Archive for the ‘1) Available!’ Category
Friday, June 20th, 2014
“Art is the only way to run away without leaving home.”
— Twyla Tharp
Places to go, ways to travel, and flights of fancy . . . A series of local exhibitions at the Boyle County Public Library’s Mahan Gallery has been an effective catalyst for me to create new pieces based on unifying themes. I have recently experienced mixed emotions about the ubiquity of vintage material in contemporary collage, but the topic of this show had me hunting through my morgue of old postcards and other relics to produce a pair of artworks on canvas. Yes, we all dig the instant “gravitas” of using old stuff, but will art historians say we copped out, if we do not accept the challenge of working with ingredients from our own present-day culture? I am just musing about the state of the medium, not any artist in particular. I see a hundred or more collage artworks posted online each week that rely exclusively on 20th-century material, and much of it seems stuck in a bygone avant-garde style. It is important for all of us to keep in mind that the Dada artists so widely emulated worked with material from their own time. Perhaps the opportune approach is to blend it all together, past and present. As post-centennial collage artists, we also owe each other a bit more constructive criticism than I currently observe. As the details below illustrate, I have absolutely nothing against using vintage material. I think that artists such as Hope Kroll or Fred Free or Matthew Rose (to offer only three examples) are creating some of the more exceptional work in the medium. On the other hand, there are many who seem to be using it as a crutch, over-relying on the antique impression of the ingredient material itself, rather than the juxtapositional synergy or overall aesthetic effect.
As the artworks for “Places” also demonstrate, I continue my effort to liberate a collage from the traditional glass barrier. To do so, it is necessary to find a proper level of protective sealant to balance visual appeal and durability. I prefer to avoid an overly polymerized impression with a finished surface. Because I primarily work with found material, I have had to learn which ingredients can handle direct exposure (for an effect similar to the painted surface). Nevertheless, some are simply too fragile and will always require a safe abode under glass.
left: Here and There (detail)
right: Now and Then (detail)
two collage artworks on canvas by J A Dixon
12 x 12 x 1.5 inches each
available for purchase
Posted in 1) Available!, Acrylic, Collage, Criticism, Dada, Details, Exhibitions, F Free, H Kroll, Ingredients, J A Dixon, Larger Works, Links, M Rose, Methodology, Morgue, T Tharp, Technique | No Comments »
Friday, June 13th, 2014
“Put stardom and success aside and just go out and do it. It’s like painting. Don’t talk about it. Or, like writing. Put it down.”
— Jonathan Winters
“Don’t think about making art, just get it done. Let everyone else decide if it’s good or bad, whether they love it or hate it. While they are deciding, make even more art.”
— Andy Warhol
After learning about a call for entries on the theme of “water,” at the new First Southern Community Arts Center in nearby Stanford, Kentucky, I leaped at the theme with a minimum of thought or calculation. I was overdue for the opportunity to create a larger piece, and it was good for me to push aside all the internal questions and mental gyrations which too often intrude on the genesis of a new work or new point of public contact. I mixed a batch of wheat paste, added a stabilizing measure of white glue plus acrylic medium, and dug into my stash of nature images. Hand manipulation of the surface with wet, rectilinear ingredients became an almost papier-mâché-like process that soon involved shapes of pure color. A sort of “low-tech pixelization” began to suggest the gentle clash of primeval and present — a Garden of Eden sweeping forward to the modern digital world.
When I delivered my artwork to the gallery and was assisted by a local artist and volunteer, Roni Gilpin, I could not have been treated better. Chasing my passion for collage, meeting pleasant people, and breaking into a new venue — I must remind myself from time to time that this is what it’s all about. I am excited about today’s artist reception, 4 to 7 pm (in downtown Stanford, adjacent to the superb Bluebird Cafe). Family is visiting from Davis, California, and everything is shaping up for an exceptional evening!
Many Waters Under Heaven
mixed-media collage
by J A Dixon
33 x 11.25 x 1.5 inches
Purchase this artwork!
Roni “Sister” Gilpin
volunteering at
First Southern Community
Arts Center
Posted in 1) Available!, A Warhol, Acrylic, Combined Mediums, Exhibitions, Ingredients, J A Dixon, J Winters, Larger Works, Links, Priorities, Technique | No Comments »
Monday, June 9th, 2014
“We need a little confusion.”
— Neil Gaiman
The Great American Brass Band Festival’s milestone 25th event is now in the archives. The finale was one of the most satisfying concerts in the history of the Kentucky festival. My appreciation goes to those who made it all happen one more time! I am pleased to have played a small part.
