This piece has been hanging in the studio long enough to qualify for inclusion at this site. There is always something to be learned from looking at a previous work, especially when convinced that one would not or could not execute it precisely in the same way.
Merz de la Mer
collage with mixed media by J A Dixon
19 x 15 inches
Purchase this framed artwork.
Untitled (Gille)
collage experiment on paper by J A Dixon
2.8125 x 5.5 inches
Purchase this experiment.
“It’s close enough for jazz.”
— W Mack Jackson, MD
Earlier this year, during my gallery talk for JUXTAPOSE, a music educator made the observation: “I didn’t know that collage was so similar to jazz.” Although I cannot recall making a reference to music, I was indeed talking about the nature of improvisation. For most of my life, I have held a certain envy for how musicians could spontaneously make music together in a way that eluded visual artists. The current explosion of collaboration in collage has changed that perception for me. Count me in for the occasional “jam session” with another collage practitioner, because there is nothing else like it. My thanks to Boston’s Mary Madelyn Carney for setting me up with a couple great “starts.” I’m looking forward to what she does with the ones I sent her. Stay tuned!
Untitled (RESCUE)
a collage miniature collaboration by J A Dixon and M M Carney
(start by Carney, finish by Dixon)
5.25 x 8.25 inches
Untitled (BE B)
a collage miniature collaboration by J A Dixon and M M Carney
(start by Carney, finish by Dixon)
5.25 x 8.25 inches
False Attribution
collage on book cover by J A Dixon
6 x 9 inches
(currently on consignment)
“Collage artists form a unique and interesting community. The hunt for found materials is crucial to the process of many collage artists, causing them to be consummate collectors of things. Their collecting of material artifacts for their artistic appeal and possibilities, rather than for rarity or value, often makes them keenly aware of popular culture — present and past — with the subtle eye of an anthropological curator.”
— Cecil Touchon
During a gallery talk in early March for JUXTAPOSE, I floated this question to my audience: “What makes collage and assemblage rewarding for those of us who can draw?” The answer for me is that we see in the found material of our physical surroundings the ingredients for a different kind of creative spontaneity. As in most improvisational activity, there is a splendid opportunity for mystery, surprise, discovery, and joy. But there is more to it than that. I am convinced that what distinguishes artists who do contemporary collage and assemblage is their acute connection to the mundane “stuff” of culture and the inner need to bring a measure of order and harmony from the sheer volume of material produced by our throw-away society — with its chaotic, numbing effect on our sensibilities — to infuse a new energy into that which would otherwise be discarded. It is a burning desire to create value when none exists and to find wonder, meaning, significance, and (yes) beauty, where none could have been expected.
It was a distinct privilege to exhibit with some of the finest collage and assemblage artists in Kentucky, and if nothing else happens on the art front for the balance of 2016, JUXTAPOSE will have made my year.
Pretty Please Peony
Meg Higgins
collage on wood panel
collaborative collage on oversized playing cards
Robert H Hunt and Terry R Flowers
No Stopping
Brad Devlin
assemblage, found objects
Intergalactic Passion
Brandon Long
recycled promotional banners
six collage/assemblage artworks
Lisa Austin
Pollinators 1
Kathleen O’Brien
mixed-media collage
Crossroads
Teri Dryden
collage from discarded books on panel
Einstein
Robert Hugh Hunt
collage with watercolor on canvas board
This image represents to me the strong diversity of the JUXTAPOSE exhibition and reminds me of the exceptional “company” my art shared earlier this year — a pair of shadow boxes by yours truly in proximity to pieces by Robert Hugh Hunt, Cynthia Carr, Teri Dryden, and Lisa Austin.
It won’t surprise you to learn that I am looking for a good excuse to publish a compilation of JUXTAPOSE images with artist comments. Please let me know if that interests you!