Archive for the ‘1) Available!’ Category

First exhibition of 2013

Saturday, January 5th, 2013

“What makes a painting meaningful is the spectacle of the ordinary content living together with the equally important life of the picture plane and the unity of the whole surface.”
— Gillian Pederson Krag

It pleases me to say that my most recent large-scale artwork will be on display and available for purchase as part of an invitational exhibition now hanging in my hometown.

NEW YEAR NEW ART ~ Community Arts Center, Danville, Kentucky
January 2 to 26, 2013 ~ Reception: January 10, 6–8 pm

The invitation to participate is an honor for two reasons. It is always good for one to know that local people appreciate collage, especially the more esoteric kind. Even more humbling is to be included among some truly outstanding Kentucky artists, such as Sheldon Tapley, Helene Steene, Kathleen O’Brien, and Marianna McDonald. I’m looking forward to the reception this Thursday. Mayor Steven Connelly of nearby Berea will speak on the powerful effect the arts can have on local economies. According to Programming Director Brandon Long, the intention is to showcase “fresh, new art that has the kind of excitement and energy of artists who know their work will go on display.” Many of the diverse works were created specifically for the exhibition, and that includes mine. Everything accepted had to have been executed since September.

Diamonds in the Rough is a composite of panels and stretchers. It is my latest effort to free collage from behind glass and approach the medium in a manner similar to the painted surface that stands on its own. I also departed from my typical rectilinear format, yet sought to maintain the type of perpendicularity that I frequently exploit for a unified structure. As usual, the color balance of found material plays a vital role in my overall composition. The lineage of the collage miniature is strong here. In fact, nearly everything I do to produce a major work comes from what I have learned from the small-format approach. This recognition is not meant in any way to devalue the miniature. I would hope that you have come to know my penchant well enough by now to appreciate that.

The next entry will include some detail crops and perhaps a few remarks about the process, too.
 
Diamonds in the Rough ~ J A Dixon

Diamonds in the Rough
collage construction by J A Dixon
36 x 36 inches
available for purchase

Resolved . . .

Tuesday, January 1st, 2013

‎”Every man should be born again on the first day of January. Start with a fresh page. Take up one hole more in the buckle if necessary, or let down one, according to circumstances; but on the first day of January let every man gird himself once more, with his face to the front, and take no interest in the things that were and are past.”
— Henry Ward Beecher

“Finish each day and be done with it. You have done what you could. Some blunders and absurdities no doubt crept in; forget them as soon as you can. Tomorrow is a new day; begin it well and serenely and with too high a spirit to be encumbered with your old nonsense.”
— Ralph Waldo Emerson (thanks to four corners design)

It is interesting to see the contrasts inherent in various discussions about setting New Year’s resolutions. I think that most people who make them keep the practice to themselves, and the ones who do not are prompted to explain why, often coming from a position that seems cynical or overly critical to me. To be fair, some are simply being practical when they question the efficacy. For those who go out of their way to sow seeds of disdain for the customary list: it’s not about now long it stays viable, or about the resulting success rate, or whether it retains meaning in a culture where overt self-improvement carries a tinge of “fuddy-duddy-ness.” For me it’s about one’s mindset at the cyclical cusp. Is it not just “the thought that counts.” The thought becomes a renewal of self-belief, expressed in multiple line-items of striving. It requires introspection, evaluation, discernment, and commitment— hardly fashionable, to be sure. As an artist, I know that resolutions have worked for me at some level, just as they have for other aspects of my personal discipline (the effort to stop smoking, quit refined sweeteners, or get into marathon condition all began with a New Year’s Day pledge). The bad rap on resolutions probably has a lot to do with the familiar failure to abstain, and that’s understandable, given the nature of human behavior. For the most part, the average person underestimates the value of failure as a stepping stone to achievement. Some of the best insight I’ve read on the subject has been written and shared by choreographer Twyla Tharp. For a creative individual, positive resolutions can be an aid to tackling new challenges. Perhaps it is better to attempt a new ritual of focusing on priorities rather than resolving to banish procrastination, for example. Detrimental patterns can more effectively be overcome if one replaces them with beneficial habits. If a promise to oneself on January the First will help, I’m all for it.
 

Majestic Fetch ~ J A Dixon

Majestic Fetch
collage miniature by J A Dixon
6 x 6 inches

•  S O L D

By Heaven’s Good Grace

Friday, December 28th, 2012

“Whatever an artist’s personal feelings are, as soon as an artist fills a certain area on the canvas or circumscribes it, he becomes historical. He acts from or upon other artists.”
— Willem De Kooning

“You can never see too many things in a work of art. Itself, the work is a means for discovering what is already within us. The true work of art is more than its creator; it is always beyond him; soon it enters another orbit not his, because the artist changes, he dies, while the work lives in others.”
— Michel Seuphor

As I look back on six months of producing this site, I recognize that there are probably only a handful of people who currently pay a visit. To those of you who do, please accept a sincere tip of the hat. I hope that you find my periodic entries to be stimuli worthy of your time. Perhaps 2013 will bring a wider audience.

