“Perpetual devotion to what a man calls his business is only to be sustained by perpetual neglect of many other things.”
— Robert Louis Stevenson
ROCK, PAPER, SCISSORS, the virtual exhibition organized by Kate Savage at Arts Connect, had its online event with artist commentary yesterday. 
As I prepared some remarks about my included artwork, I looked back to see what I’d written about it after its completion in 2019.
Nothing — that’s what I found.
With an emphasis on documenting my journey into making collage en plein air, I’ve apparently neglected to say as much about a corresponding investigation of studio-based landscape. Being a self-taught illustrator and fine artist, working from photographs has been a central part of the creative process — at least since my days as a “gopher” student in the 1970s, when I assisted veteran commercial artists compile reference scrap for tight-deadline assignments. In recent years, my work on location is informing how I do a collage painting indoors from a photo.
Quarry is a fitting example, created from a wonderful image by Jeff Hiles, an Ohio photographer who generously gave a green light to interpret his work in another medium. My piece also dovetails nicely with the theme of the show. More importantly, it demonstrates how I’m gradually learning to bring into the studio the sense of immediacy and intuitive spontaneity that I experience when working directly from a natural scene.
Quarry
collage landscape by J A Dixon
25 x 18.5 inches
on panel, framed
available for purchase
