Some things catch me off guard when they shouldn’t, like Brendan’s revelation that my visual style influenced his knack for strong image making. Well, there’s been plenty of artistic cross-pollination occurring within our extended family for quite some time, and his effect on the way I communicate with words has been equally significant—otherwise, nobody could stand reading anything at this site.
Brendan has his own way of describing the contemporary high-contrast style under discussion, but I’ve always called it “graphic illustration.” I’m no scholar, but it certainly has its historical pedigree in the printing arts (the anonymous masters of the 1400s, Dürer, Grien, up through the centuries: Rembrandt, Thomas Bewick, Rockwell Kent, Munch, the Expressionists, the Arts-and-Crafts printmakers, and the Bauhaus designers). Of course, the “look” has been radically influenced by photomechanical techniques (including cinema), and their appropriation by innovative artists and legendary illustrators (Warhol, Glaser, Otnes, Holland, Schwab). Few may give credit to the nameless pulp or movie-poster artists, but they also made their contribution to the style, as did the legendary comic artists, such as Harold Foster and Milton Caniff (genre exemplars of chiaroscuro, who probably had a more formative influence over generations of creative youngsters than the art history books).
I see it all as a moving stream of visual development in Western art, periodically spiced with Asian influences, but always a binary interpretation of how highlight and shadow define form. It’s how a visual decision maker has always tried to give the most simplified illusion of volumetric reality, by the handling of light sources, minimizing modeling, and harshly controlling the equilibrium of figure-ground relationships on a two-dimensional plane, culminating today in the ubiquitous tool of Adobe Photoshop (just as a reminder, I reserve the right, without warning, to squirt India ink in the face of anyone who uses Photoshop as a verb).
Wow, that’s an awfully wordy bit of rambling, and it could really use some editorial refinement. Naah. I’ll just click the “Publish” button instead…