The tribute issue of American Rifleman came in the mail today, and I got a lump in my throat when I saw the cover. I’ll prefer to remember this as Chuck’s day, and not when Slick arrived in Danville to seduce the Wendell Ford Democrats. After Gore fell short in November 2000, Clinton immediately blamed the NRA and its leader. At the time I was still displaying a bumper sticker on my truck that stated, “My President is Charlton Heston.”
Archive for the ‘History’ Category
Cheston vs Billary
Monday, May 19th, 2008“The Best Introduction to the Mountains”
Saturday, February 23rd, 2008Wow. Just finished reading Gene Wolfe’s short essay on J.R.R. Tolkien, and I just have to provide the link here. Amazing train of thought…
Come on in, the ink’s fine…
Friday, January 25th, 2008Some things catch me off guard when they shouldn’t, like Brendan’s revelation that my visual style influenced his knack for strong image making. Well, there’s been plenty of artistic cross-pollination occurring within our extended family for quite some time, and his effect on the way I communicate with words has been equally significant—otherwise, nobody could stand reading anything at this site.
Brendan has his own way of describing the contemporary high-contrast style under discussion, but I’ve always called it “graphic illustration.” I’m no scholar, but it certainly has its historical pedigree in the printing arts (the anonymous masters of the 1400s, Dürer, Grien, up through the centuries: Rembrandt, Thomas Bewick, Rockwell Kent, Munch, the Expressionists, the Arts-and-Crafts printmakers, and the Bauhaus designers). Of course, the “look” has been radically influenced by photomechanical techniques (including cinema), and their appropriation by innovative artists and legendary illustrators (Warhol, Glaser, Otnes, Holland, Schwab). Few may give credit to the nameless pulp or movie-poster artists, but they also made their contribution to the style, as did the legendary comic artists, such as Harold Foster and Milton Caniff (genre exemplars of chiaroscuro, who probably had a more formative influence over generations of creative youngsters than the art history books).
I see it all as a moving stream of visual development in Western art, periodically spiced with Asian influences, but always a binary interpretation of how highlight and shadow define form. It’s how a visual decision maker has always tried to give the most simplified illusion of volumetric reality, by the handling of light sources, minimizing modeling, and harshly controlling the equilibrium of figure-ground relationships on a two-dimensional plane, culminating today in the ubiquitous tool of Adobe Photoshop (just as a reminder, I reserve the right, without warning, to squirt India ink in the face of anyone who uses Photoshop as a verb).
Wow, that’s an awfully wordy bit of rambling, and it could really use some editorial refinement. Naah. I’ll just click the “Publish” button instead…
Various & Sundry, part sixty-eight
Sunday, December 9th, 2007— Each time this year I’ve run the 5+ miles back downtown from the cabin, the time has felt shorter, even though I’m running pretty slowly these days. The silence transpired more quickly for me this morning, too. Milton handed out his periodic survey to the group, and I discovered a 1961 Horizon in Mack’s studio that had an interview with Andrew Wyeth, famous at the time, and now the greatest living American painter. I’ll have to digest the whole article during another visit, but I was able to scan a few stimulating quotations, and then Sara Jane offered me a new commission, with the freedom to interpret a photographic image with my choice of style—the perfect assignment. Everything conspired to boost my motivation to aggressively advance the Brady and Eckerle projects, plus my fine-arts enterprise in general. I couldn’t think about anything else as I ran home. So, why am I sitting here with this log entry?
— Cliff and I had a conversation about blogging the other day and it got me thinking about my string of 616 or 617 consecutive posts, and how important making daily entries used to seem. Brendan still refers to this site as a daily journal, but that hasn’t been true for well over a year. Once again, time is malleable, and, as Arnold has said, there’s adequate time each day for everything meaningful enough to do. Blogging isn’t about the time, but about having something worth saying to yourself, maybe worth recording, possibly worth sharing. I eventually figured out that doesn’t happen every day. When it does, not much time is required to get it down.
