Archive for the ‘Art’ Category

Life as a blur

Saturday, May 12th, 2007

Back during the 70s when I worked in acrylics, I once made a painting called “Blur-Head.” It could be a symbol of my life in 2007. I try to compartmentalize, but everything is just shmooshed together, as each day tumbles into the next, filled with unmet requests and rapid-fire deadlines. I can’t complain. It’s a product of my own intent to be busy again.

Ian was in Danville for a spell, and we met him in the gallery at the Community Arts Center. The lad looks slim and trim, and I was glad to see him. He liked my show. He walked home with us and had a chance to say hello to Bruce before heading down to the farm. I may not get to see him again before he departs for a big island in the ocean. Be safe. Aloha.

I won’t say how long it’s been since I was on a bike that wasn’t meant to sit on a floor, but I finally joined friends for a Thursday night ride out past the Rick Dees estate. It was an incredible evening, although I gabbed so much I don’t think I fully appreciated being out there. That’s ok. It’s a start. I feel like I have to build my conditioning from scratch. How did that happen?

During the time I’ve been actively blogging—since January of 2005—it’s never been this much of a struggle to make a regular entry. Something about the little calendar in the other format helped prompt me, but it’s more than that. Blogging is effortless when you know what you think or feel. This spring I haven’t allowed the mind-time or heart-time to catch up with myself. Hopefully that will change as I adapt to this new rhythm of daily activity. Forgive me if my notes here become a bit “blurred.” If that’s the way my life is right now, perhaps I’ll have more to show for it than a journal. There’s a logic and purpose to what’s happening lately. My profile is being elevated on multiple fronts, all at the same time. I need to resist the tendency to seek validation by writing things in a log. On the other hand, life without introspection is an alien existence.

“Fate is a name for facts not yet passed under the fire of thought—for causes which are unpenetrated.” —Emerson

A new and satisfactory pattern will emerge.

Various & Sundry, part fifty-one

Saturday, May 5th, 2007

— Month of April workout totals: DON’T EVEN ASK . . .

— Well, it’s May—Derby Day at that—and I had my best night’s sleep in weeks. I even dreamed about my old employer in Evanston, with a very pleasant, lucid conversation. I’m glad to be comfortably back in the blogiverse, and it hasn’t had anything to do with News Bruiser’s recent excommunication. It’s had everything to do with a wild convergence of commitments in April that shoved aside all activity but the most essential. I’m pleased to say I was able to fulfill each of my pledges: to lead the annual meeting of our five-county Salvation Army, to participate in the spring conclave of the Kentucky Bicycle and Bikeway Commission, to attend the quadrennial national conference of the Salvation Army in Dallas, and to mount my first solo art exhibition since 2002. Whew… Can you believe I pulled it all off?

— The experience in Dallas was, without a doubt, the most powerful package of consciousness-raising stimuli that I’ve had the privilege to absorb in many, many moons. An amazing line-up: Jerry Jones, Laura Bush, Rick Warren, Jim Collins, and Israel Gaither. Plus the many workshop sessions that astonished me with their solid informational excellence, including an opportunity to hear Stan Richards, a legend in the advertising world who would’ve been a prize key-noter at any professional gathering. He’s the creative mind behind the Army’s recent “Doing the Most Good” branding effort. On top of it all, we had the wonderful gift of time spent with good friends from Danville (nine of us were there), plus an exhilarating two days at the Anatole Hilton, which is like being inside a museum, because it has a world-class collection of Asian art distributed throughout the spacious complex (Reagan held the Republican National Convention there in 1984). And I haven’t even mentioned our evening at Texas Stadium: a picnic supper on the turf, lots of entertainment, and a chance to nose around an NFL locker room. Far too cool for a guy who can probably name less than a dozen pro football players. Eat your heart out, Marty… Oh, I forgot. You hate the Cowboys.

