Archive for the ‘Music’ Category

At the Great American Brass Band Festival

Saturday, June 11th, 2005

Because I’m not in 5k shape, I decided to lend a helping hand at the early “Run for the Brass” event, and we had a wild scene at our water stop. The unusual 2005 course had people lapping walkers while the leaders were moving in the opposite direction. A bit complicated, especially with participants crossing in front of each other to grab cups of water. So I had everyone yelling instructions in both directions, but the guys with headsets couldn’t hear us and just did their own thing—crazy! The rest of the day was ripe with superb music and the best of family and friends. The parade was fun, I got to meet the entire Helmers caboodle (Holly, Hayley, Halle, Hannah and Henry!), Bob got a new pair of Brooks at DBF, Marty and I grilled lamb kabobs, and then we all set up at our picnic tables (perfectly located on campus, thanks to Pat) in time for a delightful evening that included Mombo, the Simpsons, plus Joan and her chums. To top it off, Gov Ernie was there to smooze the crowd, we managed to sneak a little Mondavi Zin, some digital close-ups at the foot of the stage came together nicely, and I had an opportunity to straighten everything out with Chuck (we’ll be able to pick up our bronze bowl soon, consummating that long-standing barter deal that desperately needed to be resolved). BrassRoots and Rhythm & Brass were outstanding, so we want to go back to the Festival on Sunday to hear them again, along with the DiMartino/Osland Jazz Orchestra (DOJO).

I’d better stop rambling!

Various & Sundry, part sixteen

Sunday, May 22nd, 2005

— BCA’s Frisco
makes me want to draw it as a comic strip, as Lisa did with Fortado. A while back I realized I’d have a difficult time creating a comic strip as a solo enterprise because, even though I could draw it, I knew I didn’t have the mind to develop dramatic or humorous ideas at the same level. And so I would require a partner, if I ever chose to fulfill the dream. It makes me think of some of the great collaborative efforts, like the strips created by Lee Falk (Mandrake the Magician, The Phantom) and, of course, Parker and Hart’s The Wizard of Id.

— Spent Friday morning compensating for the substandard transparency of the Tapley painting being featured within our Brass Band Festival poster design. It was a relief to know my teamwork with the printer’s pre-press technician achieved the anticipated result. All along, my goal has been to showcase a fabulous work of art without messing up, and having to take possession of the original and haul it around added a bit more stress to the process. Then we had lunch in Louisville with Bob the photographer and he pointed out that shooting a high-res digital could have avoided the entire ordeal of fixing a donated scan. No doubt, but that’s the sort of thing you get pulled into with a freebie project. There’s always time to salvage a botched plan, but never any money to do it correctly from the beginning.

— Within almost every “mandala” of friends there’s the individual or two who act as the “glue.” For a group that’s met twice a month for over a decade to experience “shared silence,” that primary person has been my friend Milton. He’s retiring from his long tenure at Centre College, and it was fun to “toast and roast” him at the cabin this morning. His energy, compassion, and “brutal” honesty has always been an inspiration. One of the harsh realizations of middle age has been to understand that one doesn’t know quite as much about quite as many subjects as it seems in youth. And special care should be taken when claiming any authority in the areas in which one has gained some depth of knowledge and expertise. For the most part, I learned this from Milton, a true scholar who knows how to keep things in perspective—that even though we all have our limitations as students of life, it need not inhibit our enthusiasm for learning, nor deter our quest for illumination.

— The remarkable recovery by Bruce continues as he enters his tenth week in the hospital. He had more surgery on Friday to take out tubes and is down to a single drain (which may come out tomorrow) and a line that delivers nutrition directly to the small intestine. Dana and I spent the afternoon with him yesterday. He did some hall walking and powered his own wheelchair for a while on a visit to the rose garden. He’s off antibiotics, keeps gaining strength, and can now concentrate on a little reading, which is one of the good signs I’ve been looking for. Nobody loved to read more than Bruce, and he’s surely on his way back to his former avocations. And yet I sense that the perilous chasm he traversed this spring is his portal to a new and different life that can be unlocked only by monumental perseverance.

