden-Age-style band associated with every festival. Their initial formation to color a political rally in 1989 was a direct influence on the organizing of the annual event itself. This made perfect sense because the foursome would include the festival’s pair of co-founders and their band uniform jackets, although not psychedelic, would be an effective visual reference point. We immediately knew that some digital sleight of hand would be called for, since only two of the four were locally present.
One was near a university town many counties away, and the fourth had moved to a distant state. It took lots of coordination to solve that equation, and we pulled it off with the crucial participation of my friend, photography pro Bill Griffin, who took time away from his day job of wealth management. In keeping with the guiding theme of “a little help from our friends,” getting all the ingredients for the poster art to coalesce would demand the magnanimous assistance of others — furnishing space, props, and standing in at our photo shoot, plus image research and acquisition.
At a certain point, I began to focus on researching the background “crowd of fans,” to honor the countless performers, organizers, sponsors, staff, and volunteers who made three decades of festivals possible. It became a daunting, complicated task of culling and selection. I realized that the poster would be the size of a picnic table if everyone who deserved to be on it were included. The original setup by Jann Haworth and Peter Blake was peopled with life-size, hand-tinted cut-outs that imposed a certain physical limitation, and it was fabricated within two weeks. A virtual approach was too open-ended for comfort. There was a limit to how methodical I could become in choosing ingredients for the montage of faces. The solution was to approach it more intuitively, as I would any of my “maximalist” works.
All collage art worthy of the name is irrational at some level, and one of the reasons the original Beatles art is so iconic is the sheer illogic of it. And so, for us, that idea led to a few incongruous personalities, such as Carrie Nation and Howdy Doody. The final assembly was challenging, painstaking, rewarding, and fun, all at the same time. After refining the list of candidates and compiling the source files, each master image had to be sillouetted, retouched, color balanced, and optimized for inclusion. It seemed like the rearranging would never end before every element of the composition appeared to “belong.” I shall confess that I do not possess a powerhouse workstation. The increasing quantity of digital layers in Photoshop had to be continuously merged to prevent the composite file from paralyzing my Macintosh. Even so, it would often exceed 500 MB in size. I tried to save and back up as often as feasible without breaking stride, but there were periodic freezes that would result in “three steps forward and two steps back.”
There should be no misunderstanding, however. The marathon endeavor was punctuated by many fortunate, often astonishing developments. One of our “Fab Four” individuals made a vital connection with an outstanding photographer in Athens, Georgia, who went the extra yard in matching my parameters for an important superimposition of the black-suited Dr Foreman. He also shot an antique bass drum to add another convincing Sgt Pepper’s touch — the same one that appeared on the festival’s first poster in 1990, and it still had the original, hand-painted emblem! Dana took the lead in preparing the poster “mechanical” for offset production, as she always has done for Dixon Design. She also knocked one out of the park during the solicitation of bids. As a contribution to the landmark production, Mike Abbott of Thoroughbred Printing agreed to produce the job at cost, and spent an hour with the press operator, Dana, and me, making sure we were satisfied with the quality.
Our closing duty was to devise a printable key for identifying all the individuals and design elements. My original idea of including a longer “blurb” for each line item quickly became far-fetched when producing the abbreviated version dragged on. By the time we declared it done, the “labor of love” vibe had been exhausted. There wasn’t much love left in the air, and I just wanted all of it to hit the street, which it has, of course, and the positive response has been even more than I anticipated.
This post is already far too long, so I won’t get started on my Eva Marie Saint story, but I need to explain why we included a picture of the creators, and then I’ll finish up on an appropriate collage note. I was adamant that I would not fall prey to the Hitchcock Urge. I had no interest in, nor justification for, inserting myself, since I was making so many brutal choices to leave others on the cutting room floor. Dana was in total agreement, but the team of people who helped with the proofing process took an opposing viewpoint. Their collective drum beat was that the final rendition must include us! You can see that we eventually waved the white flag and stuck a small portrait on top of the Bourbon barrel.
A tiny figure seated at a kitchen table was provided by the Great American Dollhouse Museum as a nod to the Shirley Temple doll in the original composition, which also featured a Madame Tussauds wax figure of Sonny Liston on the opposite side. I knew there had to be a way to include Kentucky’s own Muhammed Ali in our version. Rather than take unavailable time to solicit permission to use a photograph that might get buried in the sea of faces, I turned to my friend Robert Hugh Hunt, who kindly let us insert the extraordinary collage portrait from his 20th Century Icons series!
Oh, I get by with a little help from my friends!
30th GABBF Poster
digital homage by Dana and John A Dixon
24 x 36 inches
Purchase one now!
Online order page includes a printable key to identification,
plus a ‘special thank you’ to all our essential collaborators!
Although “birthday weather” has not yet arrived, Dana and I launched another season of natal celebration with a visit to the Speed Art Museum and its Women Artists in the Age of Impressionism. After replenishing our souls with art, we found an Ethiopian restaurant that hit the spot. Cheers, Mo!