— Also wedged into last month was a particularly refreshing “Council Day” at the Valley. Both Terie and Bruce were there, and I don’t think that’s ever happened before. Makes me a bit prouder to be the namesake of the House of John. See you all at the next Clan gathering. Same time, same channel…

— After months of preparation, my exhibition at Danville’s Community Arts Center was hung and opened without any serious mishap. True, I had to abandon several items on my wish list, including a desire to display my first “Joe Box,” but, as usual, things worked out the way they’re supposed to, and the room was arranged with enough creations to satisfy my fondest anticipations. It was a delight to welcome lots of Clan and dear friends (plus many local poobahs were in attendance). Thanks to Bruce for his home-stretch assistance, and, of course, to my ”partner in all things,” who supported my preparatory effort for much of the year, and laid out a delicious spread of goodies outside the gallery on Thursday evening. Wow. This is not the end, but only the beginning of many more successful shows. Just take a look in my eyes. I can see the vision.

V & S

Pianos along the Oregon Trail

Thursday, April 19th, 2007

Seldom during my life have I felt so fulfilled and so beleaguered at the same time. Over the years, I’ve persevered through hundreds of stressful deadlines, but now I can finally appreciate what an artist goes through leading up to a solo exhibition. I want to execute all my ideas, but I know that I’m running out of time, and now I have to sandwich in a couple days for my KBBC annual retreat. As I continuously evaluate the intensity of labor required to finish my show as planned, in light of the dwindling quantity of available time, I’m preparing myself to abandon some significant desires and more than few high hopes.

Various & Sundry, part fifty

Friday, April 13th, 2007

— Dana and I had an interesting conference yesterday. We met a guy at a Starbucks in Lexington, unsure about exactly how his role dovetailed with our new project for ftb-automotive. We thought he might be a bedroom Web designer, and he turned out to be a top executive with HOST Communications, one of the most prominent providers of interactive services in Central Kentucky. You never know.

— The Arts Across Kentucky deal came through, and I was able to get a drum-scan of my Band Festival poster art in time to touch it up and forward it on to the magazine for today’s deadline. Dana took time to revise my biographical profile, and it’s almost beginning to sound halfway credible.

— NBC makes episodes of its series available online, so Dana and I just had to watch the season closer for “FNL” that we missed on her birthday. Even though it was inside a little box, and the video was kinda jerky and crude, and I was listening with cheap headphones, the finale choked me up. Peter Berg’s extraordinary show has me totally captivated. Now I’’ll be on edge ’til I find out if it gets picked up for a second year.

— This weekend is David’s scheduled event at the Simpson Range—his .310 Cadet and British Single Shot Sporting Rifle Matches. I’ll be combining some business with pleasure, and it’s certain to be a great time, but I have to admit I’m getting a bit concerned about how many days I have left to prepare for KOSMOS.

V & S

My Senior Sweetie

Wednesday, April 11th, 2007

Last night’s Salvation Army Annual Dinner was a smashing success. Today I realized all the work for my May exhibition has to be completed and framed within two weeks, so we can leave for Dallas and the NAOC. We had a double birthday celebration this evening—the entire House of John plus David. Lee is in Virginia with her mother. I was having such a good time I forgot all about recording the season finale of “Friday Night Lights.” Must have been the Gnarly Head.

Ok, it’s 65. Happy Birthday to you.

The far turn for the bean fiend

Thursday, March 29th, 2007

March experiment—day twenty-nine— In almost every race I’ve run, it’s been possible to find an extra bit of something at the finish. So for the next couple days I need to dig down like that and find “the means.” Since I relied heavily on the bean brew over the Indy weekend, and I can’t deal with cutting back now, the ’feine is along for the ride. I’ll try to keep him in the back seat. (How many metaphors am I sticking in the blender here? Sheesh!) Better wind this up, but not before reporting that I received a request from the editor of Arts Across Kentucky magazine, because she wants to consider using my painting, Spellbound by Brass, on the cover. That’s great news, but I’m wearing so many creative hats right now—collage artist, watercolorist, designer, printmaker, illustrator—that I need to be sure to keep it all straight when talking to people.

Today’s sight bite— A dingy gray sky the color of soap-dish scum resting on top of Norton Center—c-l-i-c-k— with its ordinarily rich terra cotta and butternut hues washed away by the dismal morning conditions.