— Terie and Marty bought the M:I:3 DVD and left it at our house, so, late last night, I watched the J.J. Abrams picture for the second time, and I liked it a bit more this time around. I think Tom Cruise is the Burt Lancaster of his generation. Regardless of what I might think of his personal life, his work product demands respect. (Hey, not all celebrities can be a James Stewart or Charlton Heston; Lance Armstrong falls into the same category.) If Cruise had not become an actor, he would surely have been an Olympic or professional athlete in some discipline. He has the mentality and natural capacity for high-performance physical achievement. Although one of the least flamboyant stunts, his Chinese-village tile-roof footwork is probably the riskiest choreography in the movie. As I’ve declared before, I think he squandered the full potential of the classic franchise and put its longevity at risk, but this sequel is the best of the lot, the most team-oriented, and it fits nicely into our ancient family idea of an M:I Saga Series. In my opinion, Abrams is a creative, meticulous director with a feel for the spy genre compatible to Mission: Impossible—Cruise certainly can’t be faulted with his selection—but Abrams will need to have further honed his story-telling skills to do justice to his upcoming Star Trek feature, another Desilu-originated concept from the “silver age” of television.
— Local historian, R.C. Brown, is dead at 90. He once saluted me on a Danville street as, “Mr. Dixon, the Spin Doctor!” We often held different political perspectives, but shared a fascination with local heritage. I recruited him in 1991 to expound before a camera, as part of a fundraising documentary (the same program in which we cast Alyx as a child actress). He was in his 70s then, and I was young enough to think I might have a future directing videos (as close as I got to being Ken Burns when I grew up). Brown was the doctor, not me. He was from Ohio, too, but went on to get a Ph.D. from the University of Wisconsin. He taught history at Buffalo State College for 28 years. When he retired to our area, he rapidly became an authority and wrote The History of Danville and Boyle County. I’ll always believe that Professor Brown respected me as a talent, even though I consider his remark shaded by a mild one-upmanship. Perhaps he did understand better than most the true nature of my commercial craft, but I hope he wasn’t thinking of Victor Papanek’s quotation:
“In persuading people to buy things they don’t need, with money they don’t have, in order to impress others that don’t care, advertising is probably the phoniest field in existence today.”
I prefer this one:
“The only important thing about design is how it relates to people.”
— Thomas Bewick, my newest hero, couldn’t escape the ongoing necessity of making money with “coarse work” (as his daughter called it), despite his artistic reputation and unmatched skill as a wood engraver. I wanted to return the library book and avoid fines, but couldn’t help myself, and finished the biography by Jenny Uglow this week. As I said previously, learning more about his life has reinforced for me the notion that, although everything changes on outward levels, nothing really changes in the human dynamics of making a living as an independent, creative craftsman. I was notably saddened when I learned that he never fulfilled his dream of having the cottage workshop close to nature described in his memoir:
“The artist ought if possible to have his dwelling in the country where he could follow his business undisturbed, surrounded by pleasing rural scenery & the fresh air and as ‘all work & no play, makes Jack a dull Boy,’ he ought not to sit at it, too long at a time, but to unbend his mind with some variety of employment — for which purpose, it is desireable, that Artists, with their little Cots, should also have each a Garden attached in which they might find both exercise & amusement — and only occasionally visit the City or the smokey Town & that chiefly for the purpose of meetings with their Brother Artists.”
Dana reminded me that we all tend to get what we desire if we want it badly enough.
Various & Sundry, part sixty-seven
Saturday, December 1st, 2007— Month of November workout totals: Swim-3; Bike-2; Run-5; Lift-4; Yoga-1; Pilates-7
— The eleventh month rushed by too swiftly, and tumbling in its wake is my disposition of alarm at the churning pace. Nothing to do but accept that it’s gone and take stock of my affairs. On Friday I pinch-hit for David as a Rotary greeter. Saying grace is one task of the greeter, and perhaps I was a bit too creative with my public invocation. That I’m less self-conscious about such things is a sign of something meaningful, but I’m not in a mood to muse beyond that vague notion. After David got back from Georgetown, the four of us convened for a round of Mhing. Dana played as splendidly as I did poorly (couldn’t seem to get out of my nervous system Frank’s Shanghai from the holiday). Even so, it was an enjoyable evening because Mhing is such a great game.
