Archive for the ‘Personalities’ Category

Only love is real

Thursday, December 29th, 2005

Days of mixed emotions as the year draws to a close…

I’m really excited about the wise, practical advice I’m getting from Twyla Tharp’s “The Creative Habit,” the best book on creativity I’ve ever discovered. Anyone who is remotely artistic or has even a modest hope of harnessing their creative abilities should read this book. I wish I’d read it 30 years ago—a silly thought, since she wrote it in 2003. That she’s been able to synthesize from her life experience such a down-to-earth approach is another form of genius beyond her greatness as a dancer/choreographer. Her counsel is so effective that I’m already getting noticeable results, and I’m only half way through the book.

In a previous entry I mentioned Paula, the state employee who was coordinating the KBBC when I joined the Commission at the end of the summer. I learned today that the cancer has advanced to the final stage and her family was gathering nearby to keep the vigil. My one long talk with Paula took place on what might have been the most exhilarating day of the year for me. She was very nice and very professional, believing she was making a routine follow-up call to introduce herself and offer her help within the Transportation Cabinet. I was totally lost, and it became clear soon enough that I wasn’t yet aware of the Governor’s appointment. We ended up having an amusing conversation after we put the awkward moment of embarrassment behind us. I looked forward to getting to know her and hardly imagined never speaking to her again. I don’t need to go into the memories from a year ago that this news brings to the surface. I just hate to be reminded that another family is facing a new year with the same tide of overwhelming sadness.

With the observance of her 15th birthday, my niece Hayley is on the brink of success as an athlete. She’s put in some hard work as a youngster, but is now poised to commence her career as an outstanding high school ballplayer. I watched her carry her team to a two-point tournament game victory yesterday as a freshman, and I can vividly see the potential, although I’m not knowledgeable enough to analyze her situation in detail. I’ll leave that to others. I just know how happy I am for her and how much I wish her well. A relaxed self-confidence is beginning to blossom, plus the capacity to turn on “the means,” when necessary. A good combination that will improve with more playing time, which she’s certain to get after a performance like her 14-point, 9-rebound effort last night. You got it, Belle— go tear ’em up tonight!

Bruce has improved enough for probable release by the weekend. He’s still experiencing enough dramatic flux in his body temperature, blood pressure, and pulse rate to keep everyone on edge about his prognosis for 2006. It took our friend Nathan two years to recover some level of normalcy in his bout with pancreatitis, presumably a worse case than Bruce’s, and that included multiple surgeries. This gives me reason to have the long-term outlook for a positive outcome, to resist the tendency to fret about the periodic fluctuations, and to recognize that the Father has a purpose for this man that none of us can begin to imagine. It will just take time. Lots of it.

So… I’m juggling joy, sadness, hope, and fear right now, but behind that veneer of emotional energy is a core of Divine Love. I’m grateful that I grew up swimming in a lake of pure love. Not indulgence or sympathy or favoritism or the milk of human kindness. Love. The real thing. And I realize now that it’s the Presence of God in my life, and I’ve since learned how many others have struggled to adulthood without it. That is surely my greatest gift. Not my talents, or my excellent health, or my “good joss,” but the certainty of always knowing I am deeply loved, and it enables me to touch the Heart of Christ—if I remember to pay attention. If I relax, avoid the panic, and float in that vast life-giving ocean—an inner and outer home that’s always been there and always will be.

Love one another

Tuesday, December 27th, 2005

I generally don’t pay much attention to the calendar that honors the saints, but I always take special note of the “feast day” that falls on this date. This holy person, familiar to all Christians, is referred to as “John the Apostle” or “John the Evangelist,” but I know him as “John the Beloved.” The only one of the Twelve to endure his Master’s passion until the end, the well-being of the Blessed Mother was entrusted to his guardianship, and, perhaps less obvious, Jesus also committed his mother to caring for John as her son (John 19:27). How singular his role! The Father would preserve his life to an advanced age after all the other Apostles were long slain.