Tomorrow— Let’s see how much vigor there still is in the experiment…

Entrusting an outcome to the Source

Wednesday, March 28th, 2007

March experiment—day twenty-eight— Today was one of those days when Dana and I shared thumbnail sketches at breakfast, resolved an advantageous division of labor, and then entered the studio with the minutes ticking down on an important presentation. Call it experience, professionalism, or old-fashion maturity, but a morning can take shape like that nowadays without my wading through all the anxiety and worst-case mental brambles which used to clutter the way. I like to think it also has something to do with trusting one’s intuition, but how does one develop intuition without struggling through all that trial and error? Oh well, it’s made for some good war stories, anyway. After I printed the layout for Kentucky Trust Company and Dana was off to her meeting, I prepared a preliminary design for the Band Festival T-shirt and Elaine liked it. She seems quite bullish on my work right now and is instigating some publicity opportunities for the Festival that will also gain a bit of recognition for me. Hey, that’s the way this deal was always supposed to work!

Today’s sight bite— Bradford pear blossoms drifting on the breeze past my kitchen window—c-l-i-c-k—masquerading as a springtime flurry of snow.

Tomorrow— Our new automotive client makes his big pitch out East, elements of the Salvation Army Annual Report are to be assembled, a last opportunity for final touches on Spellbound by Brass, plus more progress expected on my preparations for KOSMOS: Discovery and Disclosure

A rowdy rook to augur my fate

Tuesday, March 27th, 2007

March experiment—day twenty-seven— The morning began early, with Bruce needing to start his first Danville dialysis treatment at 6:30 am, but it was already obvious that the March Experiment was on life support. Whether I had it in me to shift from the grueling pace of the Indiana move to my ambitious studio checklist was up in the air. I was just about to declare to myself that the whole thing was “oh-vah,” but then thought I deserved one last effort at re-imposing the exercise, so I picked the most difficult thing I could think of to self-assign—complete my intimidating graphic interpretation of cornetist Vince DiMartino for the Band Festival merchandise. It’s a style of symbolic abstraction that is commonly seen, but often poorly executed. Although I’ve previously pulled it off with reasonable competency, to be honest, it’s a style I’ve never come close to mastering. Nevertheless, I attacked the demanding project, overcoming waves of doubt and discomfort, fighting computer crashes, and dealing with a steady stream of interruptions. And the result? Others will be the judge, but the Experiment is still alive, by Jove!

Today’s sight bite— The enormous black crow, perching high in our “Simon Kenton” maple—c-l-i-c-k—as I wonder if his rhythmic caw is laughter, mocking my insane pursuit, or a series of congratulatory salutes.

Tomorrow— Testing an invigorated schedule and the desire to persevere…

Earth under heaven

Sunday, March 18th, 2007

March experiment—day eighteen— Well, I may not have broken the back of the “Joe Box” dilemma, but I think I managed to harass a disc or two toward that goal. Joan and Caitlan stopped by on their way to the farm and delivered more boxes to keep things interesting, plus a weird hand-built crank wheel of some sort. Marty helped me clear a better work space for my 3D project in the coal bin. It’s been a while since he’s been in there, and he realizes that now he needs to duck to move around, too. He helped me carry furniture into the refurbished kitchen upstairs. Dana’s been working diligently this weekend with all the finishing touches. Life is quite good, if one puts emphasis on the blessings. At times it seems like three steps forward and two back, but things are moving in the right direction.

Today’s sight bite— The scrubbed green of winter abutting pastel blue—c-l-i-c-k—as I run the hilltop hay fields of KSD’s property.

Tomorrow— Internal and external agenda items expand to fill the day…

The day’s sweet vanity

Saturday, March 17th, 2007

March experiment—day seventeen— Today has been a strange day, in a sense, full of subtle contrasts, not as I expected it to transpire, but the nets of artistic progress are full to the bursting point. I haven’t spent so many hours in a deeply intuitive mode for a very long time. The relentless momentum of decision making set the stage for many days of labor, and I was able to preserve that orientation, even though I took TV breaks to watch four different closing contests between men’s NCAA basketball teams, including one that almost went into triple overtime. All the way through this, I felt the tension born of knowing what I wasn’t doing, and, piled on that, the awareness of how odd a vein of aesthetic ore I’m mining, for God knows what reason. The more I get into this, the more I wonder what it’s all about, what part of myself I’m paying tribute to, what meaning or lack thereof I bring to others. On Saint Patrick’s Day, there isn’t a beer in the house, just the words of William Butler Yeats scratching at my soul—

The Choice

The intellect of man is forced to choose
Perfection of the life, or of the work,
And if it take the second must refuse
A heavenly mansion, raging in the dark.

