Archive for the ‘Music’ Category
Gloria in excelsis Deo!
Monday, December 25th, 2023With a whole bunch o’ help from my friends . . .
Thursday, May 30th, 2019Here’s an overview from The Collage Miniaturist about the
creative development of my tenth poster for the GABBF:
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“While many modern-day album artworks tend to favor strict minimalism, The Beatles make a serious case for going bold and wacky without any type of restraint.”
— Nicole Singh
As promised, I’m devoting an entry to the project that kept me out of the collage studio for at least a dozen weeks. I shall beg your forgiveness at the outset for delving into the details of a digital process. Not only has this site kept a seven-year focus on traditional cut-and-glue techniques, but I haven’t indulged the applied-arts side of my multiple personality as a graphic artist. I’m going to depart from that now — perhaps just this once — because it’s been an extraordinary circumstance for me, and a few of you may find the description worthwhile. At any rate, I encourage everyone to read Patrick Roefflaer’s article for a story that is genuinely more interesting than mine!
Not so long ago, a prominent local musician and former brass band director took me aside at an exhibition opening. Based on her recognition of my fondness for collage, she asked me if I would take on a visual homage to the Sgt. Pepper’s album cover design. The purpose would be to mark the 30th production of the Great American Brass Band Festival, held each June in our hometown of Danville, Kentucky. 
It had always been her dream to link the announcement of her retirement at the annual weekend of concerts to the classic album, with a medley of tunes arranged for brass instruments. Sadly, a severe health crisis had forced her early retirement before that could happen, but she preserved hope that a multi-discipline Beatles tribute for the festival’s upcoming milestone might happen in 2019.
I’d already designed nine posters during the festival’s lifespan. To create a tenth was tempting, and this idea had a barbed hook. It really snagged me. My previous experience offered no sense of proportion about the magnitude of time to which I was committing myself when I said, “Sure.” The first obstacle was whether we were allowed to do it at all. we soon discovered that an enormous number of entities had made a visual salute to the famous image over the past fifty years, and that it had already become a ritual of pop culture, in spite of the complexities involved. There’s even a website that shows over a hundred previous parodies. Before long, we had mutually decided that it might as well be our local festival’s turn to pay homage.
The assignment was now in my lap, and I was overwhelmed with a desire to do it justice and exceed expectations. I found inspiration in filmmakers who I admired (like John Frankenheimer or Robert Altman), because their time-consuming approach would be required for what I’d bitten off. I wanted to bring the same passion, attention to detail, and collaborative leadership to my effort. I ended up shelving all other priorities and putting a ludicrous amount of time into the project, but not without the help of many partners. First and foremost was my wife, Dana, who jumped in head first to play a key part in nearly every aspect of the creative enterprise. After getting advice from an experienced model railroader, she began crafting a miniature flower garden to display the festival acronym for a mandatory foreground allusion. More than once, she would come back to the unfinished artifact to find that its spongy base had “spit out” some of the “flowers.”
The rest of it hinged on two important elements — whether we could pull together our own “Fab Four,” and then surround them with a crowd of numerous figures. 
It was determined that the Beatles would be “represented” by the previous directors of the Advocate Brass Band, a Golden-Age-style band associated with every festival. Their initial formation to color a political rally in 1989 was a direct influence on the organizing of the annual event itself. This made perfect sense because the foursome would include the festival’s pair of co-founders and their band uniform jackets, although not psychedelic, would be an effective visual reference point. We immediately knew that some digital sleight of hand would be called for, since only two of the four were locally present.
One was near a university town many counties away, and the fourth had moved to a distant state. It took lots of coordination to solve that equation, and we pulled it off with the crucial participation of my friend, photography pro Bill Griffin, who took time away from his day job of wealth management. In keeping with the guiding theme of “a little help from our friends,” getting all the ingredients for the poster art to coalesce would demand the magnanimous assistance of others — furnishing space, props, and standing in at our photo shoot, plus image research and acquisition.
At a certain point, I began to focus on researching the background “crowd of fans,” to honor the countless performers, organizers, sponsors, staff, and volunteers who made three decades of festivals possible. It became a daunting, complicated task of culling and selection. I realized that the poster would be the size of a picnic table if everyone who deserved to be on it were included. The original setup by Jann Haworth and Peter Blake was peopled with life-size, hand-tinted cut-outs that imposed a certain physical limitation, and it was fabricated within two weeks. A virtual approach was too open-ended for comfort. There was a limit to how methodical I could become in choosing ingredients for the montage of faces. The solution was to approach it more intuitively, as I would any of my “maximalist” works.
All collage art worthy of the name is irrational at some level, and one of the reasons the original Beatles art is so iconic is the sheer illogic of it. And so, for us, that idea led to a few incongruous personalities, such as Carrie Nation and Howdy Doody. The final assembly was challenging, painstaking, rewarding, and fun, all at the same time. After refining the list of candidates and compiling the source files, each master image had to be sillouetted, retouched, color balanced, and optimized for inclusion. It seemed like the rearranging would never end before every element of the composition appeared to “belong.” I shall confess that I do not possess a powerhouse workstation. The increasing quantity of digital layers in Photoshop had to be continuously merged to prevent the composite file from paralyzing my Macintosh. Even so, it would often exceed 500 MB in size. I tried to save and back up as often as feasible without breaking stride, but there were periodic freezes that would result in “three steps forward and two steps back.”
There should be no misunderstanding, however. The marathon endeavor was punctuated by many fortunate, often astonishing developments. One of our “Fab Four” individuals made a vital connection with an outstanding photographer in Athens, Georgia, who went the extra yard in matching my parameters for an important superimposition of the black-suited Dr Foreman. He also shot an antique bass drum to add another convincing Sgt Pepper’s touch — the same one that appeared on the festival’s first poster in 1990, and it still had the original, hand-painted emblem! Dana took the lead in preparing the poster “mechanical” for offset production, as she always has done for Dixon Design. She also knocked one out of the park during the solicitation of bids. As a contribution to the landmark production, Mike Abbott of Thoroughbred Printing agreed to produce the job at cost, and spent an hour with the press operator, Dana, and me, making sure we were satisfied with the quality.
Our closing duty was to devise a printable key for identifying all the individuals and design elements. My original idea of including a longer “blurb” for each line item quickly became far-fetched when producing the abbreviated version dragged on. By the time we declared it done, the “labor of love” vibe had been exhausted. There wasn’t much love left in the air, and I just wanted all of it to hit the street, which it has, of course, and the positive response has been even more than I anticipated.
This post is already far too long, so I won’t get started on my Eva Marie Saint story, but I need to explain why we included a picture of the creators, and then I’ll finish up on an appropriate collage note. I was adamant that I would not fall prey to the Hitchcock Urge. I had no interest in, nor justification for, inserting myself, since I was making so many brutal choices to leave others on the cutting room floor. Dana was in total agreement, but the team of people who helped with the proofing process took an opposing viewpoint. Their collective drum beat was that the final rendition must include us! You can see that we eventually waved the white flag and stuck a small portrait on top of the Bourbon barrel.