— David, Greg, and I gathered at Simpson Knob the weekend prior to Thanksgiving, hoping for a significant whitetail harvest, but all we came up with among us was a little button buck that I took on Saturday morning. At first I thought his ear flicking at 50-60 yards was simply more wild turkeys at play, but then I could see his head, and eventually figured out that he was preparing to bed down for the day. I watched him for a while and knew his location on the ground would not afford a proper shot (actually, I thought it was a doe at that point in my observation). Before much long, I grew a bit impatient and decided to climb down from my stand to approach through the woods on foot like a true hunter. After carefully trimming off 10-15 yards from the total distance, keeping a tree between our positions, I crept around the oak and saw him stand up in alert. My Marlin .44-magnum lever-action carbine (the only Dadbo-owned rifle for which I held any interest) cracked in reaction to the animal’s movement, and he leaped away. “Missed,” flashed through my mind, with the thought lingering, especially after I reached the spot he’d just been, and just then I heard Greg call out my name. “Don’t think I hit him,” was my response. “Well, there’s a deer over here,” he replied in a matter-of-fact voice. Within an hour, I had given a chant to the Great Spirit and skinned my game with the new knife Greg had presented to me the night before. Later in the week, David reported that Greg claimed a button buck of his own at his brother’s farm a couple days before Thanksgiving.
— It doesn’t look like I’ll finish the biography of Thomas Bewick before it’s due back at the library, but I’m not sure I want to read about his demise anyway—I’ve grown much too fond of the fellow. For anyone who doesn’t recognize the name, I’m certain that his work will appear familiar. He single-handedly restored wood engraving to universal esteem in his lifetime and sparked the advancement of printing technology for the next century. He was perhaps the greatest graphic artist of his era—certainly in Britain—and, although he had flaws (as most men), he seems to have been a remarkably fine person worthy of emulation in numerous respects. Reading about his rise to artistic immortality reinforces two vital lessons that continue to clobber me across the skull like a ball bat: each individual who makes a constructive mark on culture inevitably deals with all the same nonsense, hassles, heartbreaks, and vicissitudes of fortune that everyone encounters, and through it all, continues to work his or her ass off.
Thanks for nothing
Thursday, November 22nd, 2007“A wiseacre on the Oakland to Los Angeles shuttle this week said the next technological leap would be implanting cell phones into people’s heads. He was kidding—we think.”
—Chuck Raasch, USA Today
Someone on the news said recently that 80% of Americans have a cell phone. I suppose I shouldn’t have been shocked at that, but I was, and it made me feel distinctly in the societal minority, since I don’t carry one. Not that it makes me uncomfortable. I’ve been mildly concerned from the beginning that their use might eventually cause adverse health effects, but if somebody gave me a free iPhone, I would bear-hug them and then find a private spot to dance in my underpants.
Last night, Dana created a wonderful meal with crab-stuffed shrimp for Marty’s 16th birthday, and he showed us his new iPod nano. We got to talking about Apple, with me speculating that the company might be planning to enter the game market. Marty said that idea sounded logical to him, and he predicted it might make its move when Sony inevitably faltered. I suggested that it would probably be a radical leap forward in graphic technology and user interface. He said Apple was sure to compete in that sector eventually, but wondered if they also might decide to make cars. That notion took me by surprise. “Think about it, GrandyJohn,” he added. “Before too long, a car will be basically a computer.”
Sixteen years old. Unbelievable. What kind of a nano-world will exist when he’s my age, and will I make it to age 96 to share it with him? Of course—I need at least another 40 years to figure things out. Will I still be able to get on a bike? Maybe not, but perhaps I shall have created at least one enduring work of art that will have made my life’s journey worthwhile. Hey, if I’ve made it this far, there’s no reason why I can’t declare my personal mid-point and tackle the second half of my expedition.
Joan sent me a delightful poem about becoming an old man who wouldn’t have “a computer or a clock or a phone in the house,” and the desire to “learn something just watching the birds and the weather.” I’d be that guy tomorrow if I had the nest egg, but I don’t, and I won’t anytime soon. Yeah, I know the reasons why. Most of Dana’s contemporaries are beyond their careers, and even I have classmates that retired years ago. I intend to keep working as long as someone will hire me, and, if I’m being honest with myself, I probably wouldn’t have it any other way, because I know I have a lot to learn. A day doesn’t pass without my seeing some creative thing to which I still aspire.