When all that story’s finished, what’s the news?
In luck or out the toil has left its mark:
That old perplexity an empty purse,
Or the day’s vanity, the night’s remorse.

No rest for the weary

Friday, March 16th, 2007

March experiment—day sixteen— The smell of coffee and Krylon—back in the basement before dawn, chipping away at collage components. This is usually when I feel the most energized about blazing forward with my art. If only the clock hands would stand still.

Today’s sight bite— Another sand-blasted nickel sky, hovering over treetops laden with leaf buds—c-l-i-c-k—blocking the solar stimulant for which they undoubtedly yearn.

Tomorrow— A fresh attempt at breaking the back of the “Joe Box” conundrum…

Just show up

Wednesday, March 14th, 2007

March experiment—day fourteen— Various difficulties made for a challenging day. No cause for alarm; I just don’t have the energy to write about it tonight. On top of that, I’ve been worrying more than a bit about the quality of some of my ideas, and—wouldn’t you know it—I encounter this statement from one of the most successful artists of my lifetime…

“Inspiration is for amateurs; the rest of us just show up and work.”

Chuck Close

Perseverance furthers

Tuesday, March 13th, 2007

March experiment—day thirteen— Although I saw progress on several fronts, I could feel exhaustion just below the surface at the same time. I stayed “in motion,” even when keeping still, and, as a result, it was not a contemplative day. The overdue rehabilitation of our Champion Juicer is worthy of note. Ahh… the need for raw, liquid nourishment is satisfied.

Today’s sight bite— The impression of my collage on the gallery’s wall of artworks—c-l-i-c-k—like the strange appeal of a Bohemian relative.

Tomorrow— Balancing the urgency of both neglected necessities and wild leaps of faith…

Toil without triumph would wear anybody down

Monday, March 12th, 2007

March experiment—day twelve— For what it’s worth, an “Ephraim sighting” suggests a day of receptivity and creative alertness. I may spend some time at the library and see if I can bring my March objectives into coherent alignment with realistic expectations. This must be achieved before the experiment is half over, although the sense of a new beginning is already upon me. I want this to be as challenging as possible, but a touch of the absurd can bear only so much fruit before it becomes counterproductive. Later in the day— My entries for “Exploring Multiple Dimensions,” the SLMM national exhibition in Albuquerque, are in the mail. The relief of having this done makes me realize how important it is to have periodic completion points, as opposed to long spells of effort with no “payoff.” Not very profound, I suppose, but it seems like a revelation at the moment, because I’ve been working too many days without the gratification of finishing something. This puts my daily checklist in a new light. Having so many completion points scheduled at the end of the cycle was the wrong way to plan this. Steady reinforcement is better, if I can avoid a “celebratory” lapse of momentum (that old, familiar pitfall).

Today’s sight bite— The tiny formations of purple, yellow, and gold crocus shoots catch my eye—c-l-i-c-k—like miniature Swiss Guards reporting for duty.

Tomorrow— Launch a revised series of deadlines, speak to the local prospect about a lettering commission, and meet with B.I.K.E. members about the emerging season of cycling priorities…

And I think it’s gonna be alright

Sunday, March 11th, 2007

March experiment—day eleven— After we got home last night from our enjoyable date, I discovered a “giganto” wood box by the garage, plus a message from Joan on our machine. Joe definitely had an eye for cool boxes. Unfortunately, my enthusiasm for their potential to be exploited artistically was not matched by the ability to accomplish everything I set out for myself this weekend. I won’t go into the reasons, but most of them can be cured by adequate rest and some mid-course corrections in my goal setting. A possible analogy could be, “My eyes are too big for my stomach,” if you follow me, but I’m not sure it fits. There’s something to be said for avoiding late-night analysis. I’m giving this my best effort, so I’ll take a fresh look at my game plan in the morning. Too easy for thoughts to turn negative when on the brink of exhaustion.