There are different types of ideal days.
For me, surely today was one of them.
After what may have been the best night’s sleep that I have had in two or three months, I woke up with a cool breeze above my pillow and came downstairs to discover a nutritious breakfast smoothie and a pot of hot coffee to go with it. Thank you, Dana, for getting my day off to such a positive start. TSLA, YHOO, TJX, and FEYE took over from there, when the market opened, and I spent a productive morning managing my active trades for four separate accounts, including the Trust investment. I may have gotten a suitable entry price for a long position in VMW, but only time will tell with that. When the office intercom beeped, I was the beneficiary of a delicious roast turkey sandwich with a bowl of fresh gazpacho. It has been a fine season for tomatoes, and I am still working on getting my fill. Dana said that aging Walie was having one of her most lively days in a long time. After lunch, I noticed a new Ommatidia story by Brendan (which always makes my day), checked email, and worked a bit on my Spotify playlists, now that Marty has me successfully making the transition from Pandora. Some time ago I figured that eventually one would be able to watch any movie or TV show on demand, but I had not expected so soon to see the same be true of music. Yes, I have to listen to commercials now and then, but they are not as obnoxious as those on the Pandora site, since most of the Spotify ads are about the musical offerings themselves. Then it was into the painting studio for another session on the GAB portrait (with a few Danny Darst tunes for good company). I can say that I finally overcame the wall of fear (compliments of an old pal named perfectionism) that became attached to this commission, but now the pressing need is to find a route to the summit by the end of the month. I have pledged to myself to complete the artwork for Greg’s and Lynne’s return from their trip to France. At 4 o’clock, I crossed the street to play chess with the library group: one win, one loss (strangely enough, it usually works out that I beat the people I am capable of defeating and lose to those I am not capable of defeating). Although I rediscovered chess through vision therapy a while back, I am getting more serious about it this year, now that I can regularly match wits with local players right next door. Before I left, I checked out Is He Dead? (I admit that I wanted the Mark Twain comedy primarily to study the engravings by Barry Moser). When I got home I crossed paths with Dana, leaving to meet her spiritual group at the library, and then I jumped back into my yew-trimming topiary project in the front yard. With each passing growing season, it is easier and faster for me to keep them in shape, but more difficult to make significant changes or refinements. Nature will provide an occasional opportunity for a new direction or interesting detour, but it is mostly about keeping the whole effect under control. When the “skeeters” decided it was time to bite my ankles, it was off to Centre for some weight lifting before dinner. Being settled into the gym groove has always been a confidence-booster for me, and that goes back nearly 45 years. Peter Lupus emphasized that 100 twists a day kept his waistline small, although I have not been able to achieve the daily habit yet. In the workout room, I combine strenuous twists with the “ab chair” to manage my own belly, plus a circuit of machines and dumbbell exercises, in addition to the trusty bench press (where is that best buddy to spot me?). As I entered our back door after a brisk walk home, a blend of magnificent odors told me that Dana had been baking up a storm — sourdough bread, chocolate cake, and apple pie! We are preparing to celebrate Marty’s promotion to full-time employment at Hitachi in Harrodsburg. I am not the only member of the household on a roll. Well done, Grandson (and he got an A in his first course at the Technical College). Marty happened to be catching up on sleep (I cannot imagine handling a night-shift + school schedule the way he does), so Dana and I split a Red Hook and enjoyed a bowl of Swiss-chard-lentil soup with raw-tomato-basil-cheese salad. All that was left for me to do was to record my ideal day at this blogsite, and now I am ready to hit the sack. Tomorrow we shall begin again!
After a night’s rest, I found an image of two beach shells to refine my unfinished collage miniature, and (presto!) it was done. More often than not, it is necessary for me to continue layering before declaring victory. Today is St. Patrick’s Day, the flimsiest excuse to get drunk that ever was invented. The alcohol ban inherent in the CLEAN regimen takes that potential out of commission for me. We are over halfway done with the program. I missed Juliana’s birthday. The push for larger artworks has decimated my card-making practice, even for family. The end of an era is at hand (or probably already over, and I am just getting around to admitting it).
I should really tackle the hedge along the driveway or get out on my bicycle for the first time this year. It is so mild out there. On the other hand, I am behind schedule with my collage miniatures checklist. Admit that you can’t possibly get it all done. There are times for balance and there are times for concentration; the latter wins today.
Jon Acuff’s Five-Step Secret to Getting it All Done:
1. Admit that you can’t possibly get it all done.
2. Give yourself the grace to accept that as reality, not failure.
3. Do the things you can do with your full attention.
4. Celebrate what happens during Step 3 instead of obsessing over
the things you didn’t get to.
5. Repeat as necessary.
Hmmm . . . sounds a bit like the March Exercise, but does it sound like what I actually have been doing for the past week? It is all about the “full attention” part, is it not?
