The Collage Miniaturist

“The sage
     dwells in affairs of nonaction,
     carries out a doctrine without words.
He lets the myriad of creatures rise up
     but does not instigate them;
He acts
     but does not presume;
He completes his work
     but does not dwell on it.
Now,
     Simply because he does not dwell on them,
          his accomplishments never leave him.”
— Lao Tzu
 

There are many outstanding collage artists who have a trademark “style,” and I can immediately identify a piece as theirs prior to confirmation. I have no idea if people familiar with contemporary collage recognize a work as mine before they see a signature or attribution. To have cultivated a personal “voice” as an artist, no matter what the genre, and to have dug deeply into a single plot rich with ore is a good thing, and I admire those who have done it. I suspect that the description doesn’t apply to me — although I honestly don’t know — and I’d leave a more objective evaluation to others. I could accept that I’m wandering a hundred-year-old frontier, sometimes venturing into lawless terrain, and, as often as not, frequenting the established settlements, helping myself to the comforts of civilization. Or perhaps I just took a job in the collage mine.

Do I ruminate on such things only because I’m blogging instead of working in the studio? It brings to mind Robert Hughes, who described the history of art as being “like the scramble for Africa.” He wrote that “a few pioneers stumble on unexploited territory and stake it out, often forgetting to register their claims. Then the dealers arrive, and the collectors, carving up the area, reducing it to mining ground, a tangle of jumped claims and abandoned shafts, patrolled by trigger-happy art historians.”

I get more new ideas than I can possibly explore. Sometimes, when I fill a page with them, it occurs to me that the time would be better spent actually working instead of creating thumbnail notes for addition to my “to-do” list. The daily habit of confronting a challenging workload is probably a better source of what to do next than an isolated mental concept. To work and not dwell on it, to rest and then resume work, is undoubtedly the more rewarding road to deeper accomplishment. One can tell the difference between an artistic “look” that was intellectually contrived and one that grew organically from a work ethic. It is much like the process of collage itself. Spontaneous visual juxtapositions that could not possibly have been preconceived are generally more interesting and memorable than those that were “thought up” and then executed.
 

Circadian Tortuga
collage on canvas by J A Dixon
22 x 16 inches
on consignment
 
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