Why do I regard John so highly? Yes, my name is John and have held this attachment since childhood, plus I’ve always taken pleasure in the Easter moment when John wins the footrace to the tomb against Peter. I also like how he comes to our attention as a seeker, transferring his interest (with Andrew!) from the Baptist (another John) to Jesus—hey, gimme a break, I’m named after two guys who weren’t against going where the path took them. But I know myself well enough to see that it’s the sacred personality of John that holds deep spiritual appeal for me. His fundamental message of love is more powerful than intellectual arguments, and he influences my conviction that love in action may be the only true religion. He was also the strongest—before the Holy Spirt came into the picture.

There are times when I think that there are two kinds of Christians, those that say to themselves, “I’d have been scared, too, and stayed away,” and those who say to themselves, “I’d have stayed with Jesus and let the chips fall.” For those of us who believe we might have had the courage to stand there and watch, the “disciple whom Jesus loved” is our saint. But I’m a man, and must now remind myself that Mary Magdalene also kept the vigil with Mother Mary. And then there are times when I think that this notion is flawed, for, as Robert Benchley wrote, “There are two kinds of people in the world: those who divide the world into two kinds of people, and those who don’t.”

Christmas musings

Sunday, December 25th, 2005

• Nobody can recite the Holy Bible like Charlton Heston, and I do mean nobody. Christmas morning isn’t set until I watch his performance of the Nativity verses, filmed at the ruins of a Roman amphitheater. Sometimes I just want to shut my eyes and listen to the masterful shift of his voice characterization from Angel to Blessed Virgin to Shepherd to Magi to the 12-year-old Jesus in the temple doing “my father’s business.” And I always enjoy how he portrays the angel telling Joseph that Herod “is dead,” almost as if the heavenly being takes grim satisfaction in the opportune demise.

• My TV-Show Fantasy Wish List for Santa: I want a sprawling hacienda like Big John Cannon’s, on a ranch like The Yellow Rose, with a horse just like Jason McCord’s, and a fully stocked pull-down gun panel like the one James West had. When I need to be in the city, I’d like a Robin Masters Ferrari so I can commute to my urban pad, just like the apartment Jim Phelps lived in, with a big John Gnagy studio attached, plus a closet with an Alexander Mundy wardrobe. I suppose that’ll do for this year, Santa, unless you want to toss in a hovercraft, custom-built by Benton Quest. I’ve been really, really nice.

• I don’t know how long ago the “Oyster-Stew Eve” tradition began, but now it wouldn’t be Christmas for me without it. We gathered once again last night at Mombo’s, and it was a full house with all the Hellyers in attendance. Bubb played the temperamental stew chef, but his main course was superb as usual. I could have done without the bizarre homily that gushed on about everyone’s favorite computer racketeer earning his media sainthood. Oh well, there’s got to be a reason church hierarchs would exile a pastor to the boondocks of rural Kentucky. After what I’ve learned about the downfall of the precious parish in Richmond, nothing is going to surprise me about the bewildering judgments of those running an institutional religion that long ago lost its way. Give me a simple family Christmas Eve, with loving hugs, wall-to-wall cousins, Yorkies under foot, Jaybon’s vino, mud room goodbyes, and the lasting brilliance of a Dadbo who combined the sleep-inducing benefits of warm milk for the kiddoes, with a dose of aphrodisiac for Mr. and Mrs. Claus.

In the Blue Light of African Dreams

Tuesday, December 13th, 2005

This Paul Watkins novel simmered until page 256 and then boiled over inside me without warning.

How did he do that? It makes me want to wolf down the remaining 54 pages in one sitting, but I’m not sure I’m ready to release these characters just yet.

This is the third novel he wrote—at age 26. Third person rather than first, it has a slightly more unsettling tone than “The Forger,” but no less cinematic (even more so I’d say), and yet it’s clear the same creative force is present in this earlier work. Although perhaps a bit more eager to entertain at this stage, he applies a youthful energy to his story in a remarkably economical manner.