There are times when I think I’m the world’s most miserable excuse for a “multi-tasker,” even though I’m supposed to be able to handle numerous creative goals simultaneously. I was reminded again of this over the past week when I tried to make progress on more than one thing, but the only checklist item I could focus on was my digital illustration for our client in Lexington—which she loved. I was successful in getting past an initial creative block, and brought the process to a very satisfactory conclusion. Something in which to take pride, but all I could think about is what I hadn’t gotten done. In addition to my other assignments, I was hoping to compose a holiday-related “Joe Box,” as part of the local Art Center’s “White Christmas” exhibition, and I also expected to put in another productive session as an amateur stonemason before gathering with my Clan later today. Both of those deadlines slipped by. I’m learning to let them go—to release the sense of perpetual failure—to maintain some modest momentum of accomplishment—to forget about how far short I fall, compared to my expectations. When I grapple with these frustrations, I reckon that most high-performance multi-taskers have a personal assistant or an apparatus of managers, and then I flirt with regrets about not having built an organization around myself, but I have to stop and remind myself to avoid pointless rationalizations. I remind myself that I have an invaluable partner who supports me, and the freedom to achieve any level of personal discipline that I set my heart and mind to attain.
Today is the day set aside to give thanks, and I’m inclined to say, “Thanks for nothing.”
I give thanks for nothing new, because I already have what I need. I have my health, my talent, my independence, and people who love me. When it comes right down to it, that old man in the poem has nothing on me. I can discover delicious food on my plate every day. I can put Häagen-Dazs in my holiday-morning coffee (now, that’s why I exercise!). I can still weep when I listen to beautiful music. I don’t have to take medicine, and I can do virtually any physical thing I can think of wanting to do, and perhaps a few that I shouldn’t, being old enough to know better. I can spend a morning in the woods with a lever-action carbine and bring home to my mate a harvest of young, whitetail buck. I can marvel at my new friend’s ability to extrapolate that primal experience as an entire book of verse written in the voice of Kentucky’s most revered pioneer. I can coax my hand to execute just about any visual style that I can harness my perceptions to absorb. I can express my ideas and longings to others who care about what goes on in my head. I can dream. And I can still tell my mom that I love her.
Thank you, Father, for nothing different than all those blessings from Thee.
“Art is worthless unless it plants a measure of splendor in people’s hearts.”
—Taha Muhammad Ali
Forty years ago . . .
Wednesday, October 17th, 2007I’ve shrugged off the disappointment of not having my design chosen for the new library logo, and continue to be excited about the expansion taking place across Broadway. When I assess the daily progress from the vantage of our upstairs bathroom window, my memory skips back to the 1960s. We used to ride our bikes a mile or so toward town to watch the construction of a large electric-power substation on Tipp-Cowlesville Road. It’s not surprising that the rhythmic coordination of massive earth-moving equipment was fascinating to a youthful male. However, at the time, it was just another element of relentless change that I was observing firsthand, most notably the steady development of Dixonwood, our family property on Shoop Road. Clearly, much was churning in America during those years, but I didn’t sense the powerful shifts taking place in the larger culture as much as I had the perception of personally hurtling through rapid change in my own physical and emotional existence. It’s wild enough to be an adolescent, but to experience it as a “new kid” in a more sophisticated community, just as all the norms of social interaction were being questioned or summarily discarded… Before long, nothing seemed to be immune from total scrutiny, and the pace of upheaval that was accelerating month by month was rippling over my life like the waves of an incoming tide. Indeed, it was a “radical” period during which to come of age. Similar to those who had The Great Depression or The War eclipse their years as a teen, the cultural meltdown of the 60s was a fact of life, and you were just there in the midst of it, living it a day at a time, unaware of how it could have been any different. I haven’t come close to sorting through it all, and, perhaps, I never can nor shall.
Spooky music
Wednesday, August 22nd, 2007I continue to have a powerful belief in the synchronicities of life, but, for some reason, I’m astonished when they occur.
The wood engraving I’m working on will accompany a poem by a teaching artist who also wrote a book of verse about Daniel Boone, and it will be printed in Monterey, Kentucky.
Joan had a blind date with a teaching artist from Monterey, Kentucky, who is also the curator of the museum about Daniel Boone at Boonesborough.
Dana and I have talked for several years about the possibility of bartering for a painting by Irina, the extraordinary Russian artist who lives in Danville. 