V & S

Free concerts in Danville (be there—aloha)

Wednesday, May 18th, 2005

We’re coming down to the wire on our graphic contribution to produce various merchandise designs for the Great American Brass Band Festival (Centre campus,the weekend of June 11 and 12)—silkscreened shirt, collector’s pin, and commemorative poster—which reinforces another cosmic law of the studio: whenever you decide to do pro bono artwork, you end up doing twice as many things as originally discussed and each one takes twice as long to complete (and that’s if you’re lucky).

Runnin’ Back to Sigurd Jorsalfar

Tuesday, May 17th, 2005

There is perhaps nothing more subjective than taste in music, which can shift and evolve throughout the life of an individual. This has certainly been true for me. It would be pointless to attempt any explanation of my improvised excursion from Burton Cummings to Stanley Turrentine to Jackson Browne to Herbie Mann to Claude Debussy to Alexander Glazunov to JS Bach.

Lately I’ve had an unquenchable thirst for various “greatest hits” of a Scandinavian nationalistic flavor, primarily those by Edvard Grieg and Jan Sibelius. I’m finding much pleasure in pieces that others have judged to be bombastically second rate. And I love how a personal connection with music can trigger new areas of interest and investigation on the Web, such as Nordic dramatists of the late nineteenth century (Bjørnstjerne Bjørnson), Finnish folklore (Lemminkäinen), or medieval Norwegian history (Heimskringla).

Happy Birthday to me

Friday, April 29th, 2005

– repeat –

(with Caliterra…)

Tearful eye vs clenched jaw

Friday, April 22nd, 2005

I haven’t been sure if I had any more “olden” entries in me, for now (because they might be something cathartic related to the past 4-5 weeks), but then I went to my Rotary lunch meeting today and heard a performance of the Boyle County Chamber Singers. These highschoolers are tackling Mozart’s Requiem and other pieces that would be considered advanced at the college level. To think that there are youngsters today with this kind of access to high-quality fine arts instruction at a local public school… well, it just might get me musing again about my own dearth of artistic mentorship and stir a few dying embers of resentment for your amusement.

Various & Sundry, part nine

Thursday, March 10th, 2005

— There’s nothing like a good ol’ ranting, stream-of-consciousness letter to the editor. I can’t even manage to achieve that in my own private journal or semi-private blog, and yet there will always be these bold, opinionated souls who’ll fire both barrels in the local newspaper for full public display.

— Why do some things have to get so complicated? I’m starting to become very sensitive to the chlorine at the Wellness Center pool, just when I’ve gotten into a beneficial groove with my swimming. This morning I did 80 lengths in a little over an hour and never felt so strong in the water, physically or aerobic-wise. We’ve decided to switch our membership to the new fitness club at Centre, partly to find a lower chlorine level, and that should take effect next month. Meanwhile, I had someone tell me that their natatorium is having trouble with its chlorine regulator.

— We finally got the pro bono brochure for the Band Festival out the door for printing. It’s alarming how long some of these freebie jobs take. Wouldn’t you think we’d know how much time something like this would require when we volunteer our services to the community? Oh well, it should be a nice piece.

One Earth Tour comes to Danville

Wednesday, March 9th, 2005

The rhythmic perfection and exuberant athleticism of the KODO performance at Centre last night was powerful, mesmerizing, and deeply satisfying. I knew the word “Kodo” from my book by Kensho Furuya (Kodo: Ancient Ways— Lessons in the Spiritual Life of the Warrior/Martial Artist), but I wasn’t sure whether it literally meant “Ancient Ways.” The KODO artists boldly but reverently exalt “Taiko,” the traditional Japanese drum, which is the ancient symbol of rural Japan. Their musical interpretations connect at a fundamental human level that must be experienced to fully appreciate.