Various & Sundry, part twenty-nine

Thursday, December 8th, 2005

— At tonight’s local GOP Christmas reception, several Republican heavy hitters put on a full-court press, trying to convince me to run for public office in 2006. It’s nice to know I’m on the short list, but the timing couldn’t be worse.

— While we’re on the subject of politics, I was happy to learn that Seth was elected Governor for the 2006 session of the Kentucky Youth Assembly (YMCA). Couldn’t have happened to a better man. Congratulations!

— I surprised myself at the pool today, coming within a second of my 50-yard PR. I haven’t even been practicing my sprints lately, so I don’t know what to make of it.

— Just had to hit the chuck wagon for second helpings, watching the “Firefly” pilot again to catch things I missed on the first viewing. I realize now that I was totally hooked by the time Kaylee got shot and willingly chomped down hard on the barb when I saw Zoe with her “mare’s leg.” I guess Joss Whedon has my number, and Brendan was the first to know it!

— Although I’ve never included John Lennon on my list of personal heroes, when I look back on his art, cultural innovations, and powerful position as a generational role model, I have to consider that he probably had a more profound influence on my life than I’d care to admit. 25 years?

Bruce is dealing with some post-op pain, but says he’s feeling better every day. They took out the “rubber band drain” in his back, another good indication of progress. I hope he improves enough to be settled back in his home by Christmas.

V & S

It’s a grand slam

Tuesday, December 6th, 2005

Dana and I decided to just go all the way with a “biopic grand slam,” and so we borrowed “Ray” from the library. Every so often I watch an Oscar-winner at work (Nicolas Cage in “Leaving Las Vegas” comes to mind) and I think, “Is this truly a performance that deserved an Academy Award?” This was definitely not one of those times. I’ll leave it to others more gifted than me to characterize Jamie Foxx’s phenomenal achievement.

As far as the movie goes, it makes “Beyond the Sea” look anemic by comparison—the difference between an obvious indie project and a big commercial picture with the highest production values. “Ray” is one of the best sounding Hollywood products in recent memory. The sound mixers deserved their awards every bit as much as the lead actor. Superbly directed, designed, and edited, the film is a technical masterpiece, but was it a better picture than “Million Dollar Baby?” No—because Clint delivers the full package that your heart is yearning for when you choose a movie like this. “Ray” has its moments—quite a few, and they’re exceptional—but failed to sustain a deep emotional connection for me. I cared more about whether Johnny Cash overcame his addiction in “Walk the Line,” and I really don’t think it was a function of who Ray Charles was or how good a job Jamie Foxx did.

I’ll continue to contemplate the similarities and contrasts of the four musical biographies I’ve discussed in my last two entries, and why one or another excelled in a particular area. In any case, each one of them is well worth the time, but now I plan to accept a couple new assignments in the spare-time department—the complete “Firefly” collection plus an early Paul Watkins novel…

Hello, I’m Uncle Johnny

Monday, December 5th, 2005

It was quite interesting to watch “Walk the Line” and “Beyond the Sea” back to back. I found Spacey’s motion picture more cerebral, given a nontraditional structure remarkably similar to “De-Lovely,” which I thought was also very entertaining. Actually, both Porter and Darin were consummate American “feel-good” entertainers and their tribute flicks should come off accordingly. Kline and Spacey have just about cornered the market on “do-anything” talent in Hollywood, and I suppose that’s why Joaquin Phoenix blew me away with his wide-ranging portrayal, because I honestly wasn’t expecting him to be so outstanding in the role.

