The Handmaid’s Tale was everything I expected plus three. I mostly remember it as being one of the choices of summer assignments for Mr. Munson’s junior AP English, and even though my choices were good (Ordinary People and Catcher in the Rye), I can’t help but be impressed that he gave it to unproven high schoolers to read.
I’ve been trying to articulate this thought for like fifteen minutes now, and it’s not coming. It’s something like this: But. The fact that he had the balls to give rising juniors books like Handmaid’s Tale isn’t as impressive, really, as the fact that under him we read them and enjoyed them and understood them. Reason number five hundred sixteen I won’t be a teacher–I could never live up to that.
Anyway. The Truth was even fluffier than I expected it to be, actually, but still not bad. I’m most of the way through Enchantment now, and Card’s books are only getting talkier and I don’t like it. He wrote a book called Character and Viewpoint a long time ago, and while I still consider it one of the best books on writing I’ve ever read, he’s stopped listening to his own advice. I wish he’d show me what his characters are doing instead of telling me what they’re thinking. Ender’s Game works so well because it strikes a balance between those two. Enchantment is close, but no cigar. (Children of the Mind missed the whole damn booth.)
And Minority Report was really good, yadda yadda. I just wish, in a fashion oddly reminiscent of Vanilla Sky, that I hadn’t had to pee so bad for so much of it.