A tiny figure seated at a kitchen table was provided by the Great American Dollhouse Museum as a nod to the Shirley Temple doll in the original composition, which also featured a Madame Tussauds wax figure of Sonny Liston on the opposite side. I knew there had to be a way to include Kentucky’s own Muhammed Ali in our version. Rather than take unavailable time to solicit permission to use a photograph that might get buried in the sea of faces, I turned to my friend Robert Hugh Hunt, who kindly let us insert the extraordinary collage portrait from his 20th Century Icons series!
Oh, I get by with a little help from my friends!
30th GABBF Poster
digital homage by Dana and John A Dixon
24 x 36 inches
Purchase one now!
Online order page includes a printable key to identification,
plus a ‘special thank you’ to all our essential collaborators!
An Ideal Day
Monday, September 8th, 2014There are different types of ideal days.
For me, surely today was one of them.
After what may have been the best night’s sleep that I have had in two or three months, I woke up with a cool breeze above my pillow and came downstairs to discover a nutritious breakfast smoothie and a pot of hot coffee to go with it. Thank you, Dana, for getting my day off to such a positive start. TSLA, YHOO, TJX, and FEYE took over from there, when the market opened, and I spent a productive morning managing my active trades for four separate accounts, including the Trust investment. I may have gotten a suitable entry price for a long position in VMW, but only time will tell with that. When the office intercom beeped, I was the beneficiary of a delicious roast turkey sandwich with a bowl of fresh gazpacho. It has been a fine season for tomatoes, and I am still working on getting my fill. Dana said that aging Walie was having one of her most lively days in a long time. After lunch, I noticed a new Ommatidia story by Brendan (which always makes my day), checked email, and worked a bit on my Spotify playlists, now that Marty has me successfully making the transition from Pandora. Some time ago I figured that eventually one would be able to watch any movie or TV show on demand, but I had not expected so soon to see the same be true of music. Yes, I have to listen to commercials now and then, but they are not as obnoxious as those on the Pandora site, since most of the Spotify ads are about the musical offerings themselves. Then it was into the painting studio for another session on the GAB portrait (with a few Danny Darst tunes for good company). I can say that I finally overcame the wall of fear (compliments of an old pal named perfectionism) that became attached to this commission, but now the pressing need is to find a route to the summit by the end of the month. I have pledged to myself to complete the artwork for Greg’s and Lynne’s return from their trip to France. At 4 o’clock, I crossed the street to play chess with the library group: one win, one loss (strangely enough, it usually works out that I beat the people I am capable of defeating and lose to those I am not capable of defeating). Although I rediscovered chess through vision therapy a while back, I am getting more serious about it this year, now that I can regularly match wits with local players right next door. Before I left, I checked out Is He Dead? (I admit that I wanted the Mark Twain comedy primarily to study the engravings by Barry Moser). When I got home I crossed paths with Dana, leaving to meet her spiritual group at the library, and then I jumped back into my yew-trimming topiary project in the front yard. With each passing growing season, it is easier and faster for me to keep them in shape, but more difficult to make significant changes or refinements. Nature will provide an occasional opportunity for a new direction or interesting detour, but it is mostly about keeping the whole effect under control. When the “skeeters” decided it was time to bite my ankles, it was off to Centre for some weight lifting before dinner. Being settled into the gym groove has always been a confidence-booster for me, and that goes back nearly 45 years. Peter Lupus emphasized that 100 twists a day kept his waistline small, although I have not been able to achieve the daily habit yet. In the workout room, I combine strenuous twists with the “ab chair” to manage my own belly, plus a circuit of machines and dumbbell exercises, in addition to the trusty bench press (where is that best buddy to spot me?). As I entered our back door after a brisk walk home, a blend of magnificent odors told me that Dana had been baking up a storm — sourdough bread, chocolate cake, and apple pie! We are preparing to celebrate Marty’s promotion to full-time employment at Hitachi in Harrodsburg. I am not the only member of the household on a roll. Well done, Grandson (and he got an A in his first course at the Technical College). Marty happened to be catching up on sleep (I cannot imagine handling a night-shift + school schedule the way he does), so Dana and I split a Red Hook and enjoyed a bowl of Swiss-chard-lentil soup with raw-tomato-basil-cheese salad. All that was left for me to do was to record my ideal day at this blogsite, and now I am ready to hit the sack. Tomorrow we shall begin again!
Brass 25
Monday, June 9th, 2014“We need a little confusion.”
— Neil Gaiman
The Great American Brass Band Festival’s milestone 25th event is now in the archives. The finale was one of the most satisfying concerts in the history of the Kentucky festival. My appreciation goes to those who made it all happen one more time! I am pleased to have played a small part.
When I was first approached about lending my creative experience to the effort, I pitched the idea of a traditional collage to mark the 25th, using scraps from memorabilia of the last quarter century. A decision was made to go a different direction, but I could not put the idea aside. The result is “Brass 25,” a tribute to my community’s exceptional contribution to the American musical and cultural scene.
Is “commemorative collage” art? Perhaps not. Some might make the case that no example of the medium has approached “high art.” In my opinion, such a viewpoint fails to consider the 100-year impact that the medium has had on our visual landscape and the evolution of our aesthetic perceptions. It neglects the seminal role of Schwitters, Höch, Cornell, Kolář, and others. For me, the core relationship between mundane material and the art of collage transmits a unifying principle. When the remnants of ordinary life are physically re-purposed to resolve a unique compositional harmony, the culminating artifact can achieve a transcendent tone and offer a shared experience with each participating observer. If that is not art, stripped of elitist notions, then what is?
Brass 25
commemorative collage by J A Dixon
17.5 x 23.5 inches
available for purchase
Eulogy for Bruce Joel Willoughby
Saturday, January 8th, 2011Bruce liked animals, games, martial arts, music, entertainment, and public policy, but he was first and foremost a voracious reader — went cover to cover through the Holy Bible at the age of nine, and figured he had read through it again at least ten more times. Beginning as a child, he consumed three to five books a week through much of his life. It was only natural that he would devote himself to writing. Keeping in mind his great love for dogs, here is something penned by his alter ego, Elbo C. Buckminster:
“I agree with whiners, of the last few generations at least, that life is a bitch. But I’m not whining when I say it. Maybe the first person to utter that phrase was misunderstood, maybe wasn’t whining either, maybe, as I, realized that the spark of physical in this plane is protected by Nature, the bitch-goddess, sharp-toothed and warm-teated. And, like any bitch, when her offspring are threatened, Nature doesn’t retreat. She bare her teeth, she threatens, she snarls — and she bites. She won’t give up, no matter how overmatched, until the threat leaves or until she is torn to bloody shreds. So count on Life, your bitch-mother, for she’ll not abandon you easily. But respect her. If you misbehave, she may snap your little puppy head off.”