Recently she chose Dana as the person to provide her personal assistance while recuperating from a broken hip. When we visited to pick out one of her works, she offered to loan me an art book from her collection. The first one I saw had КРАВЧЕНКО on the spine, a name that meant nothing to me. I thought it might be pronounced “Kravchenko,” but Irina seemed to be saying, “Kravkinkja,” so I looked inside. I was stunned by the reproductions. Who was the artist Кравченко? Without a doubt, one of the greatest Russian wood engravers of the early 20th Century.
Grandma loves Johnny; Johnny loves Grandma.
Friday, June 22nd, 2007I have two cousins named Tom—one on each side of the family. Cousin Tom on Mombo’s side is my age, and he just had successful surgery to remove cancer cells. During his recovery, he’s been scanning and sharing some of his family photographs. I have to say it’s a treasure trove of images guaranteed to delight my Clan. I was particularly pleased to see a rare shot of me with my Grandmother Clara.
Both of our expressions are typical of pictures from that era. Years later we could be seen smiling for cameras. Although the complete photo also depicts Uncle Art, Uncle Pete, and young Tommy, I wanted to publish this cropping. Check out those fine little bibs!
Many of Tom’s pictures show his father at various times in his life. Uncle Pete always had a handsome smile. Except for Uncle Art and Uncle Jack, I was mildly frightened of the other Seitz-family uncles, especially Uncle Pete. Don’t ask me why. Uncle Pete died before I matured enough to fully appreciate my uncles for their own unique personalities. Uncle Pete was a Marine during the Second World War, and, if I’m not mistaken, he fought at Iwo Jima (Am I now supposed to call it Iwo To?). I have no idea if he ever described his experiences as a combat soldier or wrote anything about it. He became a printer. We might’ve had some great conversations about the graphic arts and printing industries, but it was never meant to be. Tom still misses his Dad, and I know exactly how he feels.
6th Mombonian Update
Monday, May 28th, 2007It’s Memorial Day, and
MOMBO IS HOME ! ! !
4th Mombonian Update
Saturday, May 26th, 2007Memorial Day weekend is cranking up. Marty and I finally began our driveway project this morning, and Ned is sagging under the weight of ancient blacktop. As America prepares to kick off another summer of fun and God knows what, let’s keep in mind the true reason we commemorate this weekend— all those who fell in service to our nation, and, by their sacrifice, earned for the rest of us the freedom to pursue our happiness. This wire photo helps keep my head in the right place. I also find myself thinking about Dadbo and his war service.
How many fallen buddies did my father mourn and never tell us about? How many friends came out of his first flight-school class, and what feelings filled his young heart when a sports injury prevented him from joining them as they shipped off? How many ended up in Europe as bomber pilots and never came back from those perilous missions? How much did that experience play in my Dad’s drive to see action in the Pacific, and how many friends did he lose in that theater… friends he also chose never to talk about?
Well, I’d best move on to the other reason for today’s entry. The latest message from Joan says that Mombo is doing well. I’ve decided to take the easy road today and post her news in this log. Why shouldn’t I just provide a direct report? Her current role in providing constant companionship for Mombo (with Jeanne, Rachel, and Glenda) has taken her away from blogging—
“A lot has happened since my last note to you all. Mombo has made some great improvements. The breathing treatments that she gets every 8 hours seem to be helping her, and she is now up to 850 on her ‘hookah.’ She has been taking some really good walks ‘around the block.’ Her appetite has returned, so she is eating much more and actually said that her lunch tasted ‘really good’ today. Her spirits are high, and you can tell that she is putting her will into getting well so that she can go home. They haven’t given us a firm day yet, but they have mentioned a possibility of Sunday. It would be nice to get her home on the Lord’s Day. She is so grateful for the beautiful cards and the phone calls from so many of you. Rachel and Glenda have been real troopers in helping Jeanne and me provide Mom with round-the-clock company. She really perks up when she gets a visitor. Today she said her rosary and read several daily readings from the Mass. She also got to see most of DAYS OF OUR LIVES. The case manager here at Central Baptist was in today and is arranging for home health care to come in after she gets back to the Valley. We are very pleased with the care she has had here. Most of her nurses and nursing assistants have been wonderful. Respiratory and physical therapists have also been supportive and helpful. She was so busy today that she did not even get a nap in, so now she is tired out, but, all in all, she is moving down the road to recovery.”
