Category: Roommates

Fortunately London says it was just a flesh wound

On Saturday, Kevan, Holly, their friend Ramesh and I shot London in an event put together by Shoot Experience. As with Hide and Seek Fest the weekend before (only a week? Gosh), this was something that one of my housemates discovered through arcane metainternet means. This used to say that the discoverer was Kevan, but I am hereby correcting it: it was Holly. I was a liar before! I will burn.

We got ten “clues” related to London, water and the area around the Tate Modern; these were pretty obscure to me but much, much less so to my teammates. Our memory card was due in at 5:00, and they sent us out at around noon. That seems like a lot of time, but we were one of 66 teams, all of whom were trying to come up with unusual ideas for the same ten things and get to them on foot. The walking took longer than any clue, and our best shots took almost an hour apiece.

We spent the last hour in increasingly desperate attempts to get anything at all for the last four clues, and ended up frantically paring 232 shots down to the required 10 on-camera, while speedwalking back to the venue. We were lucky to have time to back up some of the better extraneous shots onto my iPod before the culling was complete, which is why there are 24 pictures in the Flickr set (half mine, half Holly’s or Kevan’s). If we did it again, we agreed, we’d concentrate on getting really good shots for half the clues and not bother with those that didn’t strike us–there was no completion requirement, as long as you didn’t have more than one shot per clue. (Nobody else knew that either, which is why there were fifty hasty pictures of toilets for Waterloo.)

Those striking clues really did yield the best results. We won the category prize for clue A, about the Tower-Bridge-leaping bus, for which I think everybody did exactly the same thing–but ours was the prettiest.

We got some Norton software we didn’t actually need as a prize, but the peer recognition was nicer; there were only thirteen prizes awarded, and Tiny Richard Dawkins and His Komodo Dragon Band got one of them. (Holly will be glad to explain our team name.) There’s an multiple-city Shoot Experience gallery show in August, so I won’t be here for it, but I’ll make my housemates blog about whether we make it into that too.

Speaking of Flickr, Maria wants me to mention that I’ve been slowly, disjointedly editing and posting some of the twelve mojillion pictures I’ve taken this year; recent additions include touristy ventures to the Tower of London, Kent and the British Museum.

Okay, better write this down before it gets any hazier

Last Friday, Kevan, Holly, Josh and I journeyed to the end of the night as part of the 2007 Hide and Seek Fest, a city-spanning pervasive game, free to all 100+ participants because it was sponsored by a charitable foundation and Gideon Reeling, who may or may not exist.

We showed up at a condemned warehouse in Wapping at 7:30 pm, carrying cones of fried potato, with very little idea of how the game was going to be structured. There were ostensibly 100 of us, the “runners,” and 10 of the organizers, or “chasers,” to begin with. Runners got a red-and-white striped safety-tape band tied to one arm, and a red ribbon to put in their pockets; chasers started out with the red ribbons already on. One of the chasers was on spring legs with robot grabber arms. We were not entirely convinced they were playing fair.

We also got maps of central London with instructions on where to meet our contacts; those getting all six signatures would, at the end, get a handmade t-shirt. Each of the contacts was within a specific safe zone. Outside such zones, getting tagged meant you switched out your runner tape for a chaser ribbon and became one of the enemy. Josh spoke openly of his desire to make such a switch from the first five minutes of the game. It is perhaps difficult to explain why this landed him the de facto leadership of our little group. Mostly it has to do with decisiveness.

We split off from the other ninety-six humans and walked from the starting point to the first checkpoint (in an alley amidst curry restaurants) and the second (buskers playing Bob Dylan next to St. Paul’s); despite lots of eye-darting, walking backwards and mild panic at the sight of anything red, we didn’t actually see any chasers until we were nearing the third. The contact was in the basement of a pub in an alley, and the alley was the safe zone. Our acquired paranoia served us well here, as we assumed chasers would be lurking near both mouths of said alley. Josh wandered up to check while the other three of us hid in a bus shelter across the street. He disappeared behind traffic.

“Hey, is that Josh?” I said, just as a figure in a dark sweater came pelting back down the street. Four red ribbons followed hotly. Kevan, Holly and I slipped into the alley behind them. Josh would later inform us that the chasers’ faces when they glanced back at us were worth the effort.

He got away from them and met us downstairs, where a blind poet was stamping our signature sheets with green thumbprints (it was crowded and he took forever, so I tried to sneak my own thumb onto the inkpad, but it turned out he was not really blind). Having seen chasers in action, we were now even more paranoid, and ran from the alley exit to a bus stop (public transport waiting-places were also mini safe zones). I was the only one to see the ambush sprung on the man who walked out just after us. It was like one of those documentaries where the springbok does not get away.