As most of you know, Bruce lost his solitary kidney in his mid 20s and spent 71 months on hemodialysis before gaining a transplanted organ, which would serve him for eight years, until he lost it while battling the devastating inflammation of his pancreas that left him gravely ill, hospitalized, and clinging to life for nearly a year, during much of which he could take no food or water by mouth. By his own account, “I died a few times — three or four, I don’t know — and at least once they were ready to call the time of my death, but one of the ICU nurses refused to give up on me; I guess she felt I still has some fight in me, and she was right.”
Indeed. When he was finally released to tenuous home care, we were told that he was only the second patient in the 100-plus-year history of that Indianapolis medical center to survive such a severe pancreatic hemorrhage. We never learned anything about that other person, but we came to know a Kentucky man named Nathaniel who defied similar odds at UK Medical Center well below one percent, and he helped us preserve hope during Bruce’s darkest days. That was 2005. But even more significant to us than Nathaniel’s kindness — and, of course, the support and encouragement of so many friends and family — was Bruce’s own valiant, grinding effort to meet daily challenges more daunting than it seemed any human being should have to face.
Later (this was 2006, April), to a standing-room-only group of us who met on Sundays to share silence, in perhaps the most awesome extemporaneous public commentary I’ve heard — one of those powerfully unique, you-had-to-be-there moments — Bruce told us that he made it through those grueling months by virtue of what might be understood, as he put it, “lying fallow,” a spontaneous, involuntary suppression of normal cognitive and emotional activity, and I have no reason to doubt it, since he retained only a partial memory of the ordeal. There were times he was so fragile that the doctors could give him no pain medication, even after major surgery. Dana and I will always remember that during the worst of his pain, he told us that he was able to endure it by reminding himself that Christ had suffered even more. Any faith in the future we managed to keep was inspired by this, Bruce’s own profound inner focus and his refusal to quit. Bruce wrote:
“Perhaps this is what Jesus meant when he said, ‘if you but had the faith of a mustard seed’—not belief, but faith. Faith doesn’t require belief, but a deeper knowledge, an intuitive awareness of possibility, even a denial of reality. Faith flies in the face of truth. So while I feel in my bones the existence of a being we, in our ignorance, call God, and the existence of an energy level beyond this lowly one of rock, flesh, and death, I refuse to qualify, quantify, or classify it, because to do so takes me further from the truth, not nearer.”
At long last, he was discharged to confront what he knew to be a difficult three-to-five-year recovery at best, with more surgeries and a relentless cycle of dialysis. Family and friends— that was five years ago. In fact, he went home after that first long hospitalization on Christmas Eve, and that was exactly five years ago this past Christmas Eve. Bruce had completed that journey of recovery, had made a transition, with his mother’s help, to a new, less debilitating method of in-home care, and was optimistic about his chances for another transplant, with a return to school to fulfill his original goal of becoming an English teacher. And then, after all that, the earthly saga of Bruce Joel Willoughby came to a close — when his soul abruptly flew from a physical organism compromised by so many years of precarious health.
We are here to comfort each other in sorrow, but more importantly, to celebrate Bruce’s life, to be inspired by it, as I have been, and to accept that some things can never be understood on this side of the curtain. It brings us once again to the words of Cockburn, who Bruce admired most as a musician and songwriter (and it went well beyond their sharing the name of Bruce):
An elegant song won’t hold up long
When the palace falls and the parlor’s gone.
We all must leave, but it’s not the end.
We’ll meet again at the festival of friends.Smiles and laughter and pleasant times—
There’s love in the world, but it’s hard to find.
I’m so glad I found you; I’d just like to extend
An invitation to the festival of friends.Some of us live and some of us die.
Someday God’s going to tell us why.
Open your heart and grow with what life sends.
That’s your ticket to the festival of friends.Like an imitation of a good thing past,
These days of darkness surely will not last.
Jesus was here, and he’s coming again
To lead us to his festival of friends.
Bruce was troubled in body, but strong in spirit. One didn’t have the sense that he was in decline, but quietly fighting toward a crest, ever determined, never in retreat, but slowly gaining ground, inch-by-inch against insurmountable odds. Always the chess player, he would find a way to extend the end game one more move, one more cunning evasion against near-certain checkmate, yet unafraid of passing, if a stalemate was declared. I doubt if there was anyone except his mother who really understood how hard he tried, including me, but I never lost sight of how incredibly remarkable he was among everyone I’ve ever known. There were times when it seemed he held intact his presence here by sheer force of will. For me, he always will be the true “Impossible Missions Force of Nature.”
It is fitting that we close with Bruce’s re-creation of his summation from those memorable words he delivered in April of 2006, which he titled, “HAH! MISSED ME AGAIN.”
“I leave you with this thought: If you have unfinished business in your life, get to it. Be it mending relationships, expressing yourself creatively, getting involved in community service, going for your dream job, returning to school, or losing weight — get to it. You may not be rewarded with a better economic life, or a longer life, or a happier life, but I guarantee you will be rewarded with a worthwhile life, a satisfactory life, whether it end tomorrow or ninety years hence.”
Awesome bevy
Monday, March 8th, 2010March Exercise V —day eight— The clock ruled the day, and it was 7 pm by the time I finished the photo-retouching for the next newspaper ad in the Jacob series. I’m astonished with how much I’ve broadened the exploration of music advantageous to my studio work, now that I have a Macintosh powerful enough to handle iTunes and Pandora.com while running intensive graphic applications. The ability to follow with minimal impediments one’s own evolving musical tastes is yet another fantastic benefit of the rapid advances in content delivery. For the first time in my life, I’m genuinely enjoying the output of great female vocalists, and have been drawn lately to the classic Portuguese samba and bossa nova tunes as a perfect adjunct to many of my typical daily tasks as a graphic designer. And, my goodness, no other ladies possess “that sweet beat” quite like Maria Rita, Gal Costa, Roberta Sa, Vanessa Da Mata, Carol Saboya, Rosa Passos, Nara Leão, Bebel Gilberto, and so many others. Maybe it’s that early infusion of Lalo Schifrin that predisposed me, but, damn, it sure took me long enough to come full circle and discover Cal Tjader, Bebo Valdés, Tito Puente, and all the others.
Today’s sight bite— The familiar smile of my “bay-bo brother” —c-l-i-c-k— making a diagnosis on two different ailing vehicles within a dozen minutes.
