Bruce spent most of the day resting. He wanted to leave for Indianapolis after tonight’s concert. Quite some time ago, as a 40th birthday present for her son, Dana got tickets for a rare Bruce Cockburn performance at the Kentucky Theatre. Lee and David decided to go, too, and the five of us drove to Lexington for dinner at Natasha’s before the show. We had a great meal and great seats. Bruce was clearly pleased with his gift. Early this morning on her way to work, Joan dropped off hers—an excellent copy of “Walden” that belonged to Joe Wood. At lunch, Bruce and I had a good talk about writing as a subtractive process, and the necessity of brutal self-editing (not unlike the practice of “design refinement” drilled into me as a university student). I’m finally beginning to fully appreciate Bruce’s artistic spirit. My anticipation for his creative output is a familiar craving with which I’ve learned to live. I respond to artists in one of three ways—indifference, inspiration, or demoralization. Although Bruce Cockburn’s sensibilities tend to fall a bit farther to the left than mine, he doesn’t fit the description of a stereotypical liberal musician. Experiencing his creative energy inspires me to my own art, and maybe that’s one more thing my son and I have come to share.