Thanks, Joannie, for keeping us all informed. You are a good daughter and an exceptional sister, too. But, most of all, you are a great mother, like Jeanne, and we all know who taught you how.
Get well soon, Mombo, and come back to the Land!
Powder and tweed
Sunday, April 15th, 2007I put aside all my stresses for a day and a half and enjoyed the company of some very fine people who came to David’s cabin for his second spring rifle competition. After participating in the Saturday morning shoot with an Australian .310 Cadet rifle (tied for fifth place), I kept score in the afternoon for relay number two of the British Single Shot Sporting Rifle Match. With the miserable weather that blew through, we couldn’t have had better luck than when the rain stopped long enough to preserve the event as originally planned. David said he couldn’t have pulled it off without me. In spite of prior misgivings, I was glad to have been there, to have helped out my friend, and to have solidified relationships with some of the region’s top experts on Victorian firearms.
We still need heroes
Sunday, February 18th, 2007All weekend long I was thinking about describing the progress Dana and I were making on our conference room project, but then we decided to watch Clint Eastwood’s Flags of Our Fathers tonight and the entire post that I had composed in my head just melted away. That’s what thinking about the Battle of Iwo Jima does to me…
::: A salute to S.V.S. ::
Tuesday, February 6th, 2007Much is going on—my concept for the new Band Festival poster is at critical mass, I’m convening a cyclists’ meeting tonight to discuss our upcoming presentation before the City Commission, and the Medicine Woman is putting her moccasin firmly in the Graybeard Prospector’s hind end. That being said, I’m thinking about Seranus Victor Seitz, who turns 90 tomorrow.
My Uncle Si was born in the midst of the Great War, but the next time the entire world was back at war, he was more than old enough to sign up. Like Dadbo, he went into the USAAF and became a fly-boy. He named his fighter plane after his kid sister. Most of us learned about this only recently. Even Mombo had forgotten about it, and she was overcome with emotion when the fact resurfaced with an old photo. I think it has something to do with Uncle Si scrupulously avoiding any romantic entanglements before he shipped off. Apparently he didn’t expect to survive the combat that faced him. Neither did a lot of others, including the brass. These boys could “do no wrong,” because, hell, they probably wouldn’t make it back tomorrow anyway, so why give ’em a hard time? For example, when Uncle Si buzzed a control tower because some generals were up there and Uncle Luke was watching. I wouldn’t be surprised if that was one of the more tame episodes.
Uncle Si got to the skies of Europe as the Luftwaffe was fading into history. Air-to-air wasn’t the primary mission at that point in the war, so he provided ground support as a tank buster and dive bomber. But don’t be mistaken—the anti-aircraft defenses of a desperate Wehrmacht must have been pure wickedness. On top of that, Uncle Si said that every day he got into the cockpit, he might be sitting behind a new aircraft engine more powerful than the previous one he’d gotten used to. All he would know before takeoff was the numerical boost in horsepower. He told us once about the fine art of blasting a locomotive. The pilot needs to swoop elliptically at a low angle to avoid being caught above the massive steam explosion. You get the feeling he learned that by watching somebody else get it wrong, or perhaps he narrowly missed boiling himself like a lobster the first time he bombed a train. He tells stories like that without braggadocio, but you can always see the intensity in his eyes. Like most WWII vets, he doesn’t think of himself as a hero. In their minds, that word more properly describes all those pals that never returned. I guess you can’t differ with that kind of logic.
Uncle Si is known for inspiring a famous word in the Dixonary: Sicu. Basically it can be defined as a “lame excuse.” The original sicu was the time he said, “We’ll come down one of these weekends I take off.” It was no secret that Uncle Si might go months without taking a weekend off. It bummed us out to hear that, and so we were forced to bestow the dubious honor. Years later, when I was living in Dayton and my brother James was putting in long hours at AdMart, we laughed at my notion, “You’ll take off one of these weekends I come down.”
Uncle Si is one of those uncles that you love too much to ever tell him, and I know that doesn’t make any sense, but you just can’t tell a tough guy things like that because he’s made you tough, too, just because you’ve loved him. Like Mombo used to say, “Luke probably started the fight, and if Bob couldn’t talk them out of it, Si had to finish it.”