Previously on M-Ex— The momentum is placed in service to some of my finest works of collage. (3/8/07)
Tomorrow— Vision Therapy session number eight…
Gifted performances
Sunday, March 7th, 2010March Exercise V —day seven— I completed most of the items on my checklist, including treating the lawn with about a hundred pounds of pulverized limestone that I got from the library construction site when they drilled bedrock for the geothermal system. After that, I spread a bag of grass seed, counting on it to rain before the birds get to picking away at the yard. As usual, the day went by too fast, and I found myself settling down to watch the Academy Awards show. I hadn’t found it watchable since John Stewart played host a few years back. I was disappointed when Plummer lost, but I liked it when UP got the Oscar for best original score—that theme had me emotionally hooked within the first five minutes. I also dug the dance number used to exhibit the soundtrack nominees. Clearly the best outcome of the night was the statuette for Jeff Bridges, one of my favorite guys since The Last Picture Show. I was a big fan of his dad, and it was so cool when he mentioned the Sea Hunt series, which probably influenced my lifelong desire to spend time in the water. His remarks giving credit to his parents were an uncanny parallel to Mombo’s sentiments of Friday evening. Indeed, personal achievements are an extension of our mother’s and father’s character, but especially if they have admirably performed their roles.
Today’s sight bite— A craftsman holds high his token of recognition —c-l-i-c-k— and demonstates true sincerity in a shrine to false humility.
Previously on M-Ex— I balance real progress with out-of-reach ambitions. (3/7/07)
Tomorrow— Back to the weekday regimen…
Renaissance man
Friday, March 5th, 2010March Exercise V —day five— It began as a typical M-Ex day, feeling deprived of sleep, but eager to harness an elusive stream of motivation. The Shadow Trader was on his game, and by late morning I’d made some key portfolio adjustments before heading to the pool for a workout. In the afternoon, the ever-present tug-of-war between concentration and interruption presented itself when Bruce needed my help with his car repairs, just as I was hitting my stride with the bank campaign. For me the emotional challenge of capturing an idea is nothing compared to dealing with the threat of losing momentum in the midst of a successful creative process. I don’t work on cars. I’ve never worked on cars. I hate to work on cars. But there you have it—what the exercise is all about—because this is what every artistic individual has faced since that first cave-wall painter was furiously dragged by his hair to the mastodon-skinning site. Just think of all the distractions my Grandfather Seitz experienced as a father of eleven children (seven boys!) while he was involved in painting murals, organizing choirs, directing plays, or practicing the organ. I think of this now, after listening to Mombo give credit to her parents when we all gathered as a Clan to honor her as a truly exceptional mother. She measures herself against them in the same way we hold our own wisdom and maturity up to her example. How many more March rituals shall I require to meet that high standard?
Today’s sight bite— My mother in front of her birthday candles —c-l-i-c-k— as diminutive as her sisters before her.
Previously on M-Ex— Rest, focus, distraction, flexibility—some things don’t change. (3/5/07)
Tomorrow— Rest and regroup…
Team approach
Saturday, November 7th, 2009I’ve come to the end of a outstanding week that began last Friday when I headed to Monterey for my fifth workshop with Wesley Bates. I didn’t pitch a tent this year, but had the familiar loft at Larkspur Press to myself each night. The opportunity to concentrate on wood engraving for three days in that extraordinary environment made sleeping on a wood floor seem like the ultimate in accommodations. I continue to learn more about the art form with every retreat, and I now face the breakthrough act of finally acquiring my own set of customized tools, so I can maintain a year-round practice to replace my once-a-year introductory learning curve. On Saturday night, Wes, Juanita, Leslie, and I drove over to Hanna’s “house concert” by Kraig Kenning, at the home Prajna Design created for her (builder Garry Murphy was there, and I chatted with him). I’m prepared to say that Kenning is the best steel guitar performer that I’ve heard live (and I once watched David Lindley tape a Soundstage concert with Jackson Browne in Chicago). An enjoyable nightcap with Wes extended deep into the night as both of us discovered that we have even more in common as creative professionals. It was nice this time around to balance social enjoyment with lots of one-on-one time with Wes.
The subject of my block was a pair of handsome mules that worked the Realm of Greystone when James brought in low-tech loggers after the ice storm of 1994. I managed to get some decent slides while they were in the Valley—undoubtedly the last high-level transparencies I may ever take. It wasn’t a bad note on which to end my slide-shooting era. I’ve always wanted to begin exploiting those images for my art, and so I selected a shot of two mules with the tobacco barn in the background (a suitable tribute to the recently fallen landmark). My goal was to chose a style that would enable me to complete the block and print it within the weekend constraint, and that meant consulting with Wes about how to use an approach that didn’t rely on time-intensive technique (the path I found myself on last year, resulting in a missed deadline). I may not ultimately like “Logger’s Team” as much as my 2008 print, but I learned much about the medium, with a big step closer to understanding the elegantly minimal line quality that Bates has truly mastered.
Last night I headed north again with Dana and Joan for Richard’s First Friday event in Old Frankfort. Wesley’s wife, Juanita Wilkins, performed and Richard read poems from his new volume about Abraham Lincoln (commissioned for the bicentennial observation). Everything about the evening was splendid, and there was a magical moment when the unknown “Harmonica Man” appeared from nowhere with his “harp belt” to jam with Juanita. I’ve been so fortunate to hear her a number of times now, and she never sounded better to me than last night; nor had she conversed with her audience so impressively or in such a personally revealing way. Absolutely wonderful…
Support and resistance
Friday, October 30th, 2009“The chief cause of stress is reality.”
~ Lily Tomlin
It’s hard to accept that nearly three weeks have flown by since Dana and I were traveling to North Carolina, bearing the brunt of a devastating tempest that left 35 homes “unlivable” in Casey County (based on information I learned through the Salvation Army). Since that stormy day I had two wonderful weekends with family at both Broadwing and Blue Bank Farms. Carol and Bob are as youthful as ever and at the pinnacle of insight. Shame on me for taking five years to make a return visit. I was delighted to see how they had displayed my drawing of the old barn, and Pete showed off my pen and ink sketch of the Vulcan stove from their early years above the French Broad. I couldn’t help but contemplate the decline in my sketchbook activity over the past year. During my two days at the Hall, I made an attempt to complete work on the rock flue, but ran into mortar problems again while battling Panyon’s tool thievery. My “Son of Dirk Man” character was a bit of a flop, compared to Jay’s Pappy, Mombo’s Rufus, and Clay’s Donkey Kong. Nevertheless, the day was noteworthy for the revival of our Clan Hayride—a “harvest jamboree,” as Joan called it—and also for her tip about Pandora.com. The Council voted to commission an illustrated map of Clan Valley. Wow, how do I come up with an estimate for that? (Lord, help me finish it quicker than my stone masonry!) Dana called me from town to break the news that our friend Irina had been discovered lifeless, the apparent victim of a heart attack. She was a year younger than me! It took four or five days for me to grasp the finality of losing her awesome talent. Early Sunday morning I decided to tote my Hawken-style 50-caliber down the Valley in search of venison. The ache of a gifted comrade’s passing was on my heart when treetops dipped to let the sun pour its precious gold into our beloved hollow. The goal of hunting for meat dissolved abruptly to a deep reverence for the beauty of our rural legacy and my gratitude for life. When I got up to move farther along the road, something caught the corner of my eye. Four good sized does were now moving purposefully across the hay field. Before I could swing my muzzleloader into play, all were into the wooded drainage. If I’d only lingered a minute more, I probably could have had my pick. The following days were tainted with sorrow, but the request to create Irina’s memorial keepsake helped me channel my emotion, although, sadly, the local printer once again seized the opportunity to complain about our predicable attention to detail. By week’s end, the fabulous distraction of sharing Rick H’s 50th birthday celebration was trumped by the news of Glenda’s bizarre mishap at the Haunted House, which resulted in her breaking four back bones. And this comes on top of her and Jay dealing with the aftermath of burst plumbing and extensive damage to their newly remodeled home. The Graybeard Prospector had the second of two successful networking sessions in Lancaster, and Sunday Silence at Simpson Knob was another welcome break, but the heightened oscillation of desirable and undesirable happenings is becoming too strange. All I want to do is immerse myself in the upcoming wood engraving workshop at Larkspur and try to take myself back to a point of quiet equilibrium. Well then, load the truck and go!
