Category: Obsessions

In which I pick on a universally-beloved mute cancer survivor

This essay presents me with problems, because I agree with its hypothesis, but not its premises or its conclusion, so, er.

I’ve said before that snarky writing is weak writing, after which a conversation with Holly led me to reduce my stance to “snarky writing is comorbid with weak writing.” Ebert and I concur on this. He goes on to state that blogs devoted to pure snark are dumb, and that gasping about the “gayest Oscars ever” because Hugh Jackman sat in Frank Langella’s lap is equally dumb; this is also true.

Then he defends Joaquin Phoenix’s current performance art spectacle as an “accomplishment,” and as “committing himself as an actor.” Sorry, Roger, but acting isn’t art in and of itself, and acting like a bewildered person with nothing to say, without letting other people in on the joke, is no achievement at all. (I have similar problems with Andy Kaufman, but at least he brought a Duchamp-like duplicity to the exercise.)

More essential to his argument is his assertion that the snarkers should leave! Oscar! Alone! Sorry again, but a critic of all people should understand that you don’t get to just declare that it’s not for you. Joaquin Phoenix and the self-righteous pomp of the Oscars deserve no better than snark, because they’re functioning on the same level. Scrape away the ornamentation, and there’s nothing worthwhile underneath.

But that doesn’t mean that snarkery is a noble satirical endeavor. Sumana (via John Hodgman) provides a better argument than Ebert: snark is just “meh” without the benefit of brevity.

Nebuchadnezzar

I still haven’t posted about this, have I?

I was supposed to be in this picture. Last September, I got my acceptance letter to Clarion South 2009, which I’d resolved to attend way back when I was still in London. I leapt about with glee, of course, and then set out saving enough money to defray the cost.

I failed, and in December I withdrew my application.

So there’s that story! Maybe in 2010 I’ll be in a position to reapply; maybe not. I am quite sure that whoever got my spot made good use of it, and I hope the short fiction economy survives long enough for me to read the results.

Got an interesting virus email today, this one claiming to be an invoice from United Airlines for a ticket purchased online. No bad links or anything, and the login it gave was one of my actual addresses; it was only when I saw that the “invoice attachment” was a zip file that I caught on.

Never, ever open zip files that you get in an email. People know that by now, right? It’s 2009.

(And never eat yellow snow. That’s a goodie from 1942. –Kara)

Three things make a roundup

Emblematism

Barack Obama can do more pullups than me.

“Two staffers had just passed this site and done two pull-ups. Not to be outdone, Obama did three with ease, dropped and walked out to make a speech.”

–Callie Shell

In August of 2005 I added two keywords to my personalized Google News page: “creative commons” and “obama.” It had been a year since his convention address, and it had become clear that the man simply wasn’t fading. I also wrote a journal entry, never posted, about the fact that plans to assassinate his character had already begun. “Opposition research” has a long lead time; there are folders stuffed with scandal about people who never even receive nominations, but we saw every last scrap from the file on Obama, real and imaginary.

I woke up this morning with sarcastic headlines at the ready: “Relieved Obama dons headscarf, ululates, brandishes AK-47.” “Secret Service orders pre-emptive strike against Atlanta.” “Iraq declares victory.” Cynicism is playing catchup with the unrepentant joy of last night (though even that was tempered by disappointment at Mitch McConnell and Prop 8). But at least, for once, it’s not the other way around.

In April, I drove almost literally from coast to coast across the United States–from Winston-Salem, North Carolina to San Francisco, California–in nine days and a tiny car, packed up to my eyes. I was alone for most of each day, between eight and fourteen hours on the road. I listened to podcasts for company, and music when I wanted to sing, but in between I listened to Dreams from my Father.

That kind of trip would be a transformative experience for anyone. I’d only even been a licensed driver for six months. I’m sure I’m displaying any number of issues here that tie into my own lost father, my long-delayed exit from adolescence, and the way we approach elections as the process of choosing new parents. But if nothing else, I can at last say that I chose this President, and he is a writer who does voices when he reads aloud.

I wonder what that will be like?

“It’s actually Jacobean rather than Shakespearean.”

Ian and I are a bit obsessed with Brian Cox, and I was very happy to notice that the AV Club had done a Random Roles bit with him (an excellent interview schema, which takes the annoying bolded reporter-voice almost entirely out of it and just leaves the meat of the subject rambling about cool stuff). I was not disappointed. You might say I was reappointed. I mean, read this stunningly clear and concise evaluation of American film versus British theatre, prompted by a little question about his career arc post-Rob Roy:

If you grow up in these islands—especially where I grew up in these islands—the theatre is very powerful, very potent. It’s a part of our heritage. Our culture is really a theatrical culture, not a cinematic culture. Feudal societies don’t create great cinema; we have great theatre. The egalitarian societies create great cinema. The Americans, the French. Because equality is sort of what the cinema deals with. It deals with stories which don’t fall into ‘Everybody in their place and who’s who,’ and all that. But the theatre’s full of that. Especially in Shakespeare. So in a way, it behooves you as a British actor to try and master the classics and become a classical player. I got caught up in it. It wasn’t something I wanted to do, but I was too late.

“You see, the free cinema, the cinema of Albert Finney, Peter O’Toole, Alan Bates, Tom Courtenay… That all ended by the time I came along. So I went to work in the Royal Court, because they weren’t going to be making any more of those movies.”

Ersatz blogrolling

The main side effect of the Penny Arcade bump for Ommatidia has been a notification avalanche–via email or Technorati–of other people who have started (or were already doing) tiny story blogs in a similar vein. I think this is awesome, but honestly I lose track of which site is which, and even I can only read so much blink fiction in a day.

So here’s an offer: if you’re doing tiny stories on some sort of schedule, email me with a link and a little summary and I’ll add you to the directory page I’m putting together now. I am not promising to subscribe to all of them, for the aforementioned reasons, but I will go through once a month to check them all, maybe make a recommendation, and clean out the dead ones. (If you have emailed me about your story blog, and it’s still going, and you want it to be on the list, I would appreciate it if you’d email me again.)

Besides the obvious, I’ll start it off with just such a recommendation: The Two Minutes Project, comprising Two Minutes Less a Third and Chasing Concordia. Very short stories and very short songs! Read The Eternal Question if you need convincing, which you shouldn’t, dammit you have got to start TRUSTING me someday.