Archive for the ‘J A Dixon’ Category

a boulder of sweetness, a boulder of sorrow . . .

Thursday, December 29th, 2022

“Tension between the best things that can happen and the worst things that can happen is where you and I find ourselves every day. That’s where you’ll find Jesus. Over and over again, he’s in that place between sweetness and sorrow — fruitfulness and barrenness.”
— Troy Brewer
 

Not too many people in the world receive a miniature collage landscape as a thank-you present for the holidays. I’m so grateful for this year-end commission. What a splendid gift — from my dear patron and for her recipient, too! Family loss, family gain. Funny how sweetness and sorrow get all blended together at this closing time of year.

 

Les Rochers du Long Lac
collage landscape by J A Dixon
6.5 x 6.8125 inches
0:100 site/studio
private collection

Reconciliation

Wednesday, December 28th, 2022

 

Reconciliation
collage / assemblage by J A Dixon
(paper, wood, metal, postcard, packaging, tea bag)
6.875 x 8.875 inches
available for purchase

and He was born for thee . . .

Sunday, December 25th, 2022

Beyond the trappings of any birthday,
each of us was born to serve a purpose.
 

Makin’ Christmas collage again!

Friday, December 23rd, 2022

 

LexArts 50th Anniversary Auction ends tonight!

Sunday, December 11th, 2022


 

These collector bottles want a home, but most of them would settle for the humble “man cave.” Auction closes at midnight tonight. A perfect gift for that eccentric Bourbon lover and a way to support the arts in Central Kentucky with a year-end donation. Opening bids are only $350.

Or you may want to grab my #008 version while you still can!
 

 

 

The Wild Why of a “Whisky Wall of Wonder” . . .

Monday, December 5th, 2022


 
 
 
@n online auction of collectible Maker’s Mark Art Bottles takes center stage, now that the “Whisky Wall of Wonder” has made its splash (last Saturday night during the 50th anniversary celebration of LexArts and the associated Horse Mania Auction at Keeneland). When the distillery teams up with the arts institution in a milestone dollar-raising concept connected to the legendary race track, I can’t help but be a “part of the action.” However, unlike when I created my only collage on bowling pin, the participating artists don’t get a “piece of the action” this go round. No exploitation here, folks. It’s a total, eyes-wide-open donation to observe the half-century mark and benefit the arts in Central Kentucky. It’s been no secret how I view the whole subject of periodic contributions of creative labor to nonprofit groups, in case you’re interested in linking through to that archive of opinionated posts.
 

It was stimulating to delve into collage solutions that had to take into consideration multiple viewing orientations — a worthwhile assignment for someone wrapped up in his two-dimensional practice. The experience also triggered recollections and inevitable allusions to the “Mark of Great Art” pieces that were made for my 2008 collaboration. Who knows what became of them after they ended up in Europe? Who knows what will become of these peculiar bottles? May they bring joy and perhaps a bit of amusement to those who take stewardship!

The online auction destination accepts bids until midnight, 12/11/22.

Whether or not one is vying to secure an original artifact full of private select whisky, it’s fun to take a peek at some of the current bids!

Our “En Plein Air” show in Danville

Monday, August 22nd, 2022

“And yet, standing at his appointed place, the trunk of the tree, he does nothing other than gather and pass on what comes to him from the depths. He neither serves nor rules — he transmits. His position is humble. And the beauty at the crown is not his own. He is merely a channel.”
— Paul Klee
 

Another anticipated En Plein Air annual exhibition has appeared and vanished, my sixth consecutive participation since I took up the challenge of “painting in papers” with the PAACK. My sincere thanks to Art Center of the Bluegrass for continuing to support our regional group!

The two miniatures that I included in the show are featured here. Completing both of them in the studio raised some concerns that I’d be able to retain my on-site impression as I made detailed additions too delicate for outdoor work. Did I manage to do it?

 

East End Survivor
collage miniature by J A Dixon
6 x 7.125 inches, framed 11 x 14
available for purchase

 

Gardener’s Nook
collage miniature by J A Dixon
6.25 x 7.25 inches, framed 11 x 14
available for purchase

Eleventh chapter — Paint old Lex in papers . . .

Saturday, July 2nd, 2022

“If I could say it in words, there would be no reason to paint.”
– Edward Hopper
 

Here’s my collage en plein air for this summer’s annual “Paint the Town” challenge (organized by Kate Savage of Lexington’s Arts Connect). Hours never evaporate so alarmingly fast as during this event. It had to be delivered framed and ready for immediate display within the six-hour deadline. The piece looks a bit unfinished to my eye, and probably will until an image wrapped in expectations has faded from my head. My insane trackside rig (located across from the Lawrence Brewer & Son Horse Oats warehouse) drew the attention of a railroad inspector, but, thankfully, I was left uninterrupted.

Do you think I should’ve brought along the kitchen sink, too?

 

Oathouse
collage en plein air by J A Dixon
100% / 0% — site to studio
10 x 10 inches + handcrafted frame
available for purchase

A satisfying momentum . . .

Wednesday, June 15th, 2022

I’ve been out on location, painting in papers — to build a new series of collage landscapes that I shall talk more about soon!
 

 

My Oh So Fallible Intuition

Sunday, May 15th, 2022

Did you celebrate World Collage Day?
Check out this Instagram tag and be amazed.

 

My Oh So Fallible Intuition
collage experiment by J A Dixon
6.25 x 6.6875 inches
a salute to World Collage Day, 2022
available for purchase

PAACK kicks off 2022 season!

Thursday, April 14th, 2022

I really enjoyed PAACK’s chilly kickoff outing at the home of Mrs. Penn. As everyone began to focus on her exploding flower beds, I turned my attention in the other direction (for some odd reason). I couldn’t deny an interest in her staging nook near a teal fence (in the same way I was captivated by the back of Tillie’s garage last year). I’m completing the collage I started that day, and it will be a challenge to finish it for our summer show within the 50:50 limitation. I wouldn’t mind interpreting the gardening table, but I’ll need to omit that element to pull this off. I’d rather “move” the nearby bird feeder into my composition for a splash of complementary color, and also to find some way, within the remaining time, to “paint” the hay bales with paper ingredients.

Do I have to count the minutes I spend staring at my reference photo?
 
 
 

My 50:50 time constraint will necessitate simplification,
but inserting the colorful bird feeder is a given!