. . . and now this story can be told.
Tuesday, August 11th, 2009
“There is no substantial difference by which we can attribute a higher aesthetic value to one choice or the other. Our preference is a question of a personal, irrepressible urge.”
—Leo Lionni
D a n n y D
at a recording studio
somewhere in Lexington
After years of friendship built on untold hours of front porch discourse and coffee shop dialectic, Danny and I finally had the opportunity to work together on a creative project before his family’s chapter in Danville came to an end with the sale of their nearby house on West Broadway. However, it would be beneficial to back up and start my account at a more logical beginning:
The story begins at a typical sighting of our familiar Graybeard Prospector—a Chamber-sponsored networking event hosted by a newly organized bank. My pal David was in a conversation with the president of the bank when they looked my way and motioned me to join them. Within a few moments I was one of the first to learn about the imminent signing of a one-year endorsement contract with local football hero Jacob T, who had completed his NFL rookie year with the Colts after an accolade-studded career at UK. I gathered my wits as the short briefing came to a head. “We have to get a year’s worth of photographs and radio spots before he goes into training camp.”
A question flashed internally. “How would a true Ad Man reply?” With his stainless steel gaze fixed to observe my response, an imaginary Donald Draper was standing off to one side, a deftly balanced Lucky in hand. I heard myself say, “If I understand correctly, you need creative direction, and you need it fast.”
Before the impact registered, the project was in my lap and the countdown to Jacob’s departure had begun. The photo part almost felt easy. I had a solid list of pros in my head and the first one took the assignment when contacted. In a matter of days we were shooting Jacob at a personal appearance. On the other hand, it had been over a decade since Dana and I had produced any radio advertising. I felt rusty. Audio technology had moved to desktop digital since then, and there were other important factors, too. I knew the default setting would be to handle this at the hometown radio station, and my gut told me that I had to find a way to pull this into a slicker technical environment. I was confident our print advertising would look first-rate, but to stand apart on the radio would be a different kind of challenge.
The last thing I wanted was to generate “more of the same” junk so typical of local radio. If at all possible, I hoped to accomplish two things: a) create scripts that would promote the bank with words that rang true for Jacob’s personality, and b) grab the listener’s attention with music at the same level of production quality that motivated them to listen to the radio in the first place. Anything less might simply be brushed off as “some bank paying Jacob to read stuff on the air.” It made sense for me to consult someone who knew more than I did about this sort of thing. I needed to talk it over with Danny.
When I delicately raised these issues with him at the Hub one evening over a tall “haf-caf,” his response astonished me. Literally poking me in the shoulder, he mentally grabbed hold of my ideas and offered to write some music with lyrics that would help carry the campaign I envisioned. He gave me so much good advice that retaining barely a third of it enabled me to get a green light from the bank to book a recording studio and capture Danny’s work. He seemed delighted to do this favor for me, given the fact that he’d watched Jacob grow up and had a high regard for his family. I couldn’t believe my good fortune. Danny said all he wanted was to have the bank guys buy him a dinner, and I wasn’t sure whether he was joking about that part of it. I knew he was dead serious about the rest.
It took some digging, but I tracked down a sound pro named Kevin J that I’d met through Eric C in the 90s. He was the best in Lexington at the time, and, more importantly, he was worthy of my total trust. Our session together with Danny came off with flying colors and I walked out the door with everything I’d hoped for. It was exactly what I needed for the type of spots I wanted to produce. Kevin and I mixed a disc of various musical tracks at :60, :30, and :15 lengths. Now all I had to do was close the deal by winning the bank’s approval to combine Danny’s distinctive sound with Jacob’s natural voice.
Ideally suited to Jacob’s character and reputation, there was something powerfully authentic about Danny’s original words and music. Dana and I made a supreme effort to pitch those tracks to the CEO, but he fundamentally could not envision the effectiveness of my concept— to contrast a relaxed, down-home style against the typically phony-sounding chatter on the radio.
When I told Kevin that the head of the bank had thrown out Danny’s music as an element of the radio advertising, he didn’t seem surprised. Although understanding and supporting the approach I’d proposed, the experienced audio engineer and producer observed, “John, I have known people who tried to combine art with advertising, but it is rarely possible to convince the buyer. Clients have a tendency to play it too safe, do what every other similar business is doing, and then wonder why it doesn’t work better.”
Having failed to sell my idea of making the music be an equal partner in the message, the success of the production would now depend entirely on Jacob’s vocal sincerity. I pushed for the same Lexington studio we’d used to record Danny, arguing that to merely bring Jacob to the local radio station where he’d interned as a student would work against our effort to enhance his self-image as a professional. Having him rise to the challenge of his first major voice-over gig was the only hope of capturing the genuine personality on which we could hang the campaign, and I also needed Kevin’s technical expertise to produce high-quality, finished spots.
The “homework” I’d done to ensure that Dana’s scripting would naturally sync with Jacob’s values paid off with a smooth, comfortable recording session. He praised her scripts. His gifted ability to focus on task, along with his easy-going confidence, sense of humor, and considerable breath control, left us all rather impressed. After getting the go-ahead to use some appropriate background music I discovered on the Web, Dana, Kevin, and I brought the project in on budget with seven :30 spots, two :15 spots, and the ingredients for yet-to-be-written, Jacob-introduced spots that could rely on adjunct voice talent.
