Category: Plugs

My neighborhood is named after a vampire slayer

After nearly two months in one sort of transition or another, I have achieved something like a temporary stability: I even bought a flat hard bed, manufactured (I am given to understand) by svirfneblin. All of which is to say my name is on a lease, my belongings no longer fit in the Fit and I like it here very much. I live with the very droll Kara, at least until she discovers I used to play Warcraft and kicks me out, and I’m slowly coming around to the idea of a bike.

I promise I’ll get the rest of the Hugner pictures up soon.

It’s Tuesday

Which means all my lovely readers in the UK are back from taking off St. Crispin’s Day or whatever, and all my lovely other readers are yawning and clicking idly on Digg as the work week slowly grinds into gear, and so it is the perfect time, my friends, to tell you that Ommatidia is for sale.

A couple sharp-eyed readers (from the old school of “actually checking the front page”) have already noticed that it was up over the weekend while I poked at it for bugs, but so far everything seems fine. Some things have changed since I made the original tentative announcement–most notably that the limited edition is now signed and numbered and includes a story written just for you, but is also the same softcover binding as the now-less-cheap viral edition (it is actually insane to bind a book this size in hardcover). And yes, it took me over two years to assemble a 133-page book. Turns out autodidactic self-publishing is sort of hard!

But I’m really proud of the result and I hope you’ll be satisfied. You can check out a preview at Lulu and see one of the fourteen all-new illustrations, and if you order soon you’ll be able to get your copy and read the last Cosette story before it goes up online next month. Finally, if you get your book, take a picture! If you send it to me or put it on Flickr and tag it “ommatidia book,” it’ll get pulled into the little badge I’m putting together now for the Ommatidia front page, and I’ll send you a copy of the “Welch” toon I hastily drew for buyers at my Stumptown booth.

Finally, some of you have probably already noticed that I’m linking to ommatidia.org in this post, rather than xorph.com/anacrusis–either URL scheme works almost exactly the same, because if there’s one poor web practice in which I want to engage, it’s duplicated content and split Pagerank. Seriously, think of Ommatidia as a web site for the book that happens to display a feed from Anacrusis. Both sites now include the other new toy I built this weekend: the “all names” page, which is not perfectly accurate, but is pretty close to an ongoing list of every name I’ve scrounged up for a story title. See why I have to steal from Leonard all the time?

Nobody Return to Codak

How come everybody’s all like “ooh, Dresden Codak” and “so awesome Dresden Codak” and “put your Dresden in my Codak” and yet I’ve never heard a single mention of Nobody Scores? The only reason I found out is because its creator personally came to my table at Stumptown and I had to ask him what he did. And it’s great! Full-color, long-scrolling strips with apocalyptically gleeful jokes that never descend into self-parody or fanservice. I love transhumanism as much as the next guy (the next guy being Dresden Codak), but I also love transplanted Indiana Jones gags and runes (and, for my North Carolina crew, The Björk Dojo).

It actually reminds me a lot of Return to Sender, in visual style and whimsy, but with a less sympathetic bent. Oh, and also with like five times the archive length.

Have I even posted about my webcomic pull list in the last few years? For my own records, in secret and arcane order: Starslip Crisis, Achewood, Scary Go Round, PvP, Narbonic: Director’s Cut, xkcd, Octopus Pie, Shortpacked, Penny Arcade, Darths and Droids, Gunnerkrigg Court, Basic Instructions, Chainsaw Suit, Three Panel Soul, Thingpart, Bob the Angry Flower, A Softer World, Wonderella, and Raymondo Person and Dresden Codak whenever they’re updated. And don’t think I don’t hit Checkerboard Nightmare pretty often too. Just in case.

Day Whatever: Portland

I keep the Moleskine and the Micron next to my bed so I can write down story ideas I have while falling asleep, and on mornings after they usually turn out about half useful and half dumb. But even in their hastiness and abbreviation, I can almost always follow the signifying notes back to the image or twist that precipitated them.

I had two last night. One was a Chosen Ones story that I’ll probably do up for next week. The other?

“Six big diapers.”

I offer this to the world.

I live in Portland now. I had some exceedingly mild adventures in San Francisco, and took a lot of pictures that you will see sometime around 2018. Maria came to visit and that was really nice. Hugner is fine.

I’ve been in a self-imposed sweatshop lockbox all this week, trying to prepare for the big show: Stumptown Comics Fest, where I will be exhibiting with free microcomics and a six-word story completion marathon and, yes, Ommatidia, the first Anacrusis book. No, you can’t buy it online yet, not until I finish setting up the storefront. I am planning to have that up by my birthday (a week from tomorrow).

I realize that I have announced this far too late for anyone who wasn’t already planning to come to Stumptown to show up; trust me, that is all part of a strategy. Eventually I may even figure out what the strategy is. But on the off chance that there are any Anacrusis fans in the PDX, show up! There are a lot more reasons to do so than just me and my tablemates (“Cinema Sewer”).

Day 5: Arizona

I like “Horse with No Name” so much, and I don’t think I have it on my iPod! Which means I can’t play it over and over again tomorrow, my last day of driving through desert. So far the desert has had the pleasant effect of being very pretty. It has also had the unfortunate effects of making me drink three times as much water as usual, making me run the AC all the time, and oh yeah, being like a fucking desert.