The Johnny Cash story hit me more at the gut level, just as it was intended to do, I believe. Everything about the movie was clearly geared to creating a powerful sense of intimacy. I’ve never been a Johnny Cash fan, so maybe that enables me to be convinced that Phoenix pulled off a monumental challenge with superb skill and dramatic fluency. If so, he’s elevated his stature to the upper tier in his generation and will surely be rewarded with ample nominations for top awards. I hope the same is true for
Reese Witherspoon. Show me something this young woman cannot do. I thought it might take a while to see another highly versatile actress grow up on the screen like Jodie Foster did, but here she is. I’d love to see her in a production with Foster, Laura Linney, or Jennifer Jason Leigh, but somebody has to be able to write a screenplay worthy of the sheer incandescence. And, of course, there’s always Broadway. Just wait. We’ll eventually see her tackle that, too. One thing is for sure—you’ll no longer see anyone do a biopic of a famous singer without personally recreating all the music.

Speaking of growing up on the screen, Kate Bosworth reminds me of a young Lynda Day George, with a pinch of WKRP-era Loni Anderson mixed in. I don’t remember her in “The Horse Whisperer,” and I’ve missed all her other films, so it was a treat to watch her so ably inhabit Sandra Dee… well, to watch her—period. She’s impressive. Now I’m looking forward to seeing if she makes us forget all the other Lois Lanes of the past 60 years.

I’ve gone on long enough. I don’t even have time to be watching movies, much less ramble about them, so let me just close with this:

As much as “Beyond the Sea” is a mental movie and “Walk the Line” is an emotional one, I find that it’s the Johnny Cash lyrics that I continue to mull over in my mind, and it’s the Bobby Darin melodies that I feel like whistling cheerfully throughout the day.

Maybe it’s my brain that’s a slug

Monday, November 28th, 2005

Bruce‘s surgery is scheduled for Wednesday, so we plan to head out Tuesday evening. In order to keep the operation as short as possible, they plan to deal with the most troublesome pockets of infection by operating through his back.

I see I haven’t been very talkative in my recent entries, but I can’t explain it. Everything that’s going on right now evades my verbal capacities.

“When the mind is actively and vitally at work, for its own creative uses, it has no time for word-building: words are too clumsy: you have no time to select and group them. Hence you must think in terms of images, pictures, of states of feeling, of rhythm… Writing is but the slow, snail-like creeping of words, climbing laboriously over a little structure that resembles the thought: meanwhile the mind has gone on and on, here and yonder and back and out and back again.”
    —Louis H. Sullivan, 1934

Happy Birthday to Marty

Monday, November 21st, 2005

Yesterday I went to church at the Salvation Army, which inspired me to write a Thanksgiving prayer, so I treated myself to a sandwich at my neighborhood hang and wrote it out. I saw Tim and Jo Ann, learning that they’d been able to buy the infamous “Banker’s House” on Perryville Road and were in the midst of moving. They said that if they didn’t do it before the holiday, they might be too busy until January (Jo Ann) or April (Tim). Yep, that sounds about right for those two. I wondered how far into seven digits the sticker price climbed. They asked me how Bruce was doing. Given Tim’s long, long recovery from his accident, these are two people who understand the meaning of “slow progress.”

Afterwards I puttered around at home, taped plastic around the air conditioner in the mud room, and managed to fit in a nice cross-country run on Mack‘s Trails with Milton and Jim before joining the Strocks for an evening of relaxation. Terie invited me to share a delicious birthday dinner for Marty—venison chili with cornbread and salad, followed by cake and ice cream (mounds of it!), plus a DVD thriller with Kathryn Morris.

Later on, Marty and I both realized we were still in front of the tube watching, for no reason, a Will Ferrell movie with Mike Ditka that stunk to high heaven—because we politely assumed the other wanted to—so we promptly re-adjourned in front of the PS2, enabling the Galactic Empire to capture Hoth, the ice planet, and closed our night with a burst of energy.

Moral of the story— If you’re going to eat two bowls of chili, birthday cake and Breyers, be sure to run hills for five miles first.

Or maybe eight.

Gleanings from Lexington’s downtown Gallery Hop

Sunday, November 20th, 2005

I left Danville too late, so most of the steam was out of the “Hop” by the time I hit the streets of the city. The wine boxes were empty and the finger food looked too picked over. The crowds of hipsters had clearly shifted their collective focus to discussing whatever late-night enticements lay in store for them after the galleries closed.