Much to our surprise and disappointment, a recommended introductory newspaper ad with Jacob’s image was drastically reduced without our knowledge. It looked terrible when published and put us into the position of explaining why it was not only illegible but also quite ignorable. This took place after Jacob’s sports agent endorsed our work when he saw the preliminary design. Playing catch-up, I adjusted the photo density to compensate for the poor reproduction, and we encouraged the bank to enlarge the ad for two follow-up insertions. The third time around it was printed well enough to look respectable, even though it was still significantly smaller than what we’d suggested was required to create a sufficient level of impact for an effective campaign kick-off.
Football season is getting under way and we anticipate a bigger splash to draw the market’s attention to our new client bank. So far, people “in the know” have made positive remarks to me, but I await the first clear indication that we’re putting something out there that is doing the job. Over 70 banks have already failed in the USA since January 1st. Clearly, this isn’t the most advantageous time to open a financial institution, but I like to think of our situation this way: Here’s an enterprising group that wasn’t forced to think outside the box because it was never inside the box. Time will tell if the innovations they’ve brought to Danville will meet with consumer satisfaction. Hey, if they hired me, they’re obviously not stuck in the status quo. Let’s hope some good things start to happen!
So there’s my tale about how an exciting chance to compose a stand-out piece of promotion can turn into another missed opportunity. Nevertheless, we have an entire year to pull this campaign up a few notches, and our client has already expressed an interest in using the song Danny wrote for us to anchor some kind of Web video or podcast. To be honest, the main reason I put together this detailed account is so I can remember it myself as part of an unusually interesting summer. With everything going on, including the latest round of major abdominal surgery for Bruce, this e-log is undoubtedly the best memory chip I have going for me.
Cold front
Wednesday, March 11th, 2009March exercise—day eleven— The air had a noticeable bite as I walked to campus, so I welcomed it, knowing I usually feel tired at the beginning of “act two.” In the absence of enthusiasm, rituals must drive the momentum, enhanced by proven boosters—stimulative variety, forced incremental achievement, constrained creativity, doses of nature, and, of course, music.
Today’s sight bite— My Speedo tinted pool goggles —c-l-i-c-k— hanging from the same locker-room hook where I accidentally left them two weeks ago.
Tomorrow— A networking opportunity, plus another shot at the $900 door prize…
Ordered steps
Monday, March 9th, 2009March exercise—day nine— Where did the day go? Still trying to achieve the level of focus that makes this exercise worthwhile. Probably the most interesting conversation of the day was with the Lieutenant. We brainstormed about having my friend Eric come up from Franklin for a concert early this summer. From the time Eric created “Cooler” in 1999, I hoped for another CD from him with the same innovative blend of mellow reverence and uplifting energy. I was delighted to learn about “The Jazz in Me,” and invited Dan to check out the new disc. I think this music is perfect for a fundraising concert or community outreach event. I’ve probably written about Eric here before. Dana arranged for him to play at my 50th birthday party. His jazzy tunes are laid back but buoyant, and his improvisational gifts have clearly reached new heights.
Today’s sight bite— A balding Walie, tugging at the leash —c-l-i-c-k— as if she’d forgotten everything I taught her about the proper way to take a neighborhood stroll.
Tomorrow— Perhaps enough physical progress to attempt a Pilates session…
Measured gains
Thursday, March 5th, 2009March exercise—day five— Improvements were recognized today on all fronts, but I don’t think I shall personally feel 100% for a bit more time. Bruce was doing a newspaper puzzle (a most welcome sign), but seems more concerned with solving the riddle of his unexpected plunge into such a perilous state. Brendan sent a heartwarming note of support. The County Judge and I secured an appointment in the state capital to visit with Transportation Cabinet people. Attended the reception at the Arts Center, learned more from David F about getting introduced to an art buyer, and met a very good pastel artist from Lexington. After that, Dana went to the New York Philharmonic performance with our Russian friend, Irina, another exceptionally creative individual.
Today’s sight bite— Bruce in his demeaning hospital garb —c-l-i-c-k— sitting on the edge of his bed in conversation with an ever-faithful mother.
Tomorrow— A new attempt at imposing the exercise…
Various & Sundry, part eighty-one
Thursday, November 13th, 2008
Pearallel Universe
John Andrew Dixon
Mixed media collage
25 x 21 inches, 2007
Collection of Saint Joseph Health System
— Month of October workout totals: Swim-3; Bike-3; Run-1; Lift-1; Yoga-0; Pilates-3; Lupus Drills-1
To the heart of the matter
— I believe the latest recommendation for adequate exercise is 30 minutes a day, 4-5 days a week. Although my workouts are longer than that, the totals are falling short by a long shot. Can I get the daily habit back to preserve my health?
More library deprivation
— It’s been nearly a year since the library hauled itself off to the edge of town, and, although I knew it would be a bit of a hardship, I didn’t expect this level of low-grade suffering. Man, had I ever come to rely on that nearby environment for a periodic dose of mind-restoring tranquility—the kind that is unique to a truly fine reading room. I’m thoroughly impressed with the design for the new wing, but Karl told me recently that construction was three-to-four months behind schedule, so now I have no choice except to hang on until spring. I must have that extraordinary place available out my front door again or I shall go mad!
Sweet Owen County
— On Halloween I made my return to Larkspur for another printmaking retreat. It was a special time with creative people whose friendship I value more each year. An exhibition at the vineyards was mounted to honor Wesley’s work, and I was invited to include four of my wood engravings, since he’s had such a profound influence on my development in that medium. I sold one of my remaining proofs of Waiting for Joe, in addition to an unframed print of Penn’s Store, the latter to a collector interested in acquiring examples of my final edition numbers. Now all I have to do is print more limited editions of blocks that I’ve only proofed so far. I managed to complete a small block of a tiger, but was unable to finish during the workshop my larger, more complex engraving of a paddock scene I shot the previous week at Keeneland. It’s my first attempt at engraving a human figure, plus I had to include a horse and a stone wall, too, of course. What was I thinking? When I get it done, I’ll spend a day in Gray’s shop and print another block or two as well. Dana and Lee came up to the winery on Friday night and got to meet Wes and hear Juanita perform. Make no mistake about it—one can develop significant friendships at every stage of life.
Feeling a trifle exposed
— County employees demolished the little retail cottage next door to “put up a parking lot,” and it’s as if somebody yanked my gym shorts down. Whatever meager backyard ambiance we possessed is now lost. Instead, we have more noise, urban light pollution, and litter. I remember the year we held an open house and backyard gathering for Brendan’s graduation from Centre. If I’m not mistaken, that was the summer Carol and Bob came to the Brass Band Festival and spent time with us in the backyard. There are circumstances when a setting is at its peak and one rarely knows it at the time.
Custom built for a guy like me
— In a perfect world, Gene Wolfe might have contacted me to ask, “What type of a story idea would you like for me to develop that would please your singular peculiarities?” He didn’t have to. He wrote Pirate Freedom for his own reasons, and I became the grateful beneficiary without ever having to request “an absorbing tale of spiritual contemplation, time travel, and the golden age of piracy along the Spanish Main.” Unbelievable!
