Says Mister Crummy, regarding this last entry:
“The obvious thing that comes to my mind is ‘3001’ by Arthur C. Clarke, which is an awful book but which features, among other things, tame, semi-intelligent velociraptors who do menial tasks like gardening. This is just an incidental detail which is not important to the story, but it’s portrayed as a good deal for everyone including the no-longer-extinct dinosaurs…
Another one is David Brin’s Uplift series, in which one type of genetic engineering (making semi-intelligent species fully intelligent) is seen as a social good and a duty. Some of the characters in the books are genetically engineered chimps and dolphins.
If a piece of technology is central to a science fiction story then usually something has to go wrong or the technology has to be abused in some way, or there’s no story. I like Brin because he’s good at coming up with different drivers for conflict.”
He’s right, and that’s a common weakness of science fiction: Neat Idea Syndrome. My Creative Writing visiting professor, Nancy Zafris, told me when asked that yes, SF did have a pretty low standing within her literary circles.
“Why?” I asked. “There’s so much vibrant, progressive fiction out there.”
“I don’t know,” she said, distastefully. “It just always seems like there’s a problem, so they have to… do something with the computer, and that’s the end.”
Which you know is ridiculous, if you’ve ever read SF, but it does make a point: Neat Idea SF exists, and it’s perceived by the casual reader as a) all the same and b) boring. The casual reader is pretty much right, when the story doesn’t involve you with a character. When it gets down to it, a Neat Idea may catch your fancy, but eventually humans are only interested in reading about themselves.
So yeah, now I want to read David Brin, because what Leonard says makes him sound like exactly the right kind of character-focused writer. Unfortunately, my current bedside reading pile is staggering. I went to the library again tonight, with my newly repaired bike tires, and picked up yet more of my reserved books (Frank Miller, Diana Wynne Jones, Rob Thomas). I’m going to have to get a new box when I move on Friday just to keep my library stuff in. Is there a twelve-step program for this kind of thing?