I was there to see art while I could; it was worth the trip.

Jeff Rogers is always up to something new and interesting.

D.B. Westerfield, a prospective Layerist, has switched from ceramics to multi-media canvases, and I like her smaller collages—bright, loose, and full of gaity. I was going to add, “just like the artist,” but how would I know? (I shouldn’t be so rude. I just met her and she’s a very sweet person.)

• Going from the Ann Tower Gallery to the poster art show
at the ArtsPlace building was moving from the sublime to the ridiculous, but that’s what this event is all about (and I liked discovering the work of Mark Daly).

I’m glad I had the impulse to drive up. I was alone and there wasn’t anything else I felt like doing on a Friday night. I saw a few pieces that inspired me, but nothing I encountered in Lexington compares with Sheldon‘s exhibit at the Community Arts Center, only a block from our studio.

Various & Sundry, part twenty-seven

Saturday, November 19th, 2005

— I reconfigured the screen saver on the Mac G4 Mini to display a sequence of abstractions by Kurt Schwitters. I can’t say why, but, as far as motivating me to make art, nothing of late has been more inspirational to me than the rule-shattering creations of this early 20-century master. One could say he basically invented the medium we know as collage (he certainly was the first to perfect it), and it won’t hurt if I can subconsciously absorb a wee bit of his genius. Did KK really go to Newcastle? My God, that’s the repository of the Schwitters “Merzbarn,” one of the most genuinely innovative artistic concepts of the last hundred years! I may never get to see it myself… Go back there, Caitlan; it’s in the Hatton Gallery at the University of Newcastle!

— Don’t know any details, but it seems as though conditions are imploding at the school where my sister Joan has worked for many years. I feel bad for her because I think I know what she’s going through. Dana and I still refer to the “Golden Age” at Wright State University Communications (where we first met) before that department went into a nose dive. Things were never the same. Some of our coworkers saw it coming early and escaped most of the madness. Dana and I saw the handwriting on the wall before many in our group, but we still had to endure six months of collapse until we made the leap and started our partnership and studio. Several of our friends tried to make the best of it and had to experience a lot of nastiness before what was left of our creative “dream team” had been totally dismantled. A few of us from those years started our own companies and continued to work with each other sporadically, and we keep in touch as friends to this day. Since then I’ve learned that good working relationships and situations can rarely be sustained indefinitely. Everything always changes. Undesirable situations can improve, but, unfortunately, great situations inevitably decline, or even crash and burn. There’s been quite an ebb and flow in our clientele since those days (26 years ago). It’s not that existing relationships will sour, but it’s more often a matter of the natural, dynamic flux in any organization’s personnel equation. Never underestimate the wake of change that can occur when outstanding people move on with their lives. It can cause a “brief, shining moment” to fade into personal mythology. The silver lining for me—I still have my “partner in all things” and my Clan, and that’s as close to permanent as I’ll ever know.

— Today Dana told me that Bruce had a bad night, but pulled through without having to go back to the hospital. He gets into vicious cycles of fever, nausea, low red cell count, weakness, low blood pressure, and then sometimes passes out when he tries to stand up, if he has the energy to move at all. I don’t know the actual sequence of it, but he manages to will himself forward, or he relies on his mother or Pam for the encouragement to ride it out when this happens. It apparently has something to do with dialysis, or the lingering infections, or another factor I’m not aware of. He told Dana this past week how much he wants to feel good again, and that he’s not giving up. Dana will stay with him until he improves enough that she can turn her role over to someone else. Until then, she must be there while Pam is at work. Meanwhile, I continue at the home-front and make my effort to get work, be productive, juggle the volunteer commitments that have a momentum I can’t control, and resist the kind of distractions I’ve always invited to avoid facing—right now—the full emotional impact of bearing life’s load (for example, making overly long blog entries).

V & S

Don’t speak ill of the, uh, rich

Friday, November 18th, 2005

They’re still earning z-i-l-l-i-o-n-s, even though they’re dead,
and every one of them was——

an ARTIST!

