Sustained Diversion

February 21st, 2014

“Works of art do not force meanings on their audience; meaning emerges, adds up, unfolds…”
— Robert Hughes

Today’s featured artwork is one of the most satisfying pieces I have created so far this year. It can be viewed in person at Ingredients Reclaimed, my solo exhibition that lasts until Friday the 28th. As we know, February is a short month, so it is no surprise to realize that the display is down to its last week. Fortunately, the Boyle County Public Library is open every day. Dana (a partner in all things and my most constructive critic) thinks that this is my most cohesive, best-looking show ever, and I cannot disagree. The Mahan Gallery is a fine space — an ideal, intimate setting for someone to study the progress I have made with my investigations over the past year. I hope as many people as possible in the geographic area are able to spend a bit of time at the show, and to let me know how they feel about my work. It is such a subjective medium. For me, the echoed response of an observer has always been at the heart of collage.
 

Sustained Diversion
mixed-media collage by J A Dixon
11 x 14.875 inches
available for purchase

Happy Happy !

February 14th, 2014

 

Thy Crimson Yearning
collage on canvas by J A Dixon
8 x 10 inches
Available for your valentine!
 
Purchase this artwork!

A Lively Coexistence

February 8th, 2014

“Inspiration does exist, but it must find you working.”
— Pablo Picasso

My passion seems to be split between collage as artifact (the artistic specimen) and collage as painting (the artistic surface). I revere the pioneering giants whose work must be carefully conserved, but also continue to be impressed and inspired by Cecil Touchon, Robert Mars, Teri Dryden, Zach Collins, and other contemporary artists who successfully bring a painterly approach to our medium. In order to release a mixed-media collage from beneath the traditional glass barrier, it is necessary to find a proper protective coating to balance visual appeal and durability. Because I work with found material, I have had to learn what kinds of ingredients can handle direct exposure (for an effect similar to the painted surface). Some are too vulnerable and require framing behind glass. Both types of artwork are represented in my new solo exhibition, Ingredients Reclaimed. The example shown here, layered above the conventional canvas and stretcher, relies on wet-to-wet contact of adhesive and gesso to firmly seat the “scrap.” Using a series of light-touch applications, a coating of matte acrylic sealant tops off the piece.
 

A Lively Coexistence
collage on canvas by J A Dixon
11 x 14 inches
available for purchase
 
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Ingredients Reclaimed

February 3rd, 2014

 
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February 3–28, 2014
Ingredients Reclaimed
Boyle County Public Library
Danville, Kentucky

Touchonic Rites

January 27th, 2014

When I was invited by Danville’s Community Arts Center to submit a piece for their annual “New Year, New Art” exhibition, I picked an homage to Cecil Touchon that I finished in December. Any observant artist who introduces cropped typography into a collage cannot be unaware of his significant body of contemporary work.
 

 

Touchonic Rites
collage on canvas
by J A Dixon
20 x 16 inches
currently on consignment
 
Purchase this artwork!

Gratuito

January 20th, 2014

“Starting a New Year is always an invitation to dream.”
— Wayne W Dyer

“Healthy striving is self-focused: ‘How can I improve?’ Perfectionism is other-focused: ‘What will they think?’”
— Brené Brown
 

Two-faced Janus scans both backward and forward, but, during the month that salutes his mythical duality, there is a third sight that also peers within. I have written about resolutions before. My essential take on the practice has not changed. This year, rather than focus on a checklist of objectives, I take personal aim at a phenomenon that plagues artists all along the spectrum of natural ability — perfectionism — a condition that tends to confound those who observe the creative class, as well as the people who wrestle with the disfunction. One of the most interesting scientists who writes about the subject is Brené Brown, PhD. She provides the clearest and most helpful understanding that I have discovered so far.

As dismissive as it may seem, it has been necessary for me to learn that I cannot care too much about what others think of me or think of what I create. For decades I have worn the hat of the designer or illustrator, which has sharpened my sensitivity to the perceptions and presumptions of others. Collage, for me, is the ideal antidote for perfectionism. For those of us who contend with the idea that something (anything! or everything!) must approach perfection, the notion of a “perfect collage” is absurd enough to defuse the fixation. There is no rule-book. There are no mistakes. There are no towering expectations. There is nothing upon which to heap all one’s perfectionist propensities. There is only the lure of investigation and the pleasure of discovery.
 

Dixon_Gratuito

Gratuito
collage miniature by J A Dixon
5.375 x 5.25 inches

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Sovereign Creature

January 13th, 2014

An atypical subject-oriented collage, but, with this one, I wanted to focus on something of favored interest to my daughter. Gift art is always an opportunity to put any ruts in the rearview mirror, especially at the cusp of a new cycle.
 

Sovereign Creature
collage miniature by J A Dixon
8 x 10 inches
collection of T Strock

Impure Thoughts

January 7th, 2014

 

Impure Thoughts
collage on postcard by J A Dixon
5.375 x 6.875 inches

A Very Happy Happy!

January 1st, 2014

 

Askance
collage artifact by J A Dixon
6.5 x 9 inches

A Very Merry Merry!

December 25th, 2013

 

And For Thy Sake
collage artifact by J A Dixon
7 x 10.25 inches
 
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Cadenza Forte

December 22nd, 2013

“Once you establish yourself as an artist, heaven forbid you change the formula too much. Paradoxically, this goes even for artists who ‘broke molds’ on the way up. The German powerhouse painter Gerhard Richter has gotten away with working in many different styles. But the case of 20th-century French chameleon Francis Picabia is a warning. He’s been dead since 1953, and he’s still paying for the fact that his art didn’t look the same from decade to decade.”
— Jen Graves

Pre-Christmas sales have accelerated, and there is enough time for local folks to surprise someone with a collage miniature under the tree. Cadenza Forte found a home after six and a half years. The buyer said he wanted an example of my “classic style.”

Hmmm… I need to turn that over in my mind for a bit.
 

Cadenza Forte
collage artifact by J A Dixon
16 x 20 inches

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