Dr. Quest’s pear-a-power ray
— I finally sold the mixed media piece I called Pearallel Universe. It was completed around the time of the original “March Experiment,” was part of my KOSMOS show, and made it out to New Mexico and back for the SLMM anniversary (but not without sustaining some damage to the frame, which the Albuquerque Museum people were kind enough to repair). It was purchased last week by Saint Joseph Health System to hang at its new ambulatory care center in Jessamine County. A hearty tip o’ the hat to LexArts!
My annual knob stalk
— My pals David and Greg are the sort of knowledgeable gun aficionados that know a bargain when they see one, so I was stunned when they gave me the gift of a 50-caliber muzzleloading rifle they just couldn’t pass up. When I recovered from the shock of their generosity, they taught me how to safely operate it—just in time for me to test it out during our recent Clan gathering, which happened to be the lawful period for using primitive weapons to hunt white-tails. I came as close to the moment of truth as I would that weekend when I cocked the hammer early Sunday morning, as three does crossed Robin Lick and made their way across a hay field, on the garden side of the Irrylynn gully. But something spooked the lead deer about 75 yards from my spot beside a round bale—my scent, the motion of my aim, or perhaps the pattern in my profile. She snorted an alert, danced a bit, and took off in the opposite direction, never presenting me an acceptable shot. As I say, that was the nearest I came to using my muzzleloader while I was in the Valley. Three weeks later I found myself back at Simpson Knob with my Marlin 1894S carbine, full of optimism for a freezer harvest, but I never observed a single deer in the woods, and neither of my two friends had the opportunity for a shot. This gives me a couple more options for success—this weekend at Blue Bank with the 44-Rem. magnum, and another December time slot with the Hawken-style that I’ve decided to name “Girty.” As much as I want to bring home some venison this year, there is nothing like having an excuse to be in the wild knob-lands at daybreak, whatever the outcome.
You’ll never walk alone
— Originally, our Hurray Day events were planned to coincide with the fifteenth anniversary of Dadbo’s passing, but we still wanted to have a family commemoration, even though the quarterly gathering was moved to the previous weekend. I was preoccupied with my tedious progress on the stone flue in the Hall, but I knew Joan was thinking about what to do, which is so typical of her desire to properly plan this kind of thing. We were listening to some old music and the tribute wasn’t on my mind when I suggested she experience Judy Garland’s stirring rendition of the inspirational song from Carousel. I’d never heard that version before, and Joan was out of the room when the CD track played. Had it been up to me, I don’t think I would’ve made the connection, but she realized it would be the perfect accompaniment to our outdoor service. I enjoyed spending some “palsy time” with my “big sis” for those two days, and it reminded me of how distinctive a life-long bond we share.
linear thoughts & random musings
Tuesday, September 30th, 2008* Indeed, the reach of Google is awesome (and a bit unsettling at times). As a Web design pro, I totally understand that everything I post at this space might be available to any search engine user, but I was surprised and somewhat tickled to get an email from a charming lady that happened upon my account of seeing Johnny Crawford in concert this past June. She’s developed a Website for people to share stories of meeting Johnny, and had come with her husband from Georgia to see him that weekend (in both the play and dance band performance). I learned that a different couple had traveled a thousand miles to Danville. Clearly, he has some serious fans and rarely makes appearances outside of Southern California that are open to the public. Since my story is obviously out there, I promised to submit a version to her site when I had the spare time. She informed me that Johnny had posted online my letter to the editor originally published in the local paper. It got me thinking about that night again, and how gracious Crawford had been to me—just like Charlton Heston had been, when I met him in Lexington and we talked about Chuck Connors.
* When Heston died, I remember having the thought, “Newman is the same age and he’s going strong,” and so it took me by surprise when I learned this summer that he was gravely ill. All through Chuck’s decline, it never once occurred to me that both of them might possibly die in the same year.
* Newman was a high-profile liberal, in many respects a polar opposite to Heston among legendary actor/activists, but they shared the distinction of having two of the longest and strongest marriages in Hollywood. Each was intensely private in his own way, but they were very different when it came to granting interviews, making public statements, and signing autographs. Like Crawford, Heston was warm and gentlemanly with fans eager for a special moment. Newman basically shunned the practice as repugnant, and who couldn’t empathize with his reasons after hearing the story about his being asked for an autograph while standing at a urinal? He swore to himself that he’d never sign another. I wonder what Johnny Crawford would do in the same absurd circumstance? (Tonight’s log entry is getting weird; have fun with this one, google heads.)
* Liberals often shake a finger and emphasize how much energy we consume. Pollution is a problem, but not consumption per se. The issue seems to be that we haven’t focused on being clever enough to develop new sources of plentiful energy, like algae, which is at least 30% oil and “grows so fast because it has nothing else to do.”
* Food, energy, or fuel from the exploitation of rapidly growing, single-cell organisms in controlled environments seems like a no-brainer. I still think now and then about a stimulating conversation I had with Uncle Bob about growing yeast on inferior-grade coal. I think civilization is desperately thirsting for a huge, mind-blowing breakthrough that would lead to abundant, low-cost energy. Whoever solves it will deserve to become the world’s first trillionaire.
The hands of a jazz man will have to do
Tuesday, September 2nd, 2008Well, I got in an overdue pool workout today, hoping it would soothe the backache I’ve had since laboring over two big collage artworks last week. I’m in need of Jerome’s practiced hands, and, lacking them, I’m almost ready to consider the therapeutic course my friend Yu Saito prescribed for a painful back—Kentucky bourbon plus a night on a hard floor.
After three units of blood, doctors at UK are talking to Bruce about removing his spleen, which may be clotted and causing his periodic bleeding problem. Needless to say, he isn’t too pleased with the situation, the spleen being an organ one would not of one’s own volition ordinarily give up. Otherwise, he seems to be in much better spirits than I would be if I were in his position. Before our visit, Dana and I took some time for a delicious meal at Natasha’s downtown. We had a table next to pianist Ko Tagawa, and his “smooth sounds” colored a relaxing dinner that may be as close to a 26th anniversary observation as we are likely to have.
Various & Sundry, part seventy-eight
Friday, August 1st, 2008— Month of July workout totals: Swim-0; Bike-8; Run-2; Lift-1; Yoga-0; Pilates-0; Lupus Drills-0
— In spite of my best cross-training intentions, the season has shaped up to be a one-note story: bicycling. Hmm… a summer without swimming? —preposterous! This means I have only one month to prepare for the challenging waters of the Les Cheneaux.