Today’s sight bite— As we travel east on Lancaster road toward Mack’s cabin, a fiery orb burns through the horizon—c-l-i-c-k—with the realization that I would’ve missed a spectacular image without the clock change that I’d just been belly-aching about.

Tomorrow— A top-to-bottom evaluation should provide opportunities for creative synthesis…

Reaffirmation

Saturday, March 10th, 2007

March experiment—day ten— I had to battle with my “inner wimp” this morning to run five miles at daybreak. With as mild as it is outside, that should not have been necessary, and as soon as I was out the mud-room door I was grateful for the upper hand. It was just the first in a string of today’s reminders to myself about why I’m conducting this odd exercise in the first place. I revisited my piece for New Mexico and took on an ambitious compositional addition, inviting the risk that I might spoil the whole thing. That’s the sort of thing I do in March, but I want to become bold enough to do it all the time without even thinking about it. Inner wimp be damned—you don’t know what untapped capability I have! The decision put me behind schedule again, but I refuse to fret. No profit in it. The Strocks stopped by for lunch, and I loaned one of my dumbbells to Marty. Today is the twenty-ninth anniversary of our first date, so I’m taking Dana to hear Dawn Osborn perform tonight at the new Woody’s in Danville.

Today’s sight bite— Dried paint and pencil marks on a flat surface—c-l-i-c-k—the illusion of a pear results from coordination of mind, eye, hand—and will.

Tomorrow— Spring forward an hour, share the silence, and embrace the checklist…

A fairly straightforward day

Thursday, March 8th, 2007

March experiment—day eight— I have a steady momentum now. On paper it looks like I’m ahead of schedule, but the schedule may not reflect the proper pace. We’ll see before long. If I do need to bump up my stride a notch, I shouldn’t do it too early in the race.

Today’s sight bite— The full volume of clear, undisturbed water, aglow with midday’s penetrating beams—c-l-i-c-k—viewed from beneath the pool surface, my fins propelling me forward, feeling like an anonymous demigod of the deep in search of a mischievous mermaid or two.

Tomorrow— Rotary Pancake Fry and the completion of my entry for the national SLMM exhibition…

Sighting Ephraim, my favorite town hawk, inspires attack mode

Wednesday, March 7th, 2007

March experiment—day seven— I came back from the gym this morning with a strong desire to make up for lost time, and the result was a day of progress beyond anything I could have hoped for. My pace was such that I could even feel the “rusty” spots in my collage technique, but those shouldn’t be too difficult to burnish over the next couple days, and then I’ll start working on my first “Joe Box” this weekend. I use that term because of its double reference to Joseph Cornell, the master of box assemblage, and Joe Wood, who personally acquired my raw materials. It pleases me to know that, for whatever reason, these objects appealed to Joe. And now, with Joan’s approval and due to her kindness, I’ll interpret them as three-dimensional art. Speaking of Joan, her entry about the Lady Rebels says it all. In tonight’s paper, Hayley is quoted as saying she’ll be “out for blood” next year. Admir’l Lice himself couldn’t have said it any better!

Today’s sight bite— At the highest spot in town, the morning sentinel glides from atop the tallest tree with one pump of his massive wingspan—c-l-i-c-k—and circles the human far below, who stands earthbound amid the downy evidence of a recent meal.

Tomorrow— “Cruise control” at my basement work station dedicated to collage…

Masters of their media

Sunday, March 4th, 2007

March experiment—day four— Not much to report. Trying to get past that early sleep-dep hurdle without overdoing the caffeine. First half of today was invested with plotting the next few weeks of work at my collage station, and then we were in Lexington with our friends, the Simpsons, including dinner and a movie. Amazing Grace is worth the ticket price. Ioan’s impressive performance is what I would expect from him. I might say the same for Finney, but the truth is he knocked me out with his supporting role. If you are in England and he is performing anything on stage, go there—tonight!

Today’s sight bites— Reproductions of John Salminen’s watercolors, stopping me in my tracks—c-l-i-c-k—c-l-i-c-k—c-l-i-c-k—as I browsed the art magazines at Joseph-Beth.