Eventually he helped finish the biggest one—over sixty years ago, up in the sky, above the devastated fatherland of his ancestors—but he came back home and made it to his tenth decade, with a sweetheart he didn’t think he’d ever get the chance to find.
God bless him!
My First and Last Gerald R. Ford Entry
Wednesday, January 3rd, 2007It sounds strange, but President Ford never seemed like an entirely substantial figure in my personal perceptions. I don’t mean in the sense of credibility or political weight, but in the literal sense of being a real person. I happened to have been living in Brussels as a student worker during the second half of 1974 and missed those supposedly multi-orgasmic constitutional spasms of the day that everyone else can usually describe in great detail. As a result, the culmination of the Watergate crisis has always felt to me like a hazy historical event, and, by extension, the 38th President like a big pretend creature from a B movie, as though one of Ian’s old Frankenstein drawings had been put in charge of the government.
They didn’t consider us “interns” back then. The term was reserved for medical trainees and I was called a “co-op,” just like Mombo was back in the early 40s. As I’ve probably described before, I remember listening to the Nixon resignation speech as it was piped by loudspeaker into the morning streets of Amsterdam, while I leaned sleepily from the open window of a youth hostel, during one of my weekend forays into that Dutch shrine of “70s-ness.” So when I returned to the States before Christmas and finally took stock of President Ford weeks later, it was like, “who the heck is this guy?”
Fast forward through the remaining two years of the Ford administration. Back then it didn’t take much to get me miffed about the national scene. I was still angry at Ford for endorsing mass inoculations to counter a Swine-Flu boogeyman, for his apparently feeble attempts to turn around the lousy economy that I faced as a university graduate, and his cold shoulder to the supreme Russian dissident of the century. I don’t remember what I thought about his pardon of Nixon—one more ghostly act from another dimension. I’d voted against Ford in ’76 while living in Chicago. Not really in favor of Carter (it was hard for me to take Jimmy seriously), I’d lost my enthusiasm for the campaign after neither of my two favorites, Eugene McCarthy and Ronald Reagan, had managed to prevail into the home stretch. As unfocused as they were, you can tell that my political attitudes tended toward the radical, and that was the one thing Gerry Ford indisputably was not. When Carter began to “self-destruct in five seconds,” I took an odd measure of pride in the fact that Ford had carried Illinois.
Fast forward again to a newly minted 2007 with one less Former President. Clearly it’s time to reflect on his rightful place in history, and I’ve softened my viewpoint considerably. I should have liked him more. He deserved it. Nevertheless, I can’t help but think that all the kind and appreciative things being said about Gerald R. Ford would still be equally true if he had not sought to retain the Presidency beyond his short stewardship, and, as confirmation of his quintessential unselfishness and towering decency, had stepped aside with the same dignity with which he had taken office—to have recognized his unique distinction as Healer among our chief executives, to have recognized the ascendancy of national conservatism over his frayed brand of Republican establishmentarianism, and to have recognized it was time to decisively pave the way for the next necessary phase of post-Nixonian resurgence—a fresh and bold style of visionary leadership for America.
Ripples of timeless meaning
Tuesday, August 15th, 2006Mike’s mom is doing well. I took my small bicycle with me, so last night, Mike and I prepped his old ten-speed and did a short “shakedown” to see his brother Tom, a former apartment mate of mine from university days and in more recent years a client. During this visit, Mike’s been using space in Tom’s conference room to complete a book manuscript that’s due at the publisher on Friday.
Today we loaded the bikes in “Ned” (my truck) and set out to fulfill a mutual promise from the 1970s—to make a “pilgrimage” to the grave of frontiersman Simon Kenton in Urbana, Ohio. Our first stop was in West Liberty, where we bicycled out to the so-called Piatt Castles, built by two brothers of contrasting personalities on land their father settled after leaving Cincinnati in 1828. I hadn’t been out there in over 40 years. The adventurous risk taking that it represents became a metaphor for our day-long discussion about what we face in middle life as individuals and friends. Afterwards we had lunch at the small regional airport. Tom had recommended the little cafe beside the runway. There was a B-25 displayed on the tarmac, so Mike and I just let ourselves through the chain-link gate to nose around, almost as if the War on Terror hadn’t made it yet to this neck of the woods.