The fourth checkpoint was a matter of walking into a phone box and having it suddenly start ringing; it was the last one we would all make together. We had passed the Zombie Inflection Point (ZIP). Despite all our watchfulness and circuitous routes, the available chasers had simply begun to outnumber the runners.

Have I mentioned how BIG this game was? The walk from the start point to the curry zone was 1.4 miles, and by the time we were approaching the fifth checkpoint in Hyde Park, we’d gone over ten; we’d taken a couple buses but were too paranoid to try the Tube. It was also after 2300 hours, and rainy. Holly had been running errands all day and had not sat down since around noon. This is probably why they got her first.

Jogging away, grieving for the loss of Code Name Cakebaker and knowing that she had already become one of them, we remaining three decided that stealth would no longer avail us: we had to make a frontal assault on the main park gate. Josh entered first and was immediately savaged. Kevan and I got in on the ruse that I was a chaser on his tail, but that didn’t last, and before long we had a pack behind us. We split up in the darkness, and I escaped my pursuers by simply running the wrong way until they got tired and gave up. I would later learn that Kevan had almost successfully peeled off and hidden behind a tree, until Josh turned back and found him.

I was now alone in a huge and very dark urban area at 11:30 pm. I had made it into the inner-park safe zone, but I had little idea where the remaining checkpoints were, and less of how to navigate to them. I was definitely the worst choice for lone-survivor status.

Clinging to the idea that the contact people were somewhere on the south bank of the Serpentine, I wandered back and forth until I ran into Paddy and Nora, who had survived entrance to the park by the considerably smarter avenue of hopping the fence. They had also rolled up their armbands into little strips and linked elbows to further conceal them. All about subtlety, Paddy and Nora.

Despite initial wariness until I had demonstrated my survivor armband from a safe distance, they let me tag along with them to the contacts (Russian dancers), who informed us that there was no safe zone around the final checkpoint. It was after midnight; we had to hop the fence again to get out of the park. I was lucky that they let me follow them again, this time onto the subway to Waterloo Bridge.

We left the Waterloo Tube station, our last vestige of safety, and climbed the entrance to the bridge; we descended to the semi-flooded beach. We could see the organizers who had sent us off from the warehouse standing amidst cameras and floodlights next to a moored party boat. Between them and us, red-beribboned, wearing an evil grin: Josh.

I swear I am not making this up.

The footrace away from the checkpoint, and the subsequent double-back, took just about everything I had left in me; the organizers were shouting “ah, let him go” by the time I started my final sprint, but only Josh knows whether he did or not. Either way, I made it there untagged and got a handshake for my trouble. Paddy and Nora, happily, had slipped in while I led the sentry away.

That is pretty much the whole story; I didn’t get a t-shirt (either the announcement was a joke or they ran out before we straggled in) but I don’t really care. We’ve all been sore and stiff-legged for two days.

If anyone ever asks me again why I wanted to move to London, I now have a very succinct answer.

Update 5.14.2007 1141 hrs: Kevan has made a mental leap farther than me and worked out that Gideon Reeling (or “giddy and reeling”) is a pun on the name of Punchdrunk, an avant-garde interactive theater company that is apparently quite good anyway.

Brenna

The animal turned one year old on Tuesday; there was a party with cake and everything, which I got to attend via webcam. We live in the future.

Wednesday night (or Thursday morning) I was too exhausted to write another story for the Anacrusis queue, so Maria wrote one for me. You probably cannot guess what it is about.

Once there was the puppiest chomper in all the land. She woke up in
her chompy bed scratching her chompy head. Today was an especially chompy day.

She climbed into all the windows and looked out. She took all the
socks from the hamper and hid them. She sniffed.

Something was off.

The chomper followed Person to the car. They went adventuring!
Person bought a large box.

They got home. All of the chomper’s friends sang songs to her and
gave her stuff and there was a cake with her name on it!

It was the chompiest. She went to sleep.

Brenna is concerned about the cake.

After a TV show about Edwardian cuisine, the household tonight spent twenty minutes in goggling horror at the idea of a duck press. Here is what a duck press is used for: squishing a duck so hard that all the blood comes out. That’s it! Apparently they were later bastardized into lobster presses (do lobsters have blood? I thought they were insects) and now duck presses cost thousands of dollars and are impossible to find.

But the ones you can find have little webbed feet.

Holly launched her food blog! Yay! You have to understand that these aren’t fake foods covered in shellac and developing fluid: these are real things that I get to help eat. That alone, so far, has been worth the trip.

Of course, now it’s my night to cook and I am experiencing more stage fright than ever did on an actual stage. It’s not as if I’m trying to live up to the house standard. I just want to avoid the part of The Birdcage where they all take one sip in unison and then quietly, carefully, put their spoons back down.