Tomorrow— Time to put my rest break behind me and press on…

Dawn’s silent majesty

Saturday, March 3rd, 2007

March experiment—day three— I awoke before the alarm, and I figured that was a good omen, but then I saw the full moon setting in the west, and it was awesomely huge, maybe the biggest moon I’ve ever seen. I don’t know what the heck that means, but I’m glad I was up early enough to view it, and then I ran four miles with my chum Mort, talking about the local bike initiative, politics, leadership, business development and the market jitters. It was great to start my day with a friend, and to close it down with one, too. I had another classic coffee-shop consultation with Danny this evening, bringing back a few pearls for my ongoing artistic investigations, and understanding better that the most effective way to infuse meaning into one’s creative output is to seek truth in the contemplative side of the equation.

Today’s sight bite— The enormous lunar disk—c-l-i-c-k—magnified above the blue-over-black horizon like a telephoto backdrop.

Tomorrow— Life’s teacher is where we spend our time…

Return of the March Experiment

Thursday, March 1st, 2007

March experiment—day one— My regimen of self-study from a year ago ended with an artistic victory. Strangely enough, my revisitation of the experiment begins with the same kind of breaktrough. This morning I put the finishing touches on my painting for the Brass Band Festival, and the new executive director says she couldn’t be more pleased. Even though I “tricked” myself into plunging ahead with the artwork by calling it a study, there is no doubt that I relied on insights gained during that previous month-long period of rigor. What am I prepared to learn this time?

Today’s sight bite— Hayley with the game ball over her head, as every player on the court pauses—c-l-i-c-k—while she considers how to manufacture a point margin that will take home a district title.

Tomorrow— Ready or not, the full schedule begins…

Oldenday XI

Tuesday, February 20th, 2007

Early childhood accumulation is the most authentic form of collecting—that first little box or drawer with trinkets to stimulate the bud of imagination. Certain special shards of quartz from your “rock store” just couldn’t be carelessly tossed back into the driveway gravel, could they? When it came to postcards or match-packs, adults would facilitate, but most likely it wasn’t their idea at the outset. Not all children collect, but for many of us, the desire was innate. What was it about that hoard of popsicle sticks or milk-jug caps that gave us a tingle of satisfaction? It was only a small step of forward progress to coins, stamps, baseball cards, books, antique tools, vintage toys, etcetera. Or was it the opposite of progress? Some types of collections made you feel “big,” but now I am, and everywhere in the world of grownups are admonishments to clean up the mess, downsize, and banish your clutter. I caught a few minutes of Dr. Phil the other day, apparently a whole program about the dysfunctional pack-rat, in which the message was unequivocal—needing to keep all that junk is the latest fear-based personality disorder.

Well, maybe it is, but I was happy to recently discover the other side of the spectrum with In Flagrante Collecto, Professor Marilynn Gelfman Karp’s fascinating, richly illustrated treatise on our essential impulse to acquire—the rare, the strange, the unsung, and the incidental. How, as a life-long collector, she’s found the ability to survey the topic with such intelligent objectivity is quite remarkable to me. She defines six shared traits among all collectors:

1) Unquestionable Dominion • the total mastery of your self-defined territory.

2) Hands-On Gratification • the satisfying communion with your booty.

3) Empowerment by Delimitation • the boundaries and criteria of allowable desire.

4) Hunting and Gathering • the fulfillment of discernment plus the exhilaration of the quest.

5) Possession • the self-affirming ownership of historical era by osmosis.

6) Husbanding and Transference of Characteristics • the salient attributes of the collection which accrue to the collector.

Her bottom-line assessment is that “loving the unloved is the purest state of collecting from which all collectors’ motives may be deduced. An object of material culture is any object that a person deems worthy of collecting.”

I suppose most of us who face piles of stuff fall somewhere in the middle of the continuum between connoisseur and cripple. So the question remains—what do I do with all of it? Much has no intrinsic value and begs to be pitched (if it isn’t actually begging, then my patient mate surely is). To me, it’s an archival record of what has appealed to heart, head, and hand throughout my life. Ah, precisely… there’s the source of its abiding interest to me. It represents the creative opportunity to organize, process, synthesize, repurpose, and present to others a “culminating artifact” that maybe, just maybe, will achieve some level of extrinsic value greater than its inherent nature as a sum of overlooked ingredient elements.

Will that make it art? It’s worth a try…

Olden…