Also, it scared Hugner, and not without reason. I had to take these pictures from a rest area without him in them. Unless… unless he was hiding somewhere!

I'll give you a clue:  he IS hiding.

And not very well.

But today’s drive (the shortest of this trip) was worth it for the chance to hang out in Phoenix, which included my being the first Kentucky-friend to get a tour of the new digs of the Chinese Shao-Lin Center from its proprietors:

Kung fu happens here!

Laura Beth and Jacob.

Then they took me home, fed me delicious raw vegan “cheese” “cake,” and permitted me to indulge my gadgeteering impulses in the process of watching Love Actually. Now I am falling asleep while writing this on their couch. Tomorrow is the big push: Phoenix to SF in one day, hopefully by 8 pm. It’s not going to be easy. Hugner, better set snuggling to max.

Bilbo and Hugner.

Laura Beth and Hugner.

Day 2: Birmingham

Let’s out with it: in a blatant bid to grab some of that hot, sexy Starslip traffic, I am taking my new Jinxlet, Hugner, with me on the road across America. Now instead of trying awkwardly to take pictures of myself in different places, I can take pictures of the stuffed animal instead! No one has ever thought of this before.

Hugner passenging.

Hugner was delivered to Louisville, so I don’t have any pictures of him from Day 0 (Winston-Salem), but there he is the passenging position which was once my purview on Day 1. Pretty cute, right! Except after that I had to stuff him in the back so I could put my giant backpack where he is.

The next two pictures are going to seem similar, but only until I explain that Hugner has a clever defense mechanism that makes all dogs think he is a chew toy. I’m… I’m not sure how the defense works. Up top he’s with the famous Brenna, and on the bottom he’s with my friend Taylor’s dog, Lizzie.

Hugner and Brenna.

Hugner and Lizzie.

Once the trip is over I’ll put together a Flickr gallery of these, but even by tomorrow we should have a VERY SPECIAL Hugner road trip update! It’s a surprise, but I will say this: the next stop on our trip involves his home planet.

Of Texas.

Day 1: Louisville

You have to read “Mallory,” Leonard’s newly published short story: not because it’s good (it’s very good) but because that way you can understand all the “Mallory” references I’ve been making in the over-a-year since I got to beta read it. As someone on a road trip to California that includes visiting some of my role models, I find the story perhaps a little too pat in its publication timing. I smell retcon, Richardson.

Speaking of which, The War on Clarity has been updated, due mostly to people wanting their names put on or taken off the “Lasersharking” entry. If only that could have been posted on some kind of user-editable repository.

Space Paris has robots with moustaches

Look why are you not reading The Fabian Society? If what we had in Space Paris meant anything you’d read The Fabian Society every day and even on days when he (Quintus) (or possibly Henry) doesn’t update you’d be all up in his archives reading the older stuff you missed. I know I already told you to read it back in 2006, but obviously you weren’t listening, and anyway since then he’s been developing the kind of effortless grace in prose that makes me stomp around in jealous anger. I am so angry that you are not reading The Goddamn Fabian Society! What! Yes! Don’t impose your human consistency on me! We already had this fight in Space Paris!

Start with Petra, Endless Frank, Fishbowls and Ptolemy I, and if you’re not hooked by the third one you’re doing it wrong.

Brendan painstakingly imitates a Photoshop filter, third in a series

I will probably never love another episode of television as much as I love Battlestar Galactica, season 3, episode 9, “Unfinished Business.” And not just because it has images like this:

GET UP.  We're just getting STARTED.

I’ve spent at least the last year and a half (actually, more like seven years, since my undergrad Drawing I class) being obsessed with this limited-tone art style. I called it “rotoscoping” once, and Lisa and Will jumped on me because there’s no animation involved, so I have to admit that it’s actually what people call “tracing.” But selective tracing.

As was likely very obvious to anyone in my family, and as I only realized yesterday, my playing around with tone is blatantly derived from my uncle John’s painting and wood engraving work, especially his portraits of my grandfather (which he often combines with layered collage). Mr. Olmos there has some features similar to his, like the disappearing eyes which Ian and I inherited. I hope I get to look that craggy eventually. Right now people are still asking me what my major is, despite the obvious gray in my hair.

I almost forgot to mention that this is the first thing I’ve ever inked with the brushes I bought in 2003, and although it was a lot slower than my usual pens, I completely get why cartoonists get so excited about it now. There’s a feeling of dynamic control over the line weight that you just can’t get with pens, even the brush pen with which I inked a lot of later Xorph strips. (Not that there are actually any distinct lines in the finished images below. Good.)

So I made a picture and it’s a wallpaper if you want it: the images below link to 1600×1200 and 1600×1000 (widescreen) jpegs. There’s also a browser-sized version if you just want to zoom in a bit.

Adama at standard ratio, with logo.

Adama at normal ratio, no logo.

PS Can Battlestar Galactica be back on now plz

Update 2008.01.26 0001 hrs: Naturally, UJ has a much more cogent post on the subject (the art, not Battlestar), along with one of the portraits I was talking about.