Some Like It Hot

I have weird feelings about this movie. I first watched it at GSP, almost ten years ago, when HOLY SHIT TEN YEARS I’M OLD

Let’s try that again. I watched it and I thought it was hilarious, which was remarkable in itself, given my stupid prejudice against anything made before 1981. In 1998 that was the kind of thing you thought about it. On vacation in summer 2000, we watched it get named the funniest American film ever and I pretty much agreed (given AFI’s own stupid but inevitable prejudices). Since then I’ve only trotted it out to prove that yes, I do like something made before I was born.

I watched it again last night with Holly and Kevan, neither of whom had seen it before. Now I’m all jumbled.

There are a lot of one-liners, but does that make a funny movie? I think improv training, the Daily Show and Arrested Development have done something to my humor palate such that those didn’t satisfy me. So I didn’t laugh much at it. But I did find it stunningly subversive.

Now, was it subversive when it was released? Certainly–it helped end the Production Code–but not in the way I’m thinking. A lot of the jokes now can be read as sly commentary on gay marriage, “cures” for homosexuality, and, er, Marilyn Monroe’s death. I don’t know if I’m reaching too far to do that. An English major would say no, but I got my degree in theatre.

I never remember that when I need to apply a style to a server-side generated element, I don’t have to dig ten stupid lib files deep into the PHP or whatever and add a class attribute, I can just put it in a span (or div) and style all the elements of type x within that. So in case you forget the easy way to style server-side generated elements: put them in a span or div and style all the elements of type x within that!

Okay, hi. Working a lot.

Maria visited last week, and alleviated any potential self-absorbed silliness just by being here. But we also went to Brighton and the Tower of London (pictures soon), and played lots of games, including some with Leonard and Sumana. London had changed its mind and decided to be cold, but at least it didn’t start snowing until she was on her way home. I am still not doing my fair share of the cooking.

I was going to make this whole thing a tortured metaphor, but I went running this morning and I’m too tired. Apparently moving to England makes you fat and wheezy. I will accept no other rationalization.

A couple weeks ago I had a dream where Sarah Chalke was playing guitar, so I’ve been watching the first season of Scrubs again. I originally started watching in the third, when Maria brought it to my attention, but she also went to great pre-DVD lengths to obtain old episodes and get me up to speed, so I count myself as a fan from way back.

Man, that was a good show. The Pizza Clock episode might be my favorite half-hour of television ever. I don’t think you can even count it as a sitcom at the beginning: it was a character drama with daydream sequences and goofy sound effects. Maria has asserted that it was, for a time, the most accurate medical show on TV.

The show’s treatment at NBC’s hands is legendary, where by “legendary” I mean “you know about it if you have the unfortunate habit of following TV-production news.” The show is aired by NBC, but owned by ABC Studios, so the network cares even less about its welfare than usual–they have to split the ad revenues with a rival. This led to the standard schedule-shuffling and sweeps-bumping for a couple years, until it became obvious that they had a devoted DVD-buying audience, at which point they actually started promoting it and aired it steadily for almost a year and a half.

Suspiciously, this was where the quality of the show started to decline. The problem with writing something you think is going to be cancelled every five seconds is that you want to get through your good material fast, and after sixty episodes of standing on the gas pedal, there wasn’t much conflict left to wring out of the same characters.

That left daydream sequences and sound effects.

I’m going to put the death rattle at My Butterfly, featuring an awful CGI rendition of the titular bug and a plot that makes it explicit that you don’t know how or whether the events involved affect the characters’ relationships. It comes just after the dramatic high point of My Screw Up, and it precedes the slide into self-parody that accompanied Elliot and JD’s third go-round. I would have been heartbroken if the series had ended after that season–but honestly, it would have been a good place to stop.

See, when you rely on a devoted DVD-buying audience for revenue, both the studio and the network can get lazy. Why come up with bittersweet twists when you can take new templates–first year of marriage, first child, awkward living situation–and apply the same running gags? Why give the workhorse a slot when you know its audience will never change? Try out a flashy new pilot and take ol’ Scrubs off the bench when it fails!

Zach Braff has said repeatedly that he’s done with the show after this season, and Bill Lawrence has said the show is done without him, and that would be fine. Except this year (the worst yet) it became a mainstay in the Thursday night comedy block, and it’s suddenly worth it to NBC not to lose its lead-through. That’s why Zach Braff is getting a raise and Scrubs will probably be back.

I won’t be watching. NBC, give the slot to 30 Rock (the funniest show on television) and put your Andy Richter crap at the end. Bill, you’ve got better things to do. Take the workhorse out behind the barn and shoot it.