Most of them took a lot of drugs, too. Hmm…
Did I mention that they’re dead?

::: Tag from Joan (from Ian) ((from Chris)) ::

Wednesday, November 16th, 2005

“List seven songs you are into right now. No matter what the genre, whether they have words, or even if they’re any good, but they must be songs you’re really enjoying now. Post these instructions in your Livejournal along with your seven songs. Then tag (at least) seven other people to see what they’re listening to.”

1. Sibelius: Violin Concerto, Op. 47 — Jascha Heifetz and the Chicago Symphony Orchestra
2. Tchaikovsky: Manfred Symphony, Op. 58 — Riccardo Chailly and the Concertgebouw Orchestra
3. Fauré: Requiem — Charles Dutoit and the Orchestre Symphonique de Montréal
4. Grieg: Sigurd Jorsalfar, Op. 22— Neeme Järvi and the Göteborgs Symfoniken
5. Romances for Saxophone — Branford Marsalis and the English Chamber Orchestra
6. Best of Mission: Impossible, Then and Now — Original TV Soundtracks by Lalo Schifrin and John E. Davis
7. That’s All There Is — Eric Copeland (Cooler)

I actually doubt if there are seven people who read this Weblog (and most of those who do have already been tagged), but, regardless of that, I’d like to know what music these clansfolk and friends are currently enjoying…

• Marty S
• Seth D
• Nic D
• Kristi H
• Josh D
• Holly H
• Rita D
• Lee S
• Andrew W
• Alyx D
• Jerome D

Layered meaning vs metaphysical anarchy

Monday, November 14th, 2005

I broke away from the Knobs so as not to miss a meeting at Kathleen‘s about the Society of Layerists in Multi–Media (SLMM). I recently joined as an associate member and hope to boost my involvement with the organization as they gear up for a major gathering in Lexington during the autumn of 2006. My goal is to complete enough larger collage pieces by next summer to submit an application for full membership to the Society’s jury. It’s my hope to qualify to participate in the exhibitions connected with the month-long series of art events.

It was a very pleasant, interesting gathering of artists who share a similar orientation to their work, including a few friends from Danville, but mostly a group of people I’d never met. We each had an opportunity to introduce ourselves, show some examples of our work, and talk about our approach. I got to explain how the hundreds of greeting cards I’ve made over the years as a creative contrast to the needs of my commercial practice has enabled me to develop a miniaturist style that I yearn to apply to larger concepts. I told them that, although the aesthetics of my spontaneous compositions are rooted in early 20th-century design and modern art (like the masterful Merz experiments of Kurt Schwitters), I reject the nihilism and pessimism of Dada, and that my process and intent is more in keeping with the uplifting, holistic principles of Layerism.

Tales of the Graybeard Prospector II

Wednesday, November 9th, 2005

•   Went to the Community Arts Center with Dana for the Great American Brass Band Festival’s annual recognition luncheon. Mary Q told everyone that Dixon Design was honored with a “Traverse Award” from the Kentucky Tourism Council for our brochure design promoting the Festival. The distinction was announced recently at the awards dinner the Council hosts in conjunction with the Kentucky Department of Tourism’s annual meeting.

One of the nicest things to happen was to have both John A and Vince D stand up to compliment us personally and salute our work on behalf of the Festival. Vince’s tribute was particularly warm. Although I expected that our award would be mentioned, I did not anticipate his kind remarks about our long-term influence on the image of the Festival. To be honest, I don’t think I’ve ever gotten a public endorsement from anyone at his level of talent. It was a rare moment.

We’ve won the “Traverse” twice previously (in 1997 and 2000) for tourism pieces we did for the local Convention and Visitor’s Bureau. Perhaps this time we’ll make a better effort to capitalize on the special recognition.