— For the first time since my appointment as a member of the Kentucky Bicycle and Bikeway Commission, our advisory group was granted a consultation with the Secretary of the Transportation Cabinet. Although we prepared for the meeting with some trepidation about how we would be “handled,” the session went about as well as could be hoped for, given the agency’s history of resistance to bicyclist accommodations. People with long experience in Frankfort view it as a “government within a government,” and our own relations with the Cabinet has been strained, due to our independent spirit, frank recommendations, and candor with the constituencies we are mandated to represent. On top of that, the key position of Bicycle/Pedestrian Coordinator has been vacant since January, and we’ve made no secret of our opposition to any plan to downgrade the job description. I was encouraged by the Secretary’s open-minded attitude and the clear indication that this Administration is beginning to view bicycling as a meaningful component of their strategic priorities for economic competitiveness, health improvement, and tourism promotion. I must admit that, after last year’s election, I’ve struggled to remain hopeful about Kentucky pulling itself out of the bottom ten percent of bicycle friendly states, but on Tuesday I became more optimistic about these new folks running state government. I don’t agree with them on many issues, but they just might be coming around on something close to my heart.
— Ely Dixon is back from Africa, of course, but I’ve decided to leave her blog among my links. Cousin Dan is sharing this Web video summarizing her time in Tanzania. He warns, “The video quality is spotty at times.”
— The only time I witnessed Jon Brasfield in performance, I think I was more focused on waiting for a Brendan bongo solo that never transpired. Later, I came to appreciate Jon’s abilities as a musician, especially after listening to Ghost Town for the first time. Over the past week, my regard for him and his mate Amanda has gone totally off the scale. If you haven’t been following The Saga of Baby Jude, you’ve been missing what has to be one of the most phenomenal feats of blogger poise ever.
Find your place in the sun
Tuesday, July 8th, 2008Hey, look, I probably get a buzz seeing famous people as much as the average guy, but I take absolutely no interest in celebrities just because they happen to qualify for the description. On the other hand, I really do like the stars I respect, especially if my admiration for them is rooted in the “silver age” of television, and I’d probably step on my Yorkie to shake the hand of Peter Graves.
When I learned that Johnny Crawford was coming back to Danville, I knew I had to meet him and experience his current style of entertainment. Like Kurt Russell and Ron Howard, he was a child star who kept himself on the rails, and he went forward to do an impressive range of cool things in his life as an artist, athlete, and entrepreneur. Most of all, he held true to his earliest passion—music.
If Dana didn’t fully appreciate how much I was looking forward to hearing Johnny’s vintage dance band, it was because I tried my best to avoid behaving like a groupie beforehand, but I think she understood when I dug out one of Dadbo’s old bow ties and taught myself how to tie it. It’s been quite awhile since the two of us had a nice picture taken, so I was tickled when Joan and Caitlan agreed to document our night out. Thanks, ladies!
The extra time for pictures cost us the opportunity to pick out a choice table at the Playhouse indoor theater, but I managed to discover an empty love seat near the stage. It was a fine spot to watch Crawford re-enact the period manners of a band leader from the 1920s and 1930s. We were treated to a superb group of musicians 
hired locally to become his vintage orchestra for the evening, including Miles Osland, Dave Henderson, and Rick Cook. Watching Crawford’s seat-of-the-pants coordination was a delight, and the entire effect was a testament to the sheer professionalism of everyone on stage. On top of that, the “CD Release Party” aspect seemed to put the star of the show in a heightened mood, and his vocals and repartee at the microphone were thoroughly entertaining. I think Dana would agree the only way it could have been more enjoyable is if I’d spent less time with the bow tie and a bit more with remembering how to do the fox trot. Maybe next time; I hope he’s invited back for an encore performance.
Years ago, when I fell in love with Danville’s brass band festival, I gained a new, profound regard for the quality of American band music from the mid nineteenth century to the era of The Great War. I also came to understand how much work it takes to resurrect all of the instrumentation to recreate a period sound. This summer, Johnny Crawford shared with our community the same preservationist spirit, and it makes me think he may be emerging as one of the country’s most important historians of our popular music, salvaging lost orchestrations and discarded arrangements of favorite dance tunes from that unique period between two World Wars. As David McCullough reminds us, Americans from a different period of our history were less similar to us than we like to believe. They lived differently, and they thought differently. It was the age of radio. Everyone aspired to be a musician, if they didn’t already sing or play an instrument. All popular music was music meant for dancing, and if people didn’t go out to dance, they probably were at a motion picture to watch others dance. There was a spirit in America that observers such as David Gelernter have told us is all but lost. Well, perhaps so, but not if Johnny Crawford has anything to say about it.
Don’t go ’round moping, hoping happiness will come.
That’s not the way; it doesn’t pay.
If you want happiness, help yourself to some.
Why don’t you try to take life the way I do:Let the whole world sigh or cry,
I’ll be high in the sky,
Up on top of a rainbow,
Sweeping the clouds away.I don’t care what’s down below.
Let it rain or let it snow.
I’ll be up on a rainbow,
Sweeping the clouds away.I have learned life’s lesson: fighters who always win
Are those who can take it right on the chin—and grin.So I shout to everyone:
“Find your place in the sun,
Up on top of a rainbow,
Sweeping the clouds away!”
Tonight’s essential triviality
Thursday, June 12th, 2008• Composer Earle Hagen just died of natural causes, a few days short of his 90th birthday. Hagen did orchestrations for Rodgers and Hammerstein and major Hollywood movies before he hit it big with television music. I guess my favorite is the theme he created for I-Spy. Better known for The Andy Griffith Show and That Girl, he will nonetheless be remembered in the annals of Clan Hayride Lore for writing that obscure crowd-pleaser, Rango.
• Now that I’m thinking about television theme songs, I finally realized why I like the intro for Firefly so much: Joss Whedon simply lifted the best musical attributes of Tennessee Stud. All artists steal from each other, right? A long-standing tradition.
• Hmmm . . . now I’m beginning to wonder if Brendan swiped the 8-note melody of A Grandy-bo Christmas Surprise for his new podcast series.
From San Antone to the Rio Grande,
On mountain peak or desert sand,
Every outlaw feared the hand of danger,
This Texas Ranger—
Rango, Rango, Ra-ang-go-o-oh!
n b c a = t c h k
Monday, June 9th, 2008Well, Brendan has finally gone and done it. He’s found a way to combine most of his favorite talents—music, satirical writing, cartooning, comedic performance, creative collaboration, and your basic web magic. The end product of this fusion? An outrageous repository of droll hilarity known as The Children’s Hour of Knowledge. The site is co-produced with Stephen Heintz, and so far, it has two episodes. I haven’t heard anything quite like this since I listened to “I Think We’re All Bozos on This Bus” by The Firesign Theatre. (And that was 36 years ago—around the time I first started to make landmark journal entries just like this!). Go listen for yourself. Perhaps the best way to end this post is with an excerpt from my nephew’s biographical blurb: “In a perfect world, Brendan would be swiftly hunted down by those determined to keep it that way.”