Archive for the ‘Movements’ Category
Monday, June 24th, 2024
“I think you have to know more than what is current and ‘hot,’ to use a loathsome word. You have to be familiar with the foundation of the work and understand it’s what you’re standing on.”
— Mike Nichols
My recent outing to Shaker Village involved a different approach to collage landscape when I made two detailed sketches first, with the intent to tear and glue paper on top of it. I have a keen interest in the fact that those who developed collage as a modern art considered themselves painters. I keep pushing to use paper outside with that foundation in mind. Partly due to my added preliminary time, I was disappointed in the degree of progress for the day. The second start with a more architectural emphasis will be put on hold. I would like to return to this exact spot. I may decide to finish the sheep enclosure rapidly in the studio (to preserve the overall impression and to retain its designation as a plein air artwork by staying within the 50/50 allocation of time), but it might be more desirable to go back and complete it on site. We shall see.
Sheep Enclosure, Shaker Village (interim stage)
collage en plein air by J A Dixon
12.5 x 5.875 inches
Posted in En Plein Air, J A Dixon, Landscape, Technique | No Comments »
Wednesday, June 12th, 2024
My third rule of collage: Intuition is worthy of your trust.
Taken to fruition, a catharsis of the unconscious is always a possibility with this medium. And so, my peculiar series continues in a thought-provoking manner.
Posted in Catharsis, Collage, J A Dixon, Surrealism | No Comments »
Wednesday, June 5th, 2024
“We are part and parcel of the big plan of things. We are simply instruments recording in different measure our particular portion of the infinite. And what we absorb of it makes for character, and what we give forth, for expression.”
— Rockwell Kent
I returned to historic Caldwell Farm to coordinate an “Art Out” for the Plein Air Artists of Central Kentucky (PAACK). When I suitably had met my few obligations for the day, I went alone toward the heart of the acreage to locate a spot that the owners refer to as the “Special Place.” Along a well-tended pathway, near a quiet watershed, I set up my makeshift plein air collage rig. From that perspective, I sought to interpret in papers a far-off cluster of corn cribs and structures that once served as the focus of an innovative cattle-raising operation. Two different angles of this agricultural configuration previously had become part of my LITTER-ALLY KENTUCKY collection.
I found myself simplifying, simplifying. Paper demands it, of course, but also I had hoped to touch the essence of the early summer scene — a moody sky, the limited palette of buildings, plus an expanse of new corn, barely above the soil. Representational collage, if anything, must be about expression, not craft. What one is blessed to take away from contact with the fusion of nature, ingenuity, and intentional affection is left to individual receptivity. Being a so-called artist is not necessary to reap the potential benefits of experiencing rural beauty.
From Their Special Place
collage en plein air by J A Dixon
9 x 7.625 inches
Posted in Abstraction, En Plein Air, J A Dixon, Landscape, Methodology, R Kent | No Comments »
Wednesday, May 8th, 2024
“Confidence comes not from always being right, but from not fearing being wrong.”
— Peter McIntyre
It has been too “moist” this week for me to make art with paper outside, so I did my studio finish to the collage that I had started at a previous Art Out. Whether or not it is apparent to others, I try to do something different each time, an interpretation or radical ingredient choice that causes discomfort at first. I think it’s important to momentarily frighten myself. Then I know that I might be breaking new ground.
April Burst
collage en plein air by J A Dixon
Plein Air Artists of Central Kentucky
available for purchase
Posted in 1) Available!, Collage, En Plein Air, Ingredients, J A Dixon, Landscape, Methodology | No Comments »
Saturday, April 27th, 2024
The recent Baker’s Half Dozen Collage Exchange sparked a new series of miniatures that quickly took on a warfare theme. Now to see which one the Museum retains for its permanent collection.
My eleven-part Warfare Series originated with no conscious intent nor anticipated interpretation and potentially serves as a kind of “collage rorschach.” Images that personify both the greatest evil and the highest good have always found inclusion in my collage artwork from time to time. This kind of art is very different than my representational collage, although both are based on re-using and manipulating found paper that has little, if any, intrinsic value. Juxtaposing the detritus of our culture within this practice offers creative choices about what to use and what to ignore. I continue to be interested in the complex relationship between spontaneity, intuitive judgment, and subjective awareness.
Posted in C Touchon, Exchange, Gift Art, J A Dixon, March Exercise, Merz, Methodology, Surrealism, Theme/Variation, Warfare Series | No Comments »
Monday, March 25th, 2024
“I have learned to expect nothing of the weather
but what it gives us.”
— Rockwell Kent
Last September at nearby Arcadia Farm, I fell under the spell of a horizon and stuck with the mood of early-morning clouds for the rest of the session. With the prevailing heat, other members of the PAACK may have been praying for more breeze, but I was grateful for hours of no wind. I wasn’t even using clothespins! I wanted to interpret the viewscape as that huge land grant might’ve looked to the original Shelby family in the 1700s. Although pleased with the result that I took home, I knew I wanted to make studio additions at the base of the artwork before declaring it ready for a signature. And so here we are, March of 2024. As I look ahead to a new season of taking collage outside, it made sense to finally complete the studio refinements on one of my favorite landscapes from 2023.
Arcadian Sky
collage en plein air by J A Dixon
11.375 x 7.875 inches
available to collectors
Posted in 1) Available!, Collage, En Plein Air, J A Dixon, Landscape, R Kent | No Comments »
Tuesday, November 21st, 2023
“Accepting the familiar is the enemy of seeing… Seeing takes work and patience and concentration and focus otherwise we are always walking around in a fog only seeing what we think we know but not actually seeing anything at all.”
— Cecil Touchon
Although I have worked outside at entirely wild places (river palisades, for example), I seem to be drawn more to locations that have been cared for by others. To truly observe a rural setting and interpret it with found paper as a collage landscape, I need to spend hours slowing down my busy mind. I approach a kind of reverence for it as a place of evident stewardship and quiet beauty. It’s a slow-motion form of rapt attention, and I am able to see it as a fusion of natural creation with human affection. LITTER-ALLY KENTUCKY is the result.
Her Brother’s Barn
Boyle County, Kentucky
collage en plein air by J A Dixon
8 x 9.3125 inches
16 x 20 inches, framed
giclée print available
Posted in En Plein Air, Exhibitions, J A Dixon, Landscape, Methodology | No Comments »