When I was first approached about lending my creative experience to the effort, I pitched the idea of a traditional collage to mark the 25th, using scraps from memorabilia of the last quarter century. A decision was made to go a different direction, but I could not put the idea aside. The result is “Brass 25,” a tribute to my community’s exceptional contribution to the American musical and cultural scene.
Is “commemorative collage” art? Perhaps not. Some might make the case that no example of the medium has approached “high art.” In my opinion, such a viewpoint fails to consider the 100-year impact that the medium has had on our visual landscape and the evolution of our aesthetic perceptions. It neglects the seminal role of Schwitters, Höch, Cornell, Kolář, and others. For me, the core relationship between mundane material and the art of collage transmits a unifying principle. When the remnants of ordinary life are physically re-purposed to resolve a unique compositional harmony, the culminating artifact can achieve a transcendent tone and offer a shared experience with each participating observer. If that is not art, stripped of elitist notions, then what is?
Brass 25
commemorative collage by J A Dixon
17.5 x 23.5 inches
available for purchase
Posted in 1) Available!, Applied Arts, Collage, H Höch, Illustration, Influences, J A Dixon, J Cornell, J Kolář, K Schwitters, Larger Works, Methodology | No Comments »
Saturday, May 31st, 2014
“Design is moving an existing condition to a preferred one.”
— Milton Glaser
I attended the first Great American Brass Band Festival in 1990 with my wife and partner, Dana, the same summer that we relocated our home-based design business to Danville, Kentucky. Big portions of the previous year had been spent apart, as I developed business contacts in Central Kentucky while she held the fort at our studio in Dayton, Ohio. That inaugural Festival was an opportunity to spend time together in downtown Danville, and the ambiance of that weekend supported all that we were discovering about our new home community. We have been devoted fans of the Festival ever since, and it is now impossible for us to imagine a June in Danville without world-class brass music within walking distance. After that first Festival, my capabilities as a graphic designer and lettering artist came to the attention of the organizers. I have since worked closely with them on establishing the visual identity of the event and creating designs for nine commemorative posters.
The 25th Great American Brass Band Festival will be held next weekend, and I shall be signing posters at the kick-off Gallery Hop Stop. Coming up with a suitable theme for this year’s poster was a challenge. We recognized that the milestone 25th Festival demanded a visual approach that would pay bold tribute to its heritage. No single aspect would do that, so I built a montage of images to salute the key elements of the Festival: the musicians, the parade, the picnic, the patriotism, the balloons, the fireworks, and the long history of enthusiasm for brass. With a quarter century of photography on file, it was a tough editing task. The result is a colorful, celebratory design intended to bring a smile to the face of every fan of the event.
The visual montage and the traditional collage are close cousins, and both techniques inform the other in my work as a fine and applied artist. The blurred boundary between graphic illustration and fine-art collage — conventional and digital — is an intriguing subject that I shall explore from time to time at this site. Please stop back here again (and do drop in at the Community Arts Center on Thursday evening, 5:30 to 7 pm, if you are in the Danville area).
Celebrating 25 Years
commemorative poster design by J A Dixon
available for purchase
Posted in 1) Available!, D L Dixon, Digital Concepts, Events, Graphic Design, Illustration, J A Dixon, Links, M Glaser, Technique | No Comments »
Saturday, May 10th, 2014
“What the Color Field painters shared most importantly with the Abstract Expressionists was the conviction that the role of art was not to report on the visible, but to reveal the unknown. They shared too, the belief that paintings that resembled nothing preexisting could have the presence, authority and associative richness of other real things in the world.”
— Karen Wilkin
I began my Bibelot Series by recalling to mind the lost treasures of George Headley. With this 13th miniature, I am wondering if the meditation may have reached its culmination. The primary reason centers on the changes that occurred with my process while creating this most recent composition. Because I find myself thinking less about the precious fabrications that provided the initial inspiration and more about the aesthetic qualities of the artifact manifesting before me, the connection to the Headley works have diminished enough for me to consider whether or not the transition to a new investigation is taking place. The color and abstract relationships inherent in an evolving collage surface seem to exist for their own sake, rather than as an homage to other artistic ideas, and point to a deeper reality. What comes next? As a student of American History, the number 13 has never felt unlucky to me. We shall see what follows.
Spy (Bibelot 848)
collage miniature by J A Dixon
4 x 5.5 inches
Purchase this artwork!
Posted in 1) Available!, Abstract Expressionism, Bibelot Series, Color Field, Influences, J A Dixon, Methodology, Theme/Variation | No Comments »
