Let her hopes not be diminished.
May her aspirations be magnified.
Dreams Intensified
collage artwork by J A Dixon
8 x 10 inches
(for the #findingcalmwhilewewait project)
Let her hopes not be diminished.
May her aspirations be magnified.
Dreams Intensified
collage artwork by J A Dixon
8 x 10 inches
(for the #findingcalmwhilewewait project)
“And if my own children
should come to a day,
When a new Mother comes
and the old goes away,
I’d ask of them nothing
that I didn’t do.
Love both of your Mothers
as both have loved you.”
— Joann Snow Duncanson
Happy Happy to all the mothers on their day of honor!
The two 10x10s I posted yesterday on Instagram are my salute to World Collage Day, an international event contrived to celebrate and boost participation in the medium. The ingredients were generously sent to me by members of the Arizona Collage Collective. Using elements not personally selected was a rewarding exercise — an opportunity to better understand the distinction between my process of spontaneous composition and choosing qualities in the subject matter itself. For those who enjoy seeing my newest work, follow “thecollageminiaturist” at Instagram, too.
When You’re Going through Hell
collage on structured panel by J A Dixon
10 x 10 x 1.5 inches, unframed
available for purchase
When the Going Gets Tough
collage on structured panel by J A Dixon
10 x 10 x 1.5 inches, unframed
available for purchase
“While I use titles that reveal information about the work, I also seek words and phrases that can veil or obscure. I seek titles that support work, but I also seek words and terms that challenge or engage the viewer. I tend to be most satisfied when a title has a bit of mystique or tension. Interestingly, I find that as a work is coming to conclusion, and I know it is almost finished, title ideas tend to flow forth. I write down these ideas and impressions, and then go rather methodically through a decision making process until I am satisfied with a solution.”
— Jane Nodine
The miniature featured here was selected for the permanent collection, chosen from the seven pieces that I sent to Santa Fe for exchange. If you’re scratching your head about the titles within my overall series, I don’t blame you. The odd word combinations evolved from baking terminology (the exchange theme), fused with aspects of the prevailing public health crisis, and, to a lesser degree, visual associations with the artwork itself. I rarely find naming to be an effortless process. Every once in a while, it’s just as smoothly intuitive as creating a collage.
Something that comes more easily for me than titling is color harmony, particularly after a scheme has emerged early in the collage process. And then I find myself rejecting certain ingredients for no other reason than a balance of hues. There are always exceptions, of course. Some compositions tend to demand a “maximalist” approach that accommodates a fuller spectral array. The more complicated a composition, the greater challenge it presents in my choosing a satisfactory name for it. If the process becomes a bit too rational, the task is set aside. When I come back to it, the working title is often scrapped and something more spontaneous is the permanent choice.
The Oxidation of Reduced Elasticity
collage miniature by J A Dixon
8 x 10 inches
part of a series created for the
Baker’s 1/2-Dozen Collage Exchange
— acquired for the IMCAC permanent collection
The Congestion of Microcosmic Zest
collage miniature by J A Dixon
8 x 10 inches
part of a series created for the
Baker’s 1/2-Dozen Collage Exchange
— distributed in the exchange
The Absorption of Refracted Joss
collage miniature by J A Dixon
8 x 10 inches
part of a series created for the
Baker’s 1/2-Dozen Collage Exchange
— distributed in the exchange
The Stockpiling of Expectant Mirth
collage miniature by J A Dixon
8 x 10 inches
part of a series created for the
Baker’s 1/2-Dozen Collage Exchange
— distributed in the exchange
The Overexposure of Stiff Peaks
collage miniature by J A Dixon
8 x 10 inches
part of a series created for the
Baker’s 1/2-Dozen Collage Exchange
— distributed in the exchange
The Exclusion of Caramelized Preferment
collage miniature by J A Dixon
8 x 10 inches
part of a series created for the
Baker’s 1/2-Dozen Collage Exchange
— distributed in the exchange
The Aroma of Fermented Proximity
collage miniature by J A Dixon
8 x 10 inches
part of a series created for the
Baker’s 1/2-Dozen Collage Exchange
— distributed in the exchange
“Our intuition is always operating for us. Usually, however, we don’t act on it. When I made the conscious decision to start acting on thoughts that were coming through my head, amazing ‘coincidences’ began to occur.”
— Susan Jeffers
Each composition in this series started with a central rectangular zone and some of the elements extend out into the black field when it helped to create a dynamic balance. My tendency is to not overthink an underlying design, and I prefer to keep the process as spontaneous as possible. The same is true of the ingredient subject matter. Any potential symbolic meanings become more apparent after I stop.
Many of you who read this know what it’s like to have something just “belong,” and when it “feels right” to occupy a particular space. All of this happens without having to get too intellectual about it, and then the resulting coincidental associations emerge into perception. Antero Alli thinks that what has been described as “synchronicity” will eventually be called a skill.
The Wisdom of Retrograde Shortening
collage miniature by J A Dixon
8 x 10 inches
part of a series created for the
Baker’s 1/2-Dozen Collage Exchange
— retained by the artist
The Anatomy of Unleavened Extensibility
collage miniature by J A Dixon
8 x 10 inches
part of a series created for the
Baker’s 1/2-Dozen Collage Exchange
— retained by the artist