Category: Plugs

“So let’s say it does wreck newspaper comics. I’m on board with that. I want to punch a hole in the boat. I want to see the whole thing flush like an animal carcass down a toilet bowl, and the carcass is on fire.”

Matt Boyd

Brouhaha brews between the big and the bitter! Tycho actually has the best summary of the whole thing, so read that too, but here’s the bullets:

  • Scott Kurtz has a very popular daily webcomic, PvP. Not the most popular strip in existence, but vastly more popular than most other webcomics–popular enough that he lives on its ads and his print deal with Image.
  • Now, he wants to see his comic in newspapers.
  • Many newspapers aren’t doing that well, because not as many people read newspapers as used to do so.
  • To reduce costs, these newspapers are continuing to cut print space and funding for syndicated comic strips, something they’ve been doing aggressively for over a decade; some newspapers (like the Philadelphia Enquirer) have asked syndicates (like Universal Press) for a year of free strips, or demanded (like Knight-Ridder, which owns 31 large papers) a price reduction in strips across the board.
  • Scott has siezed on this opportunity to leverage his strip’s popularity, offering PvP, free of charge, to multiple newspapers and newspaper conglomerates. It’s a smart deal for him–he gets huge exposure, and he’s already doing the strip anyway–and for them–they get a new-to-them comic with an established audience for free.
  • Newspaper cartoonists who are aware of this are rabidly hating on Kurtz, while secretly urinating in their Depends.

Now, Scott’s success in this arena is hardly guaranteed. Newspapers are paranoid about comic strips, generally preferring the most sanitized, humorless pap available, as a sop to their demographic (which, I’m sorry to say, skews more and more to “old” and “boring”). This is why things like Cathy and Marmaduke and (hideously) Family Circus continue to exist. PvP has cussing and violence in it sometimes, and it might get angry letters, and it’s four inches of column space that could be used to squeeze in another ad.

Regardless, there are going to be alt-weeklies and college papers that take him up on it. They’re all going to profit from the deal. And Kurtz won’t be the first webcomic to jump to newspapers, but he will be the first one to do it for free, and bigger papers are going to look at that and start asking questions.

“Hey,” they’re going to ask, “why are we paying thousands of dollars for comics that could be generated by a monkey on lithium? Why are we getting exactly the same comics as everyone else, when we could be making exclusive deals to get a comic nobody else in the region has? Now that the Interweb allows millions of people to read any paper they want, can we use comics to leverage our success in that arena?”

The answers might be “because, because, and no,” but they will ask, and that’s a change. You remember the last time things changed in the newspaper comics industry? In a good way?

Me either.

The Interweb journals ostensibly written by the characters of Achewood are funny, but I think it’s odd that half the humor in them relies on the fact that they don’t read each other’s blogs.

Found via a new challenge (and a difficult one) at constrained.org, the Endless Limitations introduction makes some excellent points on restrictions and creativity. It makes a better argument for artificial constraints than I’ve ever been able to do, actually, and the way the site’s author (and the book referenced as an inspiration) applies it to education is equally interesting. It’s a whole new look, for example, on why I never get things accomplished without the extreme focus of a deadline, and yet why I don’t learn well when I cram.

Apologies for the lack of Anacrusis this past week; they were all written ahead of time, but I banked on having Interweb in California, then didn’t. Have it.

Anyway, last week’s are all posted at their intended times, and I’m back to the regular schedule now.

  • Gave away what, 60 copies of HONOR? Something like that. Two of them I traded for other ashcans (Yeperynye and The Last Sane Cowgirl), which I totally count as sales. And every copy given away was to somebody whose work I (or Will or Stephen) really respect, which is a worthwhile transaction, in my opinion.
  • Left my hat at Preview Night. Never got it back.
  • Got to meet a lot of cool people from the online.
  • Cool people I met from the online all had a curious need to run off to important, distant engagements within seconds of meeting me. Either I smell bad or I’m Creepy Interweb Fan, or (probably) both.
  • Had a really good time with Monica, Will, Stephen and Maria. And Stephen’s lady Erin, at whose residence we crashed, is maybe the coolest person on the whole planet.
  • Ran out of plane-ticket money and was unable to visit Leonard and Sumana. That was a pretty stupid mistake, and I feel really bad about it. Hopefully, a post-student-loan trip is in the works.
  • Tycho and Gabe were the coolest, most professional people at the whole freaking Con.
  • Speaking of Tycho and Gabe, I had one of the world’s most random encounters: passing by their booth, I recognized Paul Mattingly, a great guy who was in Richmond Children’s Theatre with me a billion years ago and who now works as a Klingon and Second City understudy (!) in Vegas. I literally hadn’t seen him in over a decade. He even has a site, The Famous Paul, though I understand that’s mostly a placeholder for the moment.
  • Getting to California by train was interesting, right enough, and I’m glad we tried it. but the people who work for Amtrak seem unhappy and unhelpful and it’s very bumpy. I think I’ll pretty much be flying from here on out.
  • I thought about taking a whole bunch of stuff to get signed, but eventually decided against it. I had a better idea. Thanks to the unlined pocket Moleskine my family got me for my birthday, I now possess what can only be referred to as

    The Greatest

    SKETCHBOOK

    Ever In The History Of Time

    which basically means I win.

I managed to take a whole roll of film, which is good, considering I frequently manage to wish I had a camera while holding one. Probably more updates after I get that developed, but considering I still haven’t posted the pics from my San Francisco trip in February, one shouldn’t hold one’s breath.

In two days we’ll be on our way to Alton, and thence to California; I’ll finally be meeting Stephen and Erin and Kris, and a great host of other humans, not to mention buying a great many new comics. And I’ll get to see Leonard and Sumana again! And it’ll be my first cross-country trip on a train! I EXPLODE WITH AWESOMENESS!

It’s strange to think that we’ve been planning this for almost an entire year; I was investigating possible trip companions and talking about prices with Stephen before the last Comic Con was over. My enthusiasm for the trip has yet to diminish even a whit, despite the fact that I’m desperately behind on… The Secret Project.

Which Will already talked about, so I guess I can too. He, Lisa, Stephen and I are putting together an ashcan comic to sell to or throw at Con attendees–something we’ve also been planning for a long time. It’s only natural that I’m not done yet, and will probably be up all night tonight finishing my section. We investigated printing prices (Kinko’s, et cetera), then ended up buying a totally sweet laser printer and an extra high-capacity cartridge for less than it would have cost to get it done at a shop. We’re going to bind it ourselves and sell it cheap, and I’ll probably put at least my section up on this “web site” once I get back and have time. I’m drawing my part based on Stephen’s script, which is a new and interesting experience for me, and I hope I get it right.

David Gallagher’s lightningfield.com is the only photography blog I’ve found consistently interesting, and it’s one of my favorite RSS feeds. Update: right on cue, today’s entry is just about my favorite yet. Hooray for telephoto lenses!

So. How ’bout those Maple Leafs?