Collage is a distinctively collaborative medium, at times directly, but always indirectly. We are continuously interacting with those responsible for the ingredients we value enough to incorporate into a work. They might include one of the finest masters of the brush, an outstanding photographer, a bull-pen illustrator, an obscure commercial artist, or an anonymous shipping-carton keyliner. All that matters is this: Each has in some way caught hold of our eye, mind, or heart. Each has become an influence and unwitting contributor. For reasons not entirely clear, some of us attempt to have a more active effect on the state of our art by regularly making words, too. Allow me to bring a few stimulating blogs to your attention, if you haven’t already discovered them—

matthew rose studio
kathleen o’brien studio
a collage a day
daily collage project
with scissors by hand
paper with a past
every day should be a red letter day
lynn whipple’s blog
janice mcdonald collage art studio
four corners design
the altered page
collage clearinghouse

 

By Heaven’s Good Grace ~ J A Dixon

By Heaven’s Good Grace
collage miniature by J A Dixon
5 x 5 inches
 
Purchase this artwork!

Twelve-Twenty-One-Twelve

Friday, December 21st, 2012

“I want to be in Kentucky when the end of the world comes, because it’s always 20 years behind.”
— Mark Twain

I’m sitting here in the Bluegrass State, wondering how everyone else is faring today. My hunch is that the Mayans stopped working on their stone calendar because they were a bit preoccupied with the Spanish conquistadores. Or, as somebody more witty than me speculated the other day, the artisan responsible probably put it aside and remarked to a friend, “If I never finish this thing, it’s not the end of the world.”
 
Twelve-Twenty-One-Twelve by J A Dixon

Twelve-Twenty-One-Twelve
collage miniature by J A Dixon
6.5 x 8 inches, available for purchase

Friday Morning

Monday, December 17th, 2012

“There is evil in the world. It’s beyond mental illness, beyond gun control. It is evil.”
— John R Coyne, Jr

“Man is made of such crooked stuff that it is impossible to set him straight, said a famous philosopher. God help us.”
— Ben Stein

When something like this occurs, there are those who respond with heartfelt, eloquent words. A few others will make political hay.

Some of us can only make art.
 

Friday Morning by J A Dixon

Friday Morning
collage miniature by J A Dixon
5 x 7.5 inches, available for purchase

Is it or isn’t it?

Wednesday, November 14th, 2012

“Man himself is mute, and it is the image that speaks. For it is obvious that the image alone can keep pace with nature.”
—Boris Pasternak

Those who speak or write as though they understand everything about this medium do not know what they are talking about. But, to be honest, I have never met anyone who behaves that way, so perhaps my opening declaration is meaningless. Sometimes it is even difficult to classify what we do as artists in order to place the effort in some category. I just encountered an interesting chunk of round-table discourse by a new online discussion group struggling to define their area of focus. Most distinctions made between what artists call collage, montage, assemblage, construction, layerism, mixed-media, digital art, illustration, or graphic design are somewhat arbitrary, and we continue to see new terms coined by those who hope to distinguish what they perceive as a unique approach. At any rate, the intent of the artist is central. Clearly, definitions in art are rarely necessary except when attempting to trace a cross-pollination or lineage of influences, and when an organized effort or exhibition requires mutually acknowledged parameters. Additionally, there are always other important considerations to discuss, such as: What is an original? What is the relationship between process and artifact? What is the purpose of reproduction? Does a nomenclature based on exclusion have intellectual validity, or is it simply an adjunct to merchandising?
 

A likely story indeed! ~ J A Dixon

A likely story indeed!
collage miniature by J A Dixon
4 x 6 inches
 
Purchase this artwork!

Non-thought thinking

Wednesday, August 29th, 2012

“Artists have a vested interest in our believing in the flash of revelation, the so-called inspiration … shining down from the heavens as a ray of grace. In reality, the imagination of the good artist or thinker produces continuously good, mediocre, or bad things, but his judgment, trained and sharpened to a fine point, rejects, selects, connects … All great artists and thinkers are great workers, indefatigable not only in inventing, but also in rejecting, sifting, transforming, ordering.”
—Friedrich Nietzsche

Chuck Close encapsulated this notion in his famous quote, “Inspiration is for amateurs; the rest of us just show up and work.” Although the source of Woody Allen’s similar remark is unclear, he reportedly said, “Eighty percent of success is showing up.” In The Creative Habit, Twyla Tharp spends most of her extraordinary book driving home the same point. To those who were listening in the 1800s, Ralph Waldo Emerson explained the idea almost 20 years before Nietzche in The Conduct of Life. He probably got it from Montaigne, who probably lifted it from some long-dead guy who wrote in Latin.

For me, as a collage artist, the important thing to internalize from this is the necessity of regularly exerting diligent effort at the table cutting and pasting. I’m a big believer in non-thought thinking (or non-thinking thought, if one prefers to think about it that way). It may feel like a flow of intuitive, subconscious responses, but make no mistake about it— the brain is making discreet associations, evaluations, decisions —all in fractions of seconds, as it processes the material one presents to it, by the hand and through the eye. And, if one deems it so, the activity is guided more by the heart’s intent than by outer cognition. Do this often enough and more creative possibilities will emerge than can be successfully fulfilled. That is precisely when the conscious mind must step in and take the helm.
 

Peppermint Condition by J A Dixon

Peppermint Condition
collage miniature by J A Dixon
6 x 6 inches
 
Purchase this artwork!

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Sunday, July 1st, 2012

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