Chlorine, linseed oil, and pigskin

Thursday, November 3rd, 2005

Today’s swim was as meditative as Tuesday’s was strenuous. Before I came home I walked over to the Jones Center and looked over the exhibition of sculptures. Standing in the painting studio among the half-finished canvases, I breathed in the vapors of turpentine and tried to get the Paul Watkins story out of my system (it made matters worse). Last night I listened to a 1993 radio interview that helped me gain a greater sense of the young man. The interviewer used the word “precocious,” but I must say I didn’t have that impression after having lived with David Halifax for a week. Well, I suppose most contemporary artists tend to squander youth before getting their act together, so any disciplined person who hits the ground running by the age of 20 is now considered prematurely developed.

I was talking to Marty about the novel and immediately he thought it would translate well as a motion picture. He chose Tobey Maguire as Halifax and Sean Connery as Pankratov. Not bad. I’d go with Michael Gambon or Brian Cox as the gruff, mysterious Russian myself (but who besides Cox could be Reichsmarschall Hermann Göring?). The character of Guillaume Fleury is trickier. John Turturro could have played him early in his career (maybe a bit too tall). Perhaps Jason Schwartzman would be a good match today, but I’m not familiar enough with his work. The likeness of Fluery that I picture in my mind is similar to a self-portrait by Pierre Bonnard. Marty suggested Adrien Brody—not bad again. He asked me how one gets to be a casting director in Hollywood, and I’m ashamed to admit that I came back with a snide reply inappropriate for a fourteen-year-old lad. Needless to say, it doesn’t please me when I witness a pocket of cynicism erupt from below the surface, like looking in the mirror to discover a conspicuous pimple.

Speaking of Marty, I had to pick him up from school yesterday when he was feeling too sick to wait for a bus ride home. I told him to stay warm, rest, take some vitamin C, and, so he wouldn’t miss any class time today, not to be “outside playing football after your friends get home.” When I talked to Terie later she said that he was fine. “Really?” I asked. “Yeah, he’s playing football,” she said.

Vive la Valya

Wednesday, November 2nd, 2005

Thoughts—more than that—expansive, deep-breathing celestial amalgamations inspired by a magnificent story of smoldering suspense, defying containment by mere intellect, taking possession of my imagination, filling it and spilling over like Champagne poured too quickly, and I’m wondering who happens to control the film rights to The Forger, and whether he is a typical Hollywood son of a bitch, and I’m certain that I could design the production, fixated on the idea that Brendan would play David Halifax, and totally convinced that Andrew was born to make this movie…

Yes, I know—these are the outrageously soaring notions one has after finishing a Paul Watkins novel.

Superficiality? That’s why TV was invented. Fiction is another matter

Wednesday, October 26th, 2005

My admiration for Charlton Heston is enormous—the actor, the activist, the man—and so I find it almost impossible to watch the last few of his movies I haven’t yet seen, such as The President’s Lady, Antony and Cleopatra, The War Lord, and Khartoum. Thinking about why this might be so brings to mind a conversation I had several months back with a librarian. I was lamenting the premature demise of James Clavell, and that there were no more of his novels left to read for the first time. She suggested I find an author who wrote in a similar manner, but that struck me as an unappealing solution. I wasn’t searching for a substitute. Instead, I yearned for a contemporary writer with an entirely different style to enjoy every bit as much, who would connect with me in a compelling and exceptional way. Have I now found that person? As I get deeper into
The Forger by Paul Watkins, I find myself wanting to read everything he’s written. I suppose that’s a reasonably good sign I have…