Trivia: What television theme features the Taiko? Answer.

Like something out of an old Bela Lugosi movie

Tuesday, March 8th, 2005

Today’s Anacrusis story makes me think of Kethan Mortice. I guess you have to be a “Benedict’s 9er” to know what I mean.

At the same time, Kristi sends me the salvaged interactive stories, including the one that I thought had been lost! She’s thinking about starting up a new gathering spot to resurrect the activity. I know I’m not that good a writer, but is that any reason I shouldn’t compose fiction? Like I shouldn’t shoot baskets because I’ll never dunk the ball, or give up entering footraces because I’ll never break a seven-minute-mile pace, or (perhaps more to the point) refrain from playing my recorder because I’ll never be able to play a Telemann sonata?

Mister Phelps vs Colonel Strom

Friday, February 4th, 2005

One of my all-time favorite character actors died yesterday. A staple guest star in the silver age of television, John Vernon brought total credibility to every role I ever saw him play, especially as a villain. Probably best known as the scheming Dean Wormer in “Animal House” or for his parts in Clint Eastwood movies, I’ll remember Vernon more for his multiple contributions to “Mission: Impossible,” and the satisfying finale of “Kung Fu.” More than anything else, though, he’ll enter my personal TV Hall of Fame for his memorable “Colonel Josef Strom” in the M:I episode entitled, “The Exchange.” In a rare departure from the series formula, Cinnamon is captured during a mission and undergoes ruthless interrogation. Barbara Bain and Peter Graves deliver outstanding performances, but it’s the smoldering menace in Vernon’s superb portrayal that made this show the most gripping one I’d watched since the legendary pilot, and that’s saying a lot. I’ll never forget the intensity of the moment when Phelps admits to the other members of the IMF, “They’ll break her, and then they’ll kill her.” With Colonel Strom in charge, I couldn’t help but “believe” they would! I also recall the climactic shock of seeing Vernon’s Strom yank out a submachine gun and cut down our defenseless hero and heroine at the Iron Curtain checkpoint. His masterful wickedness was forever sealed in Mission Legend with the brutal act, prior to our realizing that Cinnamon and Jim were wearing bulletproof trench-coats. Oh, the relief! Cue that immortal Lalo Schifrin score!

Various & Sundry, part four

Thursday, February 3rd, 2005

— Over nine thousand objects large enough to be tracked and catalogued? To a galactic neighbor, our planet must look like one of those Kentucky back-road junk heaps.

— Many, many years ago, when we were first allowed to operate the Sony reel-to-reel recorder, we taped numerous television theme songs and incidental music from our favorite shows. We became so familiar with the tape that each musical introduction seemed a natural part of the one to follow. We committed to memory lyrics and melodies, including those from obscure, ill-fated shows that we never even watched. Years later, Mombo surprised me by transferring that strange collection to audio cassette. To this day I occasionally pop in a tape when driving alone and I must admit that very few things in my life, including pop music contemporary to the time, will provide me such a visceral connection to my quirky adolescence. Love on a Rooftop, Mr. Terrific, The Shady Rest, Jean Gaston-Andre, Judd for the Defense, T.H.E. Cat, David Vincent, Rango, The New Number Two… I guess you had to be there. (“Ask the butler to lend you a buck, my dear!“)

— Before Mack went back into the hospital he was kind enough to look at my old Conn C-Melody saxophone (the one that used to belong to Uncle Luke), and became excited about taking it with him to Lexington for a discussion with his sax repairman. Turns out it needs very little attention to be perfectly playable, even after 25 years of storage. He had a setback in his healing not too long after that, but not before I had the opportunity to shoot his combo when they played at the open house for the new Community Arts Center in downtown Danville. I made a montage for myself and all of his friends as a focus for our positive thoughts and prayers for recovery.