It took longer than I expected, but my drawing for the Housing Authority was a pleasure to execute. The illustration technique I used was directly inspired by my favorite masters of pen and wash—Jack Unruh, Ken Dallison, Joe Ciardiello, and Alan E. Cober. Dallison is known for his automobiles and Ciardiello for his portraits, but all of them have worked with great breadth of subject matter. I’ve marveled at their skill for decades, but they have a similarity of approach that is close enough to my own capability that I can relate to how they visualize and have learned from their prolific examples. Unruh is exceptional—equally adept at rendering people, places, and the natural world—and I could die happy if I gain a fraction of his ability. Cober, who, of the four, actually did die (happy I hope, although much too young), holds a special place in my personal history. At the height of our indecision concerning what to do about the crumbling situation at Wright State, Dana and I had the opportunity to question him at a workshop. He counseled us to trust and follow our instincts, so the two of us got out together. He was a great adviser to hundreds of talents over the years, and I’m grateful to have been one of them.