Aaaaah-yee-aaaaaaaaaaaah-yeeaaahyeeaaah

Monday, October 24th, 2005

I finally went into the Central Kentucky Wildlife Refuge. It’s a fact—I’d never been beyond the parking lot. Why? Because I always told myself that if I had the time, I’d rather go to the Blue Bank Farm to be in our own knobs. While that notion is essentially valid, it allowed me to stupidly neglect an extraordinary natural setting right here in Boyle County. I ran the picturesque trails with some friends. Some might say this was a ridiculously hazardous thing to do under the circumstances, since it was raining and there were roots, loose stones, and lots of fallen leaves on the trail. The downhills were particularly treacherous; there were places where it would have been almost impossible to stop, and even slowing down before a level spot made the footing more uncertain. You know what I mean if you’ve ever run down a really steep grade. I know runners who won’t run on anything but a paved surface, fearing injury. They won’t even run on grass, which is my favorite thing on which to run—always has been. I remember how uninhibited I used to feel after watching a Johnny Weissmuller movie, and I’d run barefoot at top speed across the back yard with a rubber knife and give the Tarzan yell, which I thought at the time to be an exceptionally decent rendition of the Hollywood sound effect (for an eleven-year-old Ohio boy it probably wasn’t bad). I felt swift—I never paused to consider how it might look as though I were standing still if one of the Vagedes brothers had been running next to me. They were all sprinters from birth and grew up to challenge the rushing and stolen-base records of their day. I was never similarly fleet of foot. I didn’t run track in high school. I said it was boring to run in circles, but the true reason is that I wasn’t fast. I thought I would do better at a longer distance. In the late 60s track and field competition offered nothing over a mile run, so I went out for cross country. The distance was two miles. Today a two-mile run is a track event. I was still slow, but I got to run on grass. Dadbo was supportive and said I had a natural stride. It was nice to have my father tell me that he enjoyed watching me run, but we didn’t talk much about cross country. If he came to observe any of our meets, he kept out of sight. He must have thought it might make me nervous if I saw him. I’m guessing it would’ve helped. If I’ve ever possessed “the Means,” it wasn’t back then. Most likely, Dadbo knew that. In any case, I was usually injured because I waited too late in the summer to begin my training. On top of that, I had inferior shoes and poor coaching. I’m still relatively slow, but I can take a medal in my age group now and then if I’m in shape (and only one or two good athletes happen to show up in my category). But I’ve learned to run without injury at last—and I can pull out all the stops on a slippery October trail run among my fitness chums, with the keen insights of Paul Watkins reverberating in my psyche.

A journey is over; a companion is lost

Thursday, October 20th, 2005

I usually know exactly when I’ve reached a point in a book when the writer has me in captivity, and I’ve learned to be more patient before rejecting an author who imbeds that turning point deeper in a work. This phenomenon is out the window when a writer hooks you on the first sentence, as Paul Watkins did to me with his outstanding memoir of traveling in Norway. I can be nostalgic and even a bit melancholy at times, but I don’t think of myself as an overly emotional person. Nevertheless, when I got to the end of his book I wept. Paul Watkins is an extraordinary writer—and a very dangerous man. He makes me want to go climb a mountain.

Dixie Cousins vs Ayman al-Zawahiri

Wednesday, October 19th, 2005

Almost two weeks ago Joan alerted me to E-Ring and thought it might be shaping up as a 21st-century COMBAT! replacement. I finally got around to watching the last half of it tonight. It has a dynamite ensemble cast, but the minutes I saw were a far cry from the classic WWII squad series that starred Vic Morrow and Rick Jason back in the 60s. The best surprise was to see that Kelly Rutherford had surfaced again. If Joan had told me about KR being on the show, THAT would’ve gotten my immediate attention!

If it’s Sunday, it must be Indy

Sunday, October 16th, 2005

Dana and I were heartened to see a vast improvement in Bruce when we spent most of the day with him, including a trip to one of the hospital courtyards, where he used his wheelchair as a “walker” to get some good exercise in the sunlight. His progress over the past week gives us reason to believe the topic of his going home may be under discussion before long. On the way back, Dana read aloud to me from “Reading Lolita in Tehran,” as did I while she was driving, selecting a chapter from “The Fellowship of Ghosts,” the evocative account of a journey through Norway’s nearly inaccessible mountains by novelist Paul Watkins. As a massive sunset peaked, we passed a caravan of mobile homes with FEMA emblems heading south. The cloud pattern filled half the sky like glowing lava splashed against a field of robin’s egg blue.