From the airport we drove to the campus of Urbana University and got back on bikes for our ride to the cemetery. Mike wanted to ask for directions. I knew we could find the grave-site on our own. A caretaker wasn’t around, but we had no difficulty locating the prominent location, with its impressive bronze sculpture and concentric rings of monuments and markers. I wish I could explain what it was like for me to be there—to sit at that spot and know it was my hero’s final physical destination, after a life that was too bold for fiction. To be honest, I don’t have the ability to record my impressions of the time we spent at the site, including the meeting of a goal that literally took a generation to fulfill. At some level we must have understood that the fullness of the graveside experience would first require a chunk of transpired lifetime. Perhaps that’s why we put it off for so long. Now I’m hoping for the inspiration that will enable me to transcend my verbal capacities and somehow capture the day’s insights.
Various & Sundry, part forty-two
Saturday, August 12th, 2006— David and Lee scheduled an appointment to look at a house on the 400 block of West Broadway, so we tagged along. I had a bad feeling about this. Californians bought the house last summer, and it seems as though they had more money than good sense. Workers and dumpsters suddenly vanished a few weeks ago. Our look through the property confirmed my worst suspicions. One of Danville’s finest historic homes had been hung up and gutted like Duke Brian in “Gorky Park.” Reportedly, the owner can’t be located. To add a ludicrous element to the whole thing, a daughter is now asking prospective buyers to pay an even higher price than her mother paid for it—a perfectly livable home that was stripped, raped, and left for dead.
— Analysts are predicting that the demand for refurbishing Web formats may soon overtake the need for new site designs. Prices for domain names are dropping, a clear indication that the market for original sites is slowing down. Some agencies and firms are staffing specialized divisions devoted to economical “creative makeovers.” Deep within his Sanctum of Fortitude, Website Makeover™ Man is contemplating his fate.
— Watched a copy of “Broken Trail” last night, which Terie taped for us (before our vacation with Marty), because we no longer pay for channels like AMC. It was interesting to study the similarities and differences in Duvall’s performance, compared to “Open Range,” along with the contrasting directorial styles brought to similar subject matter. And speaking of contrasts, the radically different character that Church personifies, versus his memorable Jack in “Sideways,” is worth the viewing. As much as I liked “Broken Trail,” and as much as I admired its aura of authenticity, the screenplay does suffer unfortunately from what I’ll refer to as presentism. For the most part, in my opinion, Costner managed to avoid presentism when he made “Open Range,”—an impressive personal achievement, quite frankly, since his indulgent first western reeked of it. Nevertheless, who doesn’t like the entertaining “Dances,” in spite of its PC tone?
Day Five at Barefoot’s Resort
Thursday, July 20th, 2006Marty hooked an eleven-inch channel cat yesterday morning while I took my conference call out in the boat, but otherwise, zero perch. Then I botched our precious panfish morsels in the kitchen when I mistook Dana’s sweetened whey powder for flour. Today’s luck was even worse, and, as Marty put it, it was a “demoralizing” day on the water. Meanwhile, Tom P is routinely bringing in 15-30 perch per day himself and his daughter Tracie was catching keepers with her little boy only 50 yards away, while we sat and watched. Hard to figure. I know there are several variables to juggle (plus Marty is a bit green and I spend a lot of time dealing with his tangles, etc.), but we should be doing better. We’ll keep trying. They’re out there. One foot-long perch jumped out of the water so close to me I should have grabbed it. All in all, no complaints. We’ve had some pretty nice days this week after the wind died down. Up to now, I’ve been getting in a good channel swim each day, but by the time we’d gone down to the lake today, the breeze had picked up again. I made an anxious crossing with loud, choppy waters that made it tough to hear any potential boats that might put me in danger. Later we watched “Master and Commander” on Marty’s console and it was even better than I remembered it, a truly great story with exceptionally well-developed characters. Seafaring in 1805 makes my dodging little motorboats look like a tame occupation. Why is it we men must find some element of daring to feel fully alive?
No greater love
Monday, May 29th, 2006I need not stand in my family cemetery today to have an overwhelming sense of gratitude for those who have put on a uniform to serve our nation. They performed the duty, often dangerous, at times fraught with extreme peril. There are those in every generation who meet the necessity. I owe them too much, even when they changed their minds after returning home. Some of them did not make it home, and I join with those who offer this day as an inadequate memorial to the magnitude of their sacrifice.
† God bless their souls.