Space-Monkey-At-Law
personal gift collage by J A Dixon
7 x 9.5 inches
private collection
Archive for the ‘Gift Art’ Category
Space-Monkey-At-Law
Monday, April 29th, 2019Happy Birthday, Clara!
Monday, December 10th, 2018There are times when one is reminded of the profound privilege of sharing artistic abilities. Recently I was humbled when friends asked me to create collage artwork for a fine lady on her 90th birthday. Clara was a teen when American soldiers and Allied forces liberated her homeland of Italy during the Second World War. The medium of collage offers the most creatively efficient capacity to embed a dozen or more images and symbolic elements that have personal meaning for an individual recipient. We honored Clara’s love of America and her lifelong gratitude to those who heroically sacrificed on her behalf — men such as Garlin Conner and John Squires, and so many others, including former U.S. Senators Daniel Inouye and Bob Dole. And, without a time-consuming process, I could at the same time recognize her particular appreciation of opera, the visual and literary arts, education, flowers, movies, wine, dogs, and a fondness for Mickey Mouse (who also turned 90 this year).
As an artist, I always find what I do rewarding, but it just doesn’t get any better than “the art of the gift.”
My friend Bill presents a birthday gift to Clara —
a collage miniature that I created with her in mind.
Nothing foul in sight . . .
Saturday, September 29th, 2018Newlyweds + Gift Art — If you frequent this site, you know that there are many different categories of collage. If anyone finds a more rewarding one than this, I want to know about it!
Fowl Language
collage on structured panel by J A Dixon
11.5 x 11.25 inches
private collection
Make it count
Saturday, June 23rd, 2018“True desire in the heart, that itch that you have, whatever it is you want to do, that thing that you want to do to help others, and to grow, and to make money, that desire, that itch, that’s God’s proof to you, sent beforehand, to indicate that it’s yours already. And anything you want good you can have, so claim it, work hard to get it. When you get it, reach back, pull someone else up…”
— Denzel Washington
Denzel is the quintessence of the successful artist, and, by all appearances, he has defied the stereotype by cultivating humility and magnanimity. He also says, “Each one, teach one.” There are many ways to teach, and the opportunity presents itself differently at various points in our creative life.
I have always tried to compare and contrast the human qualities of those who have reached the pinnacle of an art form, and to remember that it cannot be about the creative result alone. When someone like Denzel advises, “Don’t just aspire to make a living. Aspire to make a difference.”, there is a desire for us to examine our definition of success, and it undoubtedly comes from his own life experience, one that’s had its ups and downs, its in-focus and out-of-focus moments.
For me, a passion for traditional teaching was more of a young person’s enterprise. I taught art to youngsters back in the “halcyon days” before background-check requirements, and spent seven years in my 30s as an adjunct professor in a university environment, taking what I was learning in the studio and sharing it with those just starting out. Other artists arrive at giving back much later in life, and bring to teaching their mature insights and proven practices. But, for me, the making of gift art has been the most fulfilling way to teach others in an unconventional way. Beyond a demonstration of willingness to give the gift of time and artistic effort instead of monetary value, one can also stimulate curiosity about the creative process that is personally powerful to young people.
My Cosmosaic Series is only one of the ways that I have tried to meet this obligation. It is almost impossible to describe the reaction of young people when they realize that you’ve made them the object of an exercise in pure creativity, as well as the recipient of the finished work. Many profound conversations have been the result — discussions about life aspirations and individual destiny that would have been awkward or futile to jump-start in another context. It should go without saying that this is merely one way to teach another about one’s most significant values, but it happens to be one that is readily available to any imaginative individual.
As always, keep creating lots of stuff, but let’s not forget to make some of it count in an exceptional way. Pulling someone up a bit may be the most selfishly meaningful thing of all.
Thirteenth Cosmosaic
mixed media collage by J A Dixon
16 x 20 inches
private collection
Fourteenth Cosmosaic
mixed media collage by J A Dixon
16 x 20 inches
private collection
Sixteenth Cosmosaic
mixed media collage by J A Dixon
16 x 20 inches
private collection
Twenty-third Cosmosaic
mixed media collage by J A Dixon
16 x 20 inches
private collection
Triple Play
Monday, April 30th, 2018“Friendship is a manifestation of God’s love for you, expressed through your friends, who constitute the richest possessions a human being can have.”
— Paramhansa Yogananda
As I have probably emphasized too many times in this format, one of the most enjoyable forms of collage artwork is the personal montage, which begins with a sort of meditation on a particular friend or family member and evolves with an array of ingredients driven by a unique set of preferences and associations. Over the years, in many ways, it has provided me an instructive path to a fuller expression of the medium, and I shall never miss opportunities to continue such a rewarding practice.
Triple Play
collage miniature by J A Dixon
7.75 x 10.25 inches
collection of S P Vagedes
Wednesday, February 7th, 2018
Happy Birthday to Meg Higgins, an exceptional collage artist!
Love of Beer
collage on Samuel Adams coaster, 4 x 4 inches
Haus of Cards, series Pi, J A Dixon
collection of M Higgins
Haus of Categories
Monday, January 22nd, 2018“As an art of its time, collage art — its imagery, its techniques, its attitude — speaks to our confrontation with a fractured multifarious image of the world in an age of information overload. The activities of sifting, sorting, organizing and prioritizing has become the basis and the goal of artistic activity in this hummingbird era of ADHD”
— Cecil Touchon“A light bulb in the socket is worth two in the pocket.”
— Bill Wolf
Categorization is integral to the practice of collage. It is part and parcel of the ongoing acquisition, storage, and retrieval of compositional ingredients. I doubt if there is a dedicated collage artist out there who does not possess a particular method of processing the studio material that results in a work of art. We do relish the hunt, and, to some degree, we enjoy accumulation for its own sake, but, more than that, we like to be able to find our stuff when we want to use it.
Not long ago, Allan Bealy brought an article about the library of Vito Acconci to my attention. Like many artists, I devised a method of classification early in life and refined it over the years, and I found benefits in developing a “morgue” according to my own “creative code” rather than adopting a predetermined system. In whatever way we catalog it, we must be able to access the ingredients we need without impeding a flow of intuitive spontaneity. My studio repository began as a few “youthful” files of tear sheets that simply caught my eye as catalytic images. With the demands of professionalism, it grew into an illustrator’s resource that spared me many a trip to the public library. It mushroomed over time and finally evolved into a collage artist’s stash, with many subdivisions (such as antiquity, language, creatures, environments, attire, icons, themes, botanicals, patterns, vintage, surreal, and cosmic).
Individualized categories also help me to organize self-perceptions of what I make, even if these “sets” or “series” make limited sense to others. Although crafting personal greeting cards continues at a significantly reduced rate, I can now look back on the life-long activity as a key practice in my transition from applied to fine arts. It has had a strong influence on how I codify work that typically begins with intuition and ultimately ends with inclusion within some sort of idiosyncratic classification.
Please examine seven images recently created for my outgoing cards (with their designated categories). Some are considered hybrids (for lack of a better term). Those with an interest can find more at The Collage Miniaturist with this link and its associated archive.
Long live John’s Haus of Cards!
BodoMason
collage greeting card by J A Dixon
series Omega/Pi hybrid, collection of W Bates
Eagle Nest Goddess
collage greeting card by J A Dixon
series Pi, collection of J Hellyer
Existunt
collage greeting card by J A Dixon
series Omega, collection of R W Breidenbach
G is for Gray
collage greeting card by J A Dixon
series Omega/Pi hybrid, collection of G Zeitz
Nurse Saw It
collage greeting card by J A Dixon
series Pi, collection of R K Hower
IcogNeato
collage greeting card by J A Dixon
series Omega, collection of J M Hoover
O Lovely Perch
collage greeting card by J A Dixon
series Omega, collection of W W Barefoot
Happy Birthday to my only Grandson!
Tuesday, November 21st, 2017Happy Birthday to my only Godson!
Sunday, November 19th, 2017Horse Tail Reasons
Monday, October 9th, 2017“Que no haya novedad.”
— ancient Catalan saying
With my new “Crafted Series,” I am paying particular attention to capturing a dominant mood of mystery, surprise, and joy, while keeping the process as spontaneous as possible. These are not calculated artworks, even as I make an effort to hold dark undertones at bay. As with most of my compositions, there is an ordered structure, although not preconceived or based on a “preliminary layout.” The feelings to be evoked will arise as much from color choices (intuitively selected, rather than consciously built), as they will from the subjects of the assembled ingredients themselves. The example featured today was created with an individual recipient in mind, as with That Red Boot. From here I shall proceed with enthusiasm to a fuller series of slightly larger pieces. They will be made available to people interested in adding collage artwork to their collections. Stay tuned!
Horse Tail Reasons
collage miniature by J A Dixon
5.375 x 7.125 inches
collection of J M Menke
That Red Boot
Monday, September 11th, 2017“As a husband, you have to remember the crucial importance of three little words — ‘I was wrong.’ That will take you a lot further than ‘I love you.’”
— Charlton Heston
After pondering what to do with my stash of birds for far too long, I decided to start a new series that I describe as “Crafted.” Here is an example — a 35th Anniversary present to my indispensable partner and dearest friend.
That Red Boot
collage miniature by J A Dixon
5.375 x 7.25 inches